Eric Aaron Email & Phone Number

Indianapolis, Indiana Area

In 2017, I embarked on a creative journey, independently bringing to life the scripted erotic podcast, Black Widow. This endeavor showcased my versatility as a producer, writer, director, and audio engineer, leading to extraordinary success and recognition.Creation Process:Beginning with a vision, I meticulously outlined the pilot episode in Google Documents, later translating it into a captivating script using Final Draft. Simultaneously, I collaborated with a graphic designer to craft imagery that encapsulated the tone of the episode, ensuring a visual narrative that complemented the audio experience.Episodic Planning:With the pilot in progress, I outlined the remaining nine episodes, carefully crafting a cohesive and engaging 10-episode season. This comprehensive planning laid the foundation for a narrative arc that captivated audiences throughout.Casting and Production:Taking a hands-on approach, I conducted local auditions to discover actors who could breathe life into the characters and elevate the storytelling. Once the ensemble was set, I delved into recording within Pro Tools, capturing performances that resonated with the essence of the narrative.Post-Production Expertise:In the post-production phase, I employed RX Advance to meticulously repair vocals, ensuring clarity and quality. Sound effects became the building blocks for immersive soundscapes, creating an auditory experience that went beyond storytelling.Outstanding Achievements:The inaugural season of Black Widow Podcast exceeded expectations, amassing over a million downloads within six months and earning the distinction of the best podcast in Indiana by The Indianapolis Star. Continual Innovation:With an unyielding commitment to excellence, I pushed boundaries by incorporating Dolby Atmos technology into the mixing process. This innovation transformed the podcast into a more immersive experience, resulting in over 3 million streams across various platforms.

Los Angeles, California, United States

As the Lead Audio Editor for the Scottie and Sylvia podcast at Raedio, I played a pivotal role in crafting a polished and professional auditory experience. My responsibilities included setting up microphones, recording, and mixing the episodes, which were recorded remotely using Riverside.fm.To ensure optimal audio quality, I collaborated with hosts on mic placement, especially considering less-than-ideal recording environments. Post-recording, I utilized Descript to meticulously edit out filler words, incomplete thoughts, and sentences, condensing three hours of raw material into a concise, engaging one-hour podcast.The post-production process involved the seamless integration of Descript-edited audio into Pro Tools, where I employed Izotope RX Advanced to eliminate plosives, mouth clicks, room noise, and room reverb. Leveraging Fab Filter for compression, EQ, DS, and Pro L, I skillfully balanced vocals, music, and sound effects, creating a cohesive auditory experience that gave the impression of hosts recording in the same location.Remarkably, I executed all these tasks within a tight two-hour timeframe. This experience not only showcased my proficiency with industry-standard tools but also underscored my ability to deliver high-quality results efficiently.Key Achievements:Successfully managed remote podcast recording via riverside.fm.Edited and condensed raw content using Descript, reducing podcast duration by two-thirds.Applied advanced audio editing techniques in Pro Tools, utilizing Izotope RX Advanced and Fab Filters for a polished final product.Achieved a two-hour turnaround time for the entire post-production process.My role as Lead Audio Editor at Raedio was not just about editing audio; it was about crafting a narrative and ensuring a seamless, engaging listening experience for our audience.

Los Angeles, California, United States

As the Lead Audio Editor for The HPS Cast Season 8, I brought a wealth of expertise in audio engineering, utilizing my proficiency in Izotope RX and Avid Pro Tools to deliver a meticulously crafted and polished final product.Key Responsibilities:Remote Audio Enhancement: Skillfully managed the unique challenge of remote recordings in less-than-ideal environments. Leveraged Avid Pro Tools to harmoniously mix vocals from hosts, ensuring a cohesive and professional listening experience.Precise Audio Editing: Employed advanced techniques using Izotope RX to remove plosives, mouth clicks, room noise, and room reverb, elevating the overall audio quality. My attention to detail extended to the meticulous removal of filler words, enhancing the clarity and flow of the podcast.Balance and Cohesion: Orchestrated the seamless integration of music and vocals, achieving a balanced and harmonious blend. My role extended beyond mere editing; I curated an auditory experience that resonated with the audience.Mastering to Podcast Standards: Ensured the final audio product met and exceeded industry standards. Mastered the audio to podcast specifications, maintaining consistency and quality throughout the entire production.Key Achievements:Successfully navigated the challenges of remote recording, delivering a polished product despite less-than-ideal recording conditions.Applied precise audio editing techniques to eliminate imperfections and enhance overall sound quality.Orchestrated a balanced audio mix, creating a professional and engaging listening experience for The HPS Cast Season 8 audience.My role as the Lead Audio Editor was not just about technical proficiency; it was about elevating the podcast into a premium auditory experience, reflecting the high standards of one of the nation's top financial institutions.

Los Angeles, California, United States

Dialogue Assembly. Organizing and stacking all production takes in the dialogue session to make all possible mic options available according to how they appear in the final edit of the script.

