Elisa Ricci Email and Phone Number

• Digitising the Islamic and Schiller Collections, updating EMu with detailed records onobject descriptions, locations, conditions, and loans, ensuring compliance withSpectrum standards. • Researching to enrich object descriptions and collaborated with the digital team toimprove ‘Collections Online’ imagery and content for public engagement. • Assisted in dismantling ‘National Treasures: Constable in Bristol’, managing paintingmovements and documentation. •… Show more • Digitising the Islamic and Schiller Collections, updating EMu with detailed records onobject descriptions, locations, conditions, and loans, ensuring compliance withSpectrum standards. • Researching to enrich object descriptions and collaborated with the digital team toimprove ‘Collections Online’ imagery and content for public engagement. • Assisted in dismantling ‘National Treasures: Constable in Bristol’, managing paintingmovements and documentation. • Coordinating ‘Conservation in Action’ tours to highlight restoration techniques. • Collaborating on the renewal project for the Glass Gallery, including budgeting, designing new cases, and creating updated labels. Show less

• Coordinating and supervising the safe and efficient set-up of complex events.• Liaising and working with the Exhibitions Manager, Curators, catering team, and external suppliers for the planning of temporary exhibitions and related events.

Project: "Cataloging of the paintings in the Sforza Cesarini Collection and reopening of Museo di Santa Fiora"• Headed the research, inventory, labelling, and cataloguing of ninety-two paintings, fifty porcelains, and thirty-three documents.• Planned the curatorship of exhibitions about the Sforza Cesarini’s Collection.• Organised and conducted guided tours of the collection, as well as live behind-the-scenes tours for both students and adults.

I conducted my work within the museum spaces of Rocca Maggiore, the Roman Forum and Archaeological Museum, the Municipal Art Gallery, the Torre Maggiore, and the Tourist Office (IAT).- Museums and IAT Ticket Office: Responsibilities included opening the museum area, activating lighting systems, utilizing the TLite platform for ticket printing (both paper and online), validating tickets with the GateKeeper System, managing financial closure through online and paper-based revenue records… Show more I conducted my work within the museum spaces of Rocca Maggiore, the Roman Forum and Archaeological Museum, the Municipal Art Gallery, the Torre Maggiore, and the Tourist Office (IAT).- Museums and IAT Ticket Office: Responsibilities included opening the museum area, activating lighting systems, utilizing the TLite platform for ticket printing (both paper and online), validating tickets with the GateKeeper System, managing financial closure through online and paper-based revenue records, securing the premises, and configuring security alarms.- Museums and IAT Bookshop: Tasks encompassed opening and closing the cash register, operating the Ad Hoc Revolution 6.5 management system, maintaining daily settlement records, organizing new merchandise and books, scanning delivery notes and forwarding them to the central office, and updating the inventory in the digital warehouse.In addition, I regularly conducted guided tours of the Roman Forum-Archaeological Museum and the Domus of Lararium and "Properzio," offering explanations in both Italian and English. Show less

• Headed classes on Modern and Contemporary Art.• Planned and developed workshops for students on Museums.

• Organisation of events for Festival Dei Due Mondi di Spoleto.• Headed the staff and volunteers, including planning shifts and duties.

• Collaborated with the curator in the strategic planning and development of exhibitions, specialising in designing displays featuring Modern and Contemporary Arts.• Led the cataloguing efforts and updated inventories for the Italian collections spanning the 14th to 20th centuries.• Conducted research and recommended temporary exhibitions seamlessly integrating modern and contemporary artworks.

Assisted American Students in Modern and Contemporary Arts and Museology.

Collaboration in the setup and dismantling of the exhibition 'DIAFRAMMA OPERA: 20 Years of the History of the Experimental Lyric Theater, Captured Through the Lens of Riccardo Spinella.' From the launch of the exhibition and for approximately one month, I managed visitor reception within the exhibition space, providing information in Italian, English, and Spanish about the exhibit, the history of the Experimental Lyric Theater in Spoleto, the 2021 Lyric Season, and the sale of available… Show more Collaboration in the setup and dismantling of the exhibition 'DIAFRAMMA OPERA: 20 Years of the History of the Experimental Lyric Theater, Captured Through the Lens of Riccardo Spinella.' From the launch of the exhibition and for approximately one month, I managed visitor reception within the exhibition space, providing information in Italian, English, and Spanish about the exhibit, the history of the Experimental Lyric Theater in Spoleto, the 2021 Lyric Season, and the sale of available merchandise. Show less

Visitor reception and hospitality duties at the museum locations of the Ex Museo Civico (Piazza del Duomo) and Ex Monte di Pietà (Via Saffi) for the 2nd Fiber Art Biennial.

• Organised paper archives.• Researched constraints in the SUE system.• Inputted constraints into the internal database.• Documented new restoration reports.• Maintained the paper archive of the Ufficio Restauri.

• Assisted the curator in the daily monitoring of artworks, conducted guided tours of the collection, and planned labs or interactive experiences for students based on Object-Based Learning.• Proposed a study of the Italian collection (paintings, sculptures, embroideries, coins, porcelains, documents and antiques) and updated catalogue entries according to Spectrum standards, utilising Calm Collections Management.• Collaborated with the Curation Team to plan and develop exhibition… Show more • Assisted the curator in the daily monitoring of artworks, conducted guided tours of the collection, and planned labs or interactive experiences for students based on Object-Based Learning.• Proposed a study of the Italian collection (paintings, sculptures, embroideries, coins, porcelains, documents and antiques) and updated catalogue entries according to Spectrum standards, utilising Calm Collections Management.• Collaborated with the Curation Team to plan and develop exhibition projects, such as Matisse’s drawings, Rembrandt’s sketches, and Candace Bahouth’s sculptures and mosaics.• Conducted questionnaires to assess visitor satisfaction and examined the data to enhance the museum experience. Show less

During my 150-hour curricular internship, I was responsible for a range of activities, including inputting authorization protocols for the free circulation of contemporary art pieces, implementing digital cataloguing of the historical archive pertaining to the ministerial SUE project, welcoming art transporters, and returning documented authorizations to relevant parties on the office's open days.

During a 120-hour curricular internship, I had the opportunity to conduct preliminary research into the Museum's history. This laid the groundwork for my Bachelor's thesis, which centered on the analysis of the frescoes in the 'Camera Pinta' (15th century) within the Museum. My research involved reevaluating initial attributions and, more significantly, introducing new, pertinent comparisons to support these attributions.