Eric Schultz Email & Phone Number

Vancouver, BC, CA

Vancouver, British Columbia, Canada

RESPONSIBILITIES: >> Responsible for handling hero shots or a beat from a sequence with creating the look through modeling, look dev, lighting, and rendering assets to then pass to the composite department. >> Modeled set dressing and props for environment extension shots in Maya and Houdini.>> Look deved prop and environment assets in Arnold for Houdini..

Vancouver, British Columbia, Canada

*Laid off due to macroeconomic conditions; not performance related. RESPONSIBILITIES:>> Responsible for overseeing lighting artists in Luma’s LA and BC offices across multiple shows while helping them meet scheduled deadlines by trouble shooting scenes and creating render optimizations. >> Spearheaded the creation of light rigs and scene templates for.

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for the creation of light rigs and templates for other artists to use on a sequence and show level in order to light shots in Katana using the Arnold render engine such as the parasite alien sequence in the bar in the streaming film Rebel Moon: A Child of Fire.>> Helped artists troubleshoot their shots and optimize complex.

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for the lighting of hero CG shots in Katana using the Arnold render engine in order to help concept the lighting look for a sequence while also optimizing complex scenes and assets for rendering. >> Created basic comps of renders in Nuke for presenting to the supervisors and giving comp a starting point..

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for the creation of light rigs and scene templates for other artists to use on a sequence and show level in order to light shots in Isotropix Clarisse such as the train crashing sequence in the film Bullet Train.>> Mentoring new hires by getting them up to speed on our pipeline and helping artists troubleshoot their shots.

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for shot and sequence lighting in Isotropix Clarisse in order to help concept the lighting look for a sequence while also optimizing complex scenes and assets for rendering.>> Created basic comps of renders in Nuke for presenting to the supervisors and giving comp a starting point. --------------------------SHOWS:Uncharted.

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for shot and sequence lighting in Isotropix Clarisse and the optimization of complex scenes and assets for rendering. >> Created basic comps of renders in Nuke for presenting to the supervisors and giving comp a starting point. --------------------------SHOWS:Venom: Let There Be Carnage - 2021 Foundation Season 1 (Episode 1).

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for the creation of light rigs and scene templates for other artists to use on a sequence and show level in order to light shots in Isotropix Clarisse such as the Nebula sequence in the streaming series Star Trek Discovery Season 3.>> Mentoring new hires by getting them up to speed on our pipeline and helping artists.

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for the creation of light rigs and scene templates for other artists to use on a sequence and show level in order to light shots in Isotropix Clarisse such as the sequences with the monkey's in their cages sequences in the streaming series The Hot Zone. >> Mentoring new hires by getting them up to speed on our pipeline and.

Vancouver, British Columbia, Canada

RESPONSIBILITIES:>> Responsible for shot and sequence lighting in Isotropix Clarisse and the optimization of complex scenes and assets for rendering. >> Created basic comps of renders in Nuke for presenting to the supervisors and giving comp a starting point. --------------------------SHOWS:Y (Pilot Episode) - 2020 2.0 - 2018Venom - 2018 Godzilla King of.

Montreal, Quebec, Canada

RESPONSIBILITIES:>> Responsible for shot and sequence lighting in Katana using Renderman and the optimization of complex scenes and assets for rendering.>> Working as a bridge between the different departments to help look dev the final look of assets for shots such as the Thermoptic Suit in the film Ghost in the Shell and the Magneto Shield in the film.

Montreal, Quebec, Canada

RESPONSIBILITIES: >> Responsible for shot lighting of CG shots in Katana using Renderman and the optimization of complex scenes and assets for rendering.>> Responsible for look deving the shading of fx and environment assets in shots. >> Created basic comps of renders in Nuke for presenting to the supervisors and giving comp a starting.

Montreal, Quebec, Canada

RESPONSIBILITIES: >> Underwent training through the MPC Academy program learning the MPC lighting pipeline>> Graduated into the role of a Junior Lighting and Look Dev Artist

Hillsboro, OR

RESPONSIBILITIES: >> UVed and textured environment, prop, and crowd character assets before handing off to Look Dev for shading and lighting. >> Worked closely with Look Dev artist to create believable and photo-real assets that will match their live action counterparts on the stop-motion set.--------------------------SHOWS:Kubo and the Two Strings.

Culver City, CA

RESPONSIBILITES: >> Worked on Surfacing and Look Dev for a creature for an independent film project. Development of color scheme and shading of the final creature before handing it off to lighting.

San Fernando, CA ‎

RESPONSIBILITES: >> Working in the Design and 3D sculpting and 3D printing departments. Prepping digital files for 3D printing, assisting digital artists with current design projects, assisting digital artists with file management, cleaning and prepping 3D printed parts for other departments.