Almost Human Media brings together talented artists, scientists, and programmers who care about making complex science and technology engaging, tactile and intuitive. We cover a diverse spread of skills ranging from the gamification of scientific topics to capivating Visual Effects, to real-time simulations of natural phenomena, urban infrastructure, and world change. We captivate and entrance audiences. With decades of interactive and design experience, we can help you weave a compelling story around your ideas and make sumptuous interactive worlds that people will want to come back to.

The Underground provides high-end, price competitive solutions for large scale CG environments, dynamic cloud-scapes and pryoclastic explosions. We also provide services in look development and scientific visualization.Ethan is an Emmy award winning artist with over twenty years experience in Visual Effects and with an equal amount of time working in the fine arts. With expertise in many facets of production, he has worked in feature film, television and scientific visualization with specialties in Digital Environment Creation, Art Direction, and Workflow Development. Ethan maintains an independent studio in Guanajuato, Mexico and has a collaborative partnership with xRez studios in Los Angeles, California.He has worked with many clients including Pixomondo, Stargate Studios, Prime Focus Films, Sony, NASA, Sundance Films, Shilo, Mattel, Microsoft, Electronic Arts, Hewlett Packard, Disney, Viacom Interactive, Hasbro, Coca Cola and IBM. He has international work experience in Mexico, Singapore, Japan and the USA, and has been published in many industry periodicals. When time allows he likes to create sculpted art cars and work in abstract painting and photography. He is also trying ot learn to ride the unicycle which he has not quite mastered.

HubX is a center for exploring the intersection of science, technology, and art, and a combination maker space and think tank where people (especially teens) can invent new ideas for the future they would like to see.

Pixomondo Burbank. 3 terrain shots for Speilburg’s Terra Nova. Shots were completed in Terragen 2 under a tight schedule and then used as templates for many remaining shots over the course of the series.

Prime Focus Films - Lead environment R&D and Workflow Designer on Zack Snyders’s Sucker Punch. Responsible for developing usable workflows and essential look and feel in the context of Maya and Terragen for the opening shot of the movie as well as an extended alien planet sequence.