▪️ Management of technical key client projects and working on customer success with DGG’s diverse customer base, including retailers, brands, platform partners and other institutions,▪️ Product ownership and prioritization of roadmap items of DGG’s new RapidPBR product,▪️ Management of the developer / artist community using DGG’s products, and 3D technology support.

Polycount is the foremost videogame art resource & community. Our mission is to provide 3D videogame artists the best resource for 3D news, discussion, and notoriously honest art critique.

Research and development for rendering and real-time pipelines. Developing future of 3d web standards with Khronos 3D Commerce working group.

Driving AR/VR/Web3D content pipelines.

Leading, mentoring, and growing a team of artists in photo­realistic 3D image production. Driving AR/VR/Web3D content & conversion.

2D and 3D artwork for various clients. Real-time and pre-rendered 3D for game development, architectural visualization, VR simulation, prototyping.

Creating 3D environments, modular art systems, shaders, lighting, skyboxes, environment fx,for high-end mobile games. Directing and managing outsource artists. Solidifying andcommunicating the game art style.

Teaching game art theory and techniques to college students.• Introduction to Game Art• Level Design• Textures, Lights, and Rendering• Special Effects• Game Portfolio

• Shipped "Robot Rising" Unity3D browser game on Facebook: lighting and palettes, level design & population.• MMO worldbuilding: level design, terrain sculpting, texturing, lighting, water, foliage, skies and fx, detailing.• Worked with graphics programmers to implement HDR lighting, improve tool features, and design shaders.• Created art tutorials and wrote wikis, mentored both in-house and Chinese art teams, was Scrum Product Owner.

• Shipped "World of Zoo" for PC and Wii. • Led team of six Environment Artists. • Led two Tech Artists, improving their communication with the team. • Designed and created 3D environments. • Created physics setups, optimized assets for performance. • Defined art limits, reviewed outside contractors, taught best practices to junior artists, documented the art pipeline. • Worked with engineers to implement rendering features, shaders, and gameplay logic.

• Shipped three PC games for the U.S. Navy. • Led two artists. • Designed, modeled, textured, lit, and animated both real-time 3D and pre-rendered high-res 3D art. • Created tech demonstrations and user interfaces. • Edited videos for DVDs and streaming. • Created extensive internal wiki for the art pipeline.

• Directed teams up to fifteen artists and programmers, hired art talent, managed outside contractors, developed schedules and budgets. • Created concept art, modeled, textured, animated, and created effects. • Researched, designed and implemented art production pipelines.• Documented art technical constraints for clients' rendering engines. • Organized and directed motion capture sessions. • Trained and mentored art staff in new techniques.Games (partial list):• Aladdin and the Fate of Agrabah (with Disney Interactive)• Blade Runner (with Westwood Studios)• Interstate '76 (with Activision)• Mechwarrior 3 (with Hasbro/Microprose)• Need For Speed: Motor City (with Electronic Arts, Seattle)• Rebel Assault II (with LucasArts)• Star Fleet Command II (with Interplay)• The Daedalus Encounter (internal project)• Zork: Nemesis (with Activision)