— 2021 —Responsible Fashion Series • Royal Academy of Fines Arts, Antwerpen, BEFragments Garments • Esad-TALM, Le Mans, FR— 2020 —Mode au futur • Musée de Bourgoin-Jailleu, FRArs Electronica • JKU Campus, Linz, AU— 2019 —Dutch Design Week • Veem, Eindhoven, NEParis aime la mode qui s'engage • École Duperré, FRFragments Garments • Avantex, Texworld, Parc des Expositions du Bourget, FRFashionGreenDays • ENSAIT, Roubaix, FRSalone del Mobile • Milano Design Week, Milan, ITEuropean Industry Days • The Egg, Bruxelles, BE— 2018 —SOS • FIAC, Grand Palais, FR5th Digitial Fashion & Wearables Exhibition • FabCity Summit, Parc de la Villette, FR35 Makerz, Festival 100%, La Villette fête ses 35 ans • Fablab Villette Makerz, FR— 2017 —FashionTechWeek Expo #5 • Cité de la Mode et du Design, FRGrand Paris Circulaire • Palais des Congrès d'Issy, Issy-les-Moulineaux, FRParis Design Week - Now! Le Off • Cité de la Mode et du Design, FRDesign Zéro Déchet • Galerie du VIA, FRExponential Happiness • TEDxParis, L'échappée volée, Campus Capgemini, FR— 2016 —FashionLab, EntrepreunerShip Festival • ESCP Europe, FRFashionTechWeek Expo #4 • IFM, FR— 2015 —Hors les murs • International Fragances and Flavors, FR— 2014 —Transformations: 100 diplômes pour les industries de la création • Centre George Pompidou, FR— 2012 —Pour demain • Théâtre du fil de l'eau, Pantin, FRPer domani • Salone del Mobile, Institut Français, Milan, IT— 2011 —Mali Binu, performance done during the exhibit Dogons • Musée du Quai Branly, FRJeudi's • Centre Georges Pompidou, FR

— 2022 —How to promote bridges between research an fashion ? • Texworld Professional Salon, Le Bourget, FR— 2020 —Sustainable Textile and Fashion • Re-Fream, online— 2019 —Upcycling éthique • Impact - Who's Next, Parc des Expositions, Porte de VersaillesCo-thinking the renewal of fashion • Ars Electronica, Linz, AUMaison de Mode • Le Vestiaire, Roubaix

Fashion Theory and Practice doctoral curriculum made in cooperation with the Institut Français de la Mode (IFM School). Domain: Aesthetics & Cultural Studies. Christophe Genin, Dean of Arts, is my Ph.D. supervisor. “Modularity in Fashion Design: A Practice-based Research on applying the Gilbert Simondon's Open Object Theory onto Garments“

Re-FREAM is a pillar of the STARTS Programme (Science + Technology + Arts), an initiative of the European Commission under the Horizon 2020 research and innovation program. Re-FREAM is a research project that invites artists and designers to connect with scientists on common ground to rethink the manufacturing process of the fashion industry. This super collision of ideas will give way to unforeseen ideas and a new aesthetic that is human-centered, inclusive, and sustainable. The goal is to develop new concepts for the future of fashion by means of new processes and aesthetics that are inclusive and sustainable. Awarded artists will receive a grant of 55,000 Euros.

2021 — “Responsible Fashion Series“ • Antwerpen University, Anvers, BE2019 — “Fashion, Costume, and Visual Cultures“ • Institut du Marketing et du Management de la Distribution, Roubaix, FR2019 — “Labor in the Creative Industries: the Case of Fashion“ • Oslo MET, Oslo, NO2019 — “Re-Frame Fashion“ • Atelier Néerlandais, FR2018 — “La mode, passager clandestin de la recherche ?“ • IFM, FR2017 — “Sustainable Fashion in a Circular Economy“ • Aalto University, Helsinki, FI

2022 — Guest judge for Contemporary Fashion Masters diplomas • International Fashion Academy2022 — One week Masters workshop "Fashion Research by Practice" • EnaMoma2021 — Cours "Stratégies d'implémentation de l'économie circulaire dans la mode" donné aux étudiants de Master • Parson's New School2021 — Présentation de mon travail aux étudiants du cursus international • Fabricademy2021 — Présentation de mon travail aux étudiants de Master • EnaMoma2021 — Mentoring de 6 mois d'une étudiante de Master, suivi de collection de diplôme • IFA2020 — Présentation de mon travail aux étudiants de Master • EnaMoma2019 — “La propriété intellectuelle à l'épreuve de la mode“ • Science Po Paris2019 — “Mode et Transgression“ • Carreau du Temple2017 — Présentation de mon travail aux étudiants de Master • IFA

2019 — Chapter “A Designer Contribution to the Use of CNC Machine within the Supply Chain in order to extend Clothing Life Span“ published in “Technology-driven Sustainability: Innovation in the Fashion Supply Chain“ • Palgrave McMillan Editions, UK.

WORTH Partnership Project is funded by the European Commission under COSME, the EU Programme for the competitiveness of Small and Medium-sized Enterprises. WORTH is the sole European project where designers, SMEs, manufacturers, and tech providers work together to develop innovative, design-oriented business ideas. The project focuses on lifestyle industries, including textile and clothing, footwear, leather and fur, furniture, and home decoration, jewelry, and accessories. The project provides companies with an incubation program to develop new businesses, including a) 10.000 € in financial support; b) coaching on business strategy and technology development; c) legal advice on intellectual property rights and protection; d) participation in exhibitions; e) networking and professional links.

I worked as an editorial manager in close collaboration with Julie Pont the editor-in-chief on the 6th Modelab Magazine issue dedicated to the Belgium fashion designers scene, which has been presented during the 33rd edition of the Hyères Festival. I also produced a few interviews and articles as a writer for the print issue and the digital media.

I imagined and styled the 90 looks of the film's main characters and figurants, in close collaboration with the director Doris Lanzmann. This film having being realized on a budget, I elected to favor low-cost vintage treasures hunt and customization to fulfill the brief within a short deadline.

I worked in close collaboration with Shinobu Akagi the atelier-in-chief (now working at Givenchy Haute Couture) and the designer Lutz Huelle on pattern development for the SS 2014 collection.

I assisted Lea Peckre on her first commercial collection presented during the 27th Hyères Festival, after her winning the Jury Grand Prize the year before.