Florencia Incarbone work email
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Florencia Incarbone holds a degree in Cinematography from the Universidad del Cine (Buenos Aires, Argentina). She is an independent curator and editor, and the founder of Hambre, a platform dedicated to the research and promotion of experimental cinema and video. Within the framework of this project, she edited the books "La radicalidad de la imagen. Desbordando latitudes latinoamericanas. Sobre algunos modos del cine experimental" (2016) and "Migrant Thoughts. Cinematographic intersections" (2020).As an independent curator she participated in over 20 international festivals such as CODEC/Festival Internacional de Cine Experimental y Video (Mexico), 17 Festival UltraCinema - Cine Experimental y Found Footage (Mexico), MUTA. Muestra Internacional de Apropiación Audiovisual (Peru), Proceso de Error - Festival Internacional de Video Experimental (Chile), FRONTEIRA - Festival Internacional do Filme Documentário e Experimental (Brasil), IndiVisible 8 - Muestra de Cine Independiente de Medellín (Colombia), BIM - Bienal de Imagen en Movimiento (Argentina), CineToro Experimental Film Festival (2021-2022), Istanbul International Experimental Film Festival (Turkey).Her development in the field of audiovisual curatorship in festivals, museums, and cultural institutions, both in the national and international context, proposes to highlight and reflect on the aesthetic singularity of experimental cinema from a transversal approach by making crossings with other disciplines.She is currently the Editor of MUNTREF Museo de la Universidad Nacional de Tres de Febrero (Argentina) and BIENALSUR (International Biennial of Contemporary Art of the South), and also works as a film Executive Producer at the company Selva Cine. Her texts on film, video, and installations have been part of publications of the Museo Nacional de Bellas Artes de Buenos Aires (MNBA), the Bienal de la Imagen en Movimiento, Walden Magazine, among others.
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EditorBienalsur Mar 2017 - PresentBIENALSUR is the International Biennial of Contemporary Art of the South, an extensive platform for art and culture under permanent construction. It is a singular type of biennial: decentralised, democratic, horizontal and humanistic, embracing the issues of today's world.From its Km 0 at MUNTREF (Museums of the Universidad Nacional de Tres de Febrero) in the former Hotel de Inmigrantes in the City of Buenos Aires, to Tokyo, BIENALSUR maps out a new cartography for contemporary art that spans 18,370 kilometres, simultaneously connecting art spaces, creators, audiences and communities from all continents.In 2023 the fourth edition of BIENALSUR took place in more than 70 cities in 28 countries on 5 continents. With the participation of more than 700 artists and 64 curators.-Publication Planning: Collaboration with curators and artists to plan and develop publications, such as exhibition catalogs, brochures, and printed materials for the exhibitions.-Graphic Design Coordination: Collaboration with graphic designers or design teams to ensure the visual coherence and aesthetic quality of publications.-Print Production Oversight: Coordination of the production process for printed materials, ensuring timely delivery and high-quality printing.-Budget Management for Editorial Projects: Manage the budget allocated specifically for editorial projects, including publication production costs, design fees, and other related expenses.-Collaboration with External Contributors: Coordinate with external contributors, such as guest writers, translators, proofreaders and photographers to ensure their contributions align with the editorial vision of the biennial. -
Editor / Curator]H[ Hambre Aug 2013 - Present]H[ Hambre is a platform dedicated to the research and promotion of experimental cinema and video. As part of this project, she edited the books "La radicalidad de la imagen. Desbordando latitudes latinoamericanas. Sobre algunos modos del cine experimental" (2016), "Migrant Thoughts. Cinematographic intersections" (2020) and 11 digital dossiers were published in Spanish and English.
