Elizabeth Baxter Email & Phone Number

Austin, TX

- Created lighting for levels, supporting content for all platforms.- Created color board paint overs to set a look and feel for the lighting in each level.- Corrected textures and adjusted shaders to work better with UDK's lightmass.- Responsible for lighting in game cinematics and creating shot specific character lighting.- Added lens flares, light fog.

Austin, Texas Area

• Junction Point StudioProjects-Epic Mickey (Wii, 2010)Epic Mickey 2: The Power of 2 (wii, xbox 360, PS3, 2012)
• Created lighting for various levels within the Epic Mickey franchise, supporting content for Wii, Xbox 360 and PS3 platforms.
• Collaborated across functions with Environment Artists to create detailed textures and fix shaders.
• Leveraged an in-depth knowledge of color theory to create mood and unique lighting to exceed expectations.
• Created in-depth documentation for lighting guidelines and standards for the start of Epic Mickey 2, ultimately utilized by the entire lighting team to keep files and visuals consistent throughout the game.
• Constructed placeholder effects prior to polish during the early stages of the game.

Greater Los Angeles Area

• ProjectsAlvin and the Chipmunks: The Squeakuel (2009)Night at the Museum 2 (2009)Aliens in the Attic (2009)Responsible for lighting and rendering elements, compositing them, and working with compositor to finish the.
• Set up and rendered complex shots to match the background environment, including managing shot files with multiple characters and head replacements.
• Personally managed all rendered assets and created a Light Comp, leading to all assets passing on to compositing for final polish.
• Performed the final compositing polish on key shots in Night at the Museum 2.
• Accurately and efficiently documented and labeled all data and content, enabling the project to be swiftly re-started following a three-month hold.

Aliens in the Attic (2009)- Setup lighting for shot. Placed lights to match the environment in the scene. - Adjusted the lighting and subsurface on the characters. - Managed all rendered assets and created a Light Comp. After adjusting the comp all assets were passed to compositing for final polish.- Metered background plate and applied data to a light to.