Heritage project manager, art and design jewellery team researcher and networker, exhibition curator, lectures and meeting coordinator, wine&food collaborations mostly based on local terroir experience (Milan and Northern Italy, Emilia Romagna, Po river region)Competence in jewellery design and reverse engineering for decorative applied arts.Cad-cam, cnc, Selca and Renishaw processing and post-processing.Fond of fine arts, applied arts, art history and history of the medal art.C.Vitae:Born in Milan Italy 1966 – married, mother of 1I was born and I lived most of life in my father artistic atelier as second generation master in metal engraving.Scientific high school degree (1985), and economic and social sciences graduation (Milan State University, 1990); some years as marketing support and project manager in a financial and leasing company (Italease Bank, Milan 1991-98). Full time into Negroni's family firm since 1998, metal engravings for art decoration and steel precision tools for silversmiths and goldsmiths.Cad-Cam skills (Microsystem, Selca, Renishaw), gemmology stages (Cisgem Milan), Art History (Gamec Modern Art Gallery BG, Umanitaria Milan Association, Brera Academy and IED teachers A.Madesani, L.Lenti), Sommelier Ais Degree, and short craft stages (Centro Studi Gioiello Cassano d'Adda e N.Frigerio), archaeo-metallurgy e granulation classes with prof. Alessandro Pacini, Montepulciano, Tuscany.Among latest engraving and milling works, both programmed and crafted are part of my study as a tribute and credit to "superfici a testura vibratile" (vibrating texture surfaces) inspired from contemporary artist Getulio Alviani.Since 2020, I'm focused on the project for the enhancement and promotion of the material and digital archive of the family small business, development and transformation from a workplace into a multifunctional cultural center.