Evan Anglin Email & Phone Number

• Execute the launch and development of the animation division, while positioning animation clients forplacement on film and television projects• Market Emmy-nominated and Annie Award nominated showrunners and directors to studios• Develop the careers of writers, directors, storyboard artists, animators, character designers, and productionservice pods; Manage the day-to-day relationships with current and new clients• Pursue animation and live action talent for signing; Track new projects, review scripts, and meet withfinanciers for projects; Negotiate contract details while representing clients• Represent the firm at client events, project pitches, screenings, deal negotiations, domestic andinternational film festivals, and animation summits• Provide analysis on animated and hybrid projects for the production arm of the firm• Comprehensive strategies in executing deals with a collaborative world view and global talent value

• Aligned clients with opportunities in film and television placement both domestically and internationally• Spearheaded film campaigns for animation and live action clients at film festivals• Built brands on social media for client-owned production companies• Obtained rights to intellectual property for the production slate and secured intellectual propertyownership of podcasts for clients

• Oversaw mid-budget indie film and television projects for clients working below-the-line in production• Represented literary client list and production clients for award-winning agency• Brokered deals for books, film and television scripts, shorts, and other literary works• Traveled to film festivals to represent agency, while building relationships with new talent• Worked with production companies and producers in international territories• Sourced talent for various production companies, brands, films, TV shows, and projects

• Co-Leader in charge of guiding careers of emerging literary clients• Worked with cross-functional teams to manage clients• Collaborated closely with movie franchise executives and provided detailed script coverage

• Organized Pablo Ferro’s archives of his work to be submitted to the Library of Congress in Washington, D.C. • Archived works included segments of Stanley Kubrick’s Dr. Strangelove, A Clockwork Orange, The Thomas Crown Affair, Philadelphia, Bullitt, and Beetlejuice