Research archive and community experiments with artists interested in playful experimentation, p2p education, consensual tech, and DIY cultural production with AI. Focusing primarily on language models and using queer methodologies to create custom datasets, machine learning models, publications, and art with AI.More at: https://unsupervisedpleasures.com/

• Managing and Coordinating Social Media and Content Team • Planning and Coordinating marketing campaigns with Sales and Leadership Team.• Planning and Coordinating overall marketing strategy with Leadership Team and partnering advisers.• Co-developing and managing content strategy and brand voice across email campaigns, paid campaigns, and YouTube channel.• Tracking, Monitoring and Reporting campaign performance using Google Analytics GA4, GTM, Search Console, and Looker Studio dashboards • Designing, building, maintaining, and optimizing custom websites, B2B and B2C landing pages, Knowledge Base, Shopify store, and custom kiosks. • Working with Resource Development Team to optimize technical documentation and guides for SEO, readability, usability, and archival integrity. • Working with contractors and in-house team on print media for trade show displays, trade publications, catalogs, swag, etc • On-page SEO, technical SEO, SEO copywriting, YouTube SEO. • Creating and running Google Ad, YouTube Ad, and Facebook Ad campaigns. • Conducting technical audits, UX audits, email deliverability audits, and performance audits.• Working with project management tools and productivity software, GSuite, Airtable, Monday, etc.• Setting up custom workflows, automations, and software integrations using APIs, Zapier, Active Campaign, etc.

• Building custom sites and with JAMstack, React, Jekyll, node.js, etc. • Building experimental websites with bleeding-edge tech for exhibitions and archives. • Developing content and visual communication strategies. • Coding, designing, testing, and optimizing B2B and B2C landing pages. • Doing keyword research, competitor analysis, and backlink analysis. • Optimizing websites for performance, accessibility, and SEO.• Analytics and Goal tracking. Projects and Highlights:• 2022 Co-led Javascript development with UCLA Arts Conditional Studio for MIRRORARCHIVE.NET an artist-focused public archive documenting the first decades of artists who create work with software and for the internet. In collaboration with Color Coded.• 2021 Co-led the Javascript development, UX and design for the interactive archive, ARCHIVE.SHEWHOSEESTHEUNKNOWN.COM an assembly of books, manuscripts, and images of female and non-binary/queer figures in West Asian ancient stories that are often misrepresented or forgotten; by Morehshin Allahyari.• 2020 Led Javascript development for the interactive archive, BLACKTRANSARCHIVE.COM by Danielle Brathwaite-Shirley for London Science Gallery.• 2019 Web development, UX/UI design, and information architecture for RUHABENJAMIN.COM, the official website for the sociologist, professor and author, Ruha Benjamin. In collaboration with Color Coded.• 2018 Led Javascript development, 3D scene design, and UX design for the hypertext narrative, “The Laughing Snake” by artist Morehshin Allahyari for the Whitney Museum of American Art. • 2019 Played a key role as a strategic partner on the design, development, marketing, and positioning strategy for Aeon Laser USA, contributing to growth from zero to $10M+ in 3 years.• 2017 Led the visual communication strategy and web development for a campaign site to #BuyTwitter, achieving campaign goals and earned international press coverage in 100+ articles.More at: https://emilyknowshtml.netlify.app/

Making art about new economies created by cryptocurrencies and the so-called “sharing economy”. Examining how these economic concepts intersect with neoliberalism, colonialism, class warfare, race, altruism, utopianism, creativity, and exploitation. Developing a series of videos, downloads, online generators, surveys, quizzes, workshops, books, and net art projects.Notable achievements:• Co-authored a book exploring the artist as entrepreneur, labor, automation, and the gig economy titled, "The Future of Work".• Outsourced a keynote presentation for a tech conference to a gig worker from the sharing economy. It was a hit.• Published in Art in America, Media-N, Temporary Art Review, and The Entreprecariat: Pervasive Labour Union zine.• Exhibited in over 40+ venues internationally, including Drugo More (Rijeka, Croatia), Transmediale (Berlin, DE), Yerba Buena Center for the Arts (San Francisco), MoMA PS1 (New York), V2_Lab for the Unstable Media (Rotterdam, NL), The Luminary (St. Louis), The Institute of Network Cultures (Amsterdam, NL), and The Wrong Biennale.More at https://anxioustomake.ga

Responsible for leading discussion sections and critiques, providing technical instruction, attending lectures, and grading assignments. Departments: Art, Film and Digital Media, Music, Feminist Studies, Latin American and Latino Studies, Anthropology. Courses:Intro to Visual Arts (Spring 2012)2D Foundation (Winter 2012)The Film Experience (Fall 2011)Narratives of the Popular: Las America (Summer 2011)Intro to Photography (Spring 2011)Intro to Film Production Techniques (Winter 2011)The History, Literature, and Technology of Electronic Music (Fall 2010)Women in Music (Fall 2010)

ASSISTANT CREW LEADER, MIAMI EAST ELCO, FL, 2010 • Supervised 10+ enumerators during field operations. • Performed preparatory duties such as checking boundaries and becoming familiar with the areas where employees would work. • Assigned duty areas to employees, observed employees in the field, and provided on-the-spot assistance and supervision. • Reviewed and certified daily payroll and progress reports and ensured that work was completed within established time schedules.ENUMERATOR, ADDRESS CANVASSING OPERATION, MIAMI EAST ELCO, FL, 2009 • Used specialized hand-held computers with GPS technology to geolocate addresses and identify living quarters in order to update a complete and accurate address list and spatial database for enumeration. • Determined the type and address characteristics for each living quarter. • Worked in challenging areas that were difficult to access or that needed to be mapped from scratch, including small islands, new developments under construction, and underdeveloped rural areas. ENUMERATOR, GROUP QUARTERS VERIFICATION OPERATION, MIAMI EAST ELCO, FL, 2009 • Conducted interviews with residents in assigned areas by following stringent guidelines and confidentiality laws. Explained the purpose of the census interview, answered residents' questions, elicited information following a script, and recorded census data on forms. • Assessed quality control levels on selected addresses, determined which samples passed or failed, and maintained records for quality control verification. • Complied with accuracy standards while maintaining high production rates.

Responsible for print media design and layout of invitations, posters, and catalogs for the Fine Arts Gallery

Responsible for art direction, design, layout, and original album cover art for the Open Sesame Music record label.

Produced work about disaster capitalism and the American psyche as part of art collaborative, Balbone Martinez. Notable achievements include two solo shows, three large scale site-specific installations, and a fashion editorial feature in Beautiful/Decay.

Subcontracted by BP Oil. Responsible for conducting monthly inventory audits of approximately 90+ BP corporate sites in South Florida.

Worked with middle school and high school students; taught Algebra I & II, Geometry, Trigonometry, Pre-Calculus, SAT, ACT, FCAT, CLAST. Helped students develop self-confidence, raise self-concept, and reduce anxiety or fear of failure in academic work.

Performed inventory audits of up to $1.4 million. Trained and directed audit teams of up to 50 people. Notable achievements: Elected to represent the southern division on several international trips in the Caribbean. Achieved 4.7/5.0 on performance evaluations for all inventories run. Attained “Top Gun” performance level, achieved by less than 3% of 55,000+ employed worldwide.