Lead Lighter and Compositor on the animated feature "DC League of Super-Pets"* Team management on Sydney side* Supporting Supervisor and Sydney artists on meeting weekly targetsLighting Lead on the hybrid Animation Feature "Peter Rabbit", "Peter Rabbit II"* Team management* Supporting supervisor and production on meeting high quality pictures and targetsLighting Supervision on Lego's featurettes, bloopers and some Lego commercials.Lead Lighter and Compositor on animated feature "the Lego Batman movie", "Lego the movie II" and "the Lego Ninjago movie",* Look dev on several early days trailers and key shots* Investigation on long render time and build up on a strategic approach to render efficiently millions of LEGO blocks in conjunction with the leads and TDs* Team management with daily rounds, artistic and technical support* Technical information shared under a wiki documentation supported by team meetingsDigital Matte Painter on the live action feature "Monk Comes Down the Mountain",using Photoshop and Nuke.Digital Matte Painter on the live action feature "Unbroken",using Photoshop and Nuke.* 2.5D Matte Painting of Tokyo and the iconic Mt. Fuji.* snow addition and clean ups.* rows of dead bodies on the foreground painting of a hero shot.Lighting and Compositing on 55th anniversary VOGUE Australia issue.Lighting and Compositing for 360 stereo immersive experience, VR "data arena" University of Technology, SydneyLighting and Compositing on animated feature "Lego the movie",using MAYA, physically based shader and Nuke.Lighting and precompositing on the live action feature "The Great Gatsby",using MAYA, physically based shader and Nuke.* Lighting of set extension, CGI cars and characters for live action scenes.* Testing pipeline.

Lead Lighting on the stereo animated feature "Happy Feet II"-using Houdini, 3d light and Nuke* Key lighting and compositing on the first challenging shots.* Design of light rigs and workflow for a given location to warrant continuity and efficient production.* Communicating technical and aesthetic aspects of the sequence as a team player* Assisting TDs and RnD by proposing and testing new tools

Key Lighting and Compositing on the stereo animated feature "Legend of the guardians : the owls of ga'hoole"-using MAYA, Renderman and Nuke* Key lighting and compositing on technically challenging shots with multiple characters, localisations and fxs.* Communicating technical and aesthetic aspects of the key shots

Lead Lighting on the stereo animated feature "planet 51"-using 3DSmax, Cyclops (in house raytracer) and Nuke* Key lighting and compositing on the establishing shots of the first sequences,* Working close to production and the team on meeting production targets.

Key Lighting on the stereo ride for amusement park "Journey in the center of the earth",Lighting on the stereo animated feature "Fly me to the moon"-using MAYA, Renderman* Production and key lighting shots* Understanding of constraints and issues related to imax 3D

Lighting on the live action feature "Pérez, el ratoncito de tus sueños"-using XSI, mental ray, VBscript* Lighting, precompositing and integration of CGI mice in live action scenes* Creation of automatic passes scripts* Creation of optimization scripts for shader model* Creation of lighting script interface

3d artist for medical products-using 3DSmax, photoshop, illustrator, javascript* In charge of 3d advertising and visual communication

Lighting and Compositing on the animated feature "Pollux The magic roundabout"-using XSI, mental ray, vbscript, FXtree* Lighting and compositing shots on different sequences* Lighting and paintover of merchandise stills* Support to the lighting TD team* Creation of automatic passes scripts* Creation of optimization scripts for shader model