Los Angeles, California, United States

Worked closely with the production team to bring stories to life through expertly crafted sound effects.Collaborated on script analysis to enhance narrative elements through sound design.Ensured a consistent and high-quality audio experience for listeners.I am passionate about using sound to evoke emotions and enhance storytelling. Excited to bring my skills to new projects and collaborate with like-minded professionals in the audio industry.Connect with me to discuss the power of sound in storytelling and explore potential collaborations.

New York, United States

As the Lead Audio Editor for the Kontent Queens Podcast, I played a pivotal role in crafting a polished and professional auditory experience. Post-recording, I utilized Descript to meticulously edit out filler words, incomplete thoughts, and sentences, condensing three hours of raw material into a concise, engaging one-hour podcast.The post-production process involved the seamless integration of Descript-edited audio into Pro Tools, where I employed Izotope RX Advanced to eliminate plosives, mouth clicks, room noise, and room reverb. Leveraging Fab Filter for compression, EQ, DS, and Pro L, I skillfully balanced vocals, music, and sound effects, creating a cohesive auditory experience.

Los Angeles, California, United States

Dialogue Assembly. Organizing and stacking all production takes in the dialogue session to make all possible mic options available according to how they appear in the final edit of the script.

Los Angeles, California, United States

Dialogue Assembly. Organizing and stacking all production takes in the dialogue session to make all possible mic options available according to how they appear in the final edit of the script.

Indianapolis, Indiana, United States

Thrilled to have played a pivotal role as the Lead Audio Editor for the gripping True Crime podcast, "Armored," produced by Audio Chuck. In this 10-part series, host Jake Brennan delves into the most notorious armored truck robbery cases in North America and beyond, unraveling the intricate stories that drive both perpetrators and investigators.Key Responsibilities:Audio Enhancement Wizardry: Received raw remote recordings from the host, Jake Brennan, and embarked on an intricate journey of audio enhancement using RX Advance. Meticulously eliminated mouth clicks, plosives, room noise, and reverb to ensure a pristine and professional final product.Script-Driven Precision: Jake's raw audio included every instance of imperfection and retake. Utilized the provided script to navigate through the material, selecting and seamlessly integrating the best takes to construct a flawless narrative.Curating the Sonic Landscape: Delved into the vast library of APMMusic.com to handpick music that not only complemented the tone of the show but also harmonized with Jake Brennan's distinctive voice. The goal: is to create an immersive auditory experience that resonates with the audience.Balancing Act: Executed a delicate balancing act by leveling out vocals, music, and sound effects. This meticulous process ensured a seamless flow, allowing the narrative to unfold naturally and captivate listeners from start to finish.Impactful Results:Transformed raw remote recordings into a polished and professional 10-part True Crime series, captivating audiences with each episode.Navigated the challenges of script-driven editing to construct a cohesive and engaging narrative.Curated a captivating sonic landscape through careful music selection and sound fx, enhancing the overall storytelling experience.Passionate about Podcast Excellence:In the realm of True Crime storytelling, every detail matters. I'm not just an audio editor; I'm a storyteller who uses sound as a medium.

Indianapolis, Indiana Area

• Troubleshoot, maintenance and/or repaired all audio/video systems, equipment and hardware. • Daily operation of technical tracks for show/presentation public performances, rehearsals and special events, as assigned.• Daily venue specific maintenance, operation, start-up and shut-down procedures.• Developed seasonal and event-specific themes and programs for AV systems.• Assisted with training and development of other audio/video personnel as assigned.• Collaborated with relevant keeper and education staff for presentations.• Served in a backup capacity for PC support staff.• Audio Visual SupportHardware/Software:o Klipsch speakers o QSC Amps o Yamaha 16 track mixer to run sound for dolphin presentation

Indianapolis, Indiana Area

• Created job openings, Screened applications, interviewed applicants, trained new AV techs.• Notified GM when major equipment repairs are needed, corresponded between GM and repair techs• Mixed and regulated sound inputs and feeds as well as coordinated audio feed with television pictures and live bands.• Collaborated with team to determine formats, approaches, content, levels and mediums to effectively meet objectives within budgetary constraints.• Lead AV tech for corporate conferences, presentations and bands. Hardware/Software: o Yamaha LS9-32 Mixer in combo with Shure Wireless Microphones o Kramer HD Based active transmitter wall plateo QSC powered speakerso QSC amplifierso Skype for business (video conferencing)o Crestron control surfaceo Adobe Premiere (used to edit video for clients)o Studio One, Nuendo, Pro Tools, and FL Studio (Digital Audio Workstations)

Suwanee, Ga

•Sound Design for “Professor Atom” slot machine game.•Sound Design for “Junkyard Dogs” slot machine game.•Consult with producers & artist to determine & achieve the desired sound for production.•Create sounds effects and/or music to match the artist(s) creative direction.•Upload & Publish sound edits