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Editor At Museo De La Universidad Nacional De Tres De FebreroUniversidad Nacional De Tres De Febrero 2016 - PresentBuenos AiresEditor of art books and exhibition catalogs. -
Executive ProducerSelva Cine Jan 2013 - Dec 2023Buenos Aires, Provincia De Buenos Aires, ArgentinaOur main objective is to produce short films, documentaries, and fiction feature films that stand out for their content and aesthetic proposal. Selva Cine has also been involved in other creative spheres by partnering with projects related to music and writing. Thus, it has been implicated in the production of video clips, books, records, and cultural events. Although the main focus is on film production, any project that resonates with our aesthetic search can find its existence within the expanding universe that Selva Cine intends to build.
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Programming Coordinator - 4Th Bienal De La Imagen En MovimientoContinente Jul 2016 - Dec 2016Buenos AiresSince 2012, the Biennial of the Moving Image (BIM) has celebrated video and experimental film in the city of Buenos Aires. It is an international event with exhibitions, screenings, and workshops, as well as a gathering place for audiovisual arts enthusiasts.-Communication with video artists, providing guidelines and information about technical specifications, deadlines, and any requirements for the presentation of their work.-Technical Oversight: Collaborate with the technical team to ensure that the necessary equipment and infrastructure are in place for the proper screening and presentation of video artworks.-Screening Schedule Planning: Work with the scheduling team to plan the screening schedule, considering factors such as thematic groupings, duration, and technical requirements of each video artwork. -
Content Coordinator - 2Nd Bienal De La Imagen En MovimientoContinente Jul 2014 - Dec 2014Since 2012, the Biennial of the Moving Image (BIM) has celebrated video and experimental film in the city of Buenos Aires. It is an international event with exhibitions, screenings, and workshops, as well as a gathering place for audiovisual arts enthusiasts.-Submission Management: Oversee the submission process for video artworks, including the organization, and review of submissions. Ensure accurate documentation of submitted materials.- Legal and Rights Management: Ensure compliance with copyright and intellectual property laws, obtaining necessary permissions and rights for the exhibition and documentation of video artworks-Graphic Materials Coordination: Collaborate with graphic designers and writers to create visually engaging and informative graphic materials, including a brochure and and a catalogue of the event.Coordinate the production process for graphic materials, overseeing tasks such as content development, graphic design, printing, and distribution within the specified budget and timeline.Work closely with the editorial team to integrate written content, artist statements, and essays into the graphic materials, maintaining a cohesive narrative that reflects the curatorial vision of the Biennial. Oversee the distribution of brochures, books, and catalogues during the event, ensuring accessibility for attendees and potentially offering them as souvenirs or educational resources.
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Coordination Assistant - Muestra De Cine Realismos De La PrecariedadUniversidad Del Cine - Malba Mar 2010 - Dec 2012Organization and production of Muestra de Cine Latinoamericano Realismos de la precariedad. Universidad del Cine and Malba, Buenos Aires.
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Editorial AssistantEdiciones Colihue Oct 2009 - Dec 2009Buenos Aires, ArgentinaEditorial collaboration in the book "Entre imágenes" by Raymond Bellour, published by Colihue. -
Editorial AssistantMalba, Museo De Arte Latinoamericano De Buenos Aires Jul 2008 - Dec 2008Buenos Aires, ArgentinaEditorial collaboration in the publication "Historia crítica del video argentino", edited by Malba and Espacio Fundación Telefónica. Compilation: Jorge La Ferla. -
Institutional CoordinatorMeacvad Mar 2007 - Dec 2008Buenos Aires, Provincia De Buenos Aires, ArgentinaInstitutional coordination in the Euroamerican Exhibition of film, video and digital art. Organized by the Alliance Française, Goethe-Institut and Espacio Fundación Telefónica. -Contact with embassies, cultural centers and educational institutions that participated in the event. -Coordination with press, web, and editorial design.
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Curaduria Visionarios - Itau CulturalItaú Cultural Aug 2008 - Oct 2008Collaboration in the selection of the video program with works from Argentina, Chile, Uruguay, and Paraguay. Curated by Jorge La Ferla for "Visionarios", exhibition held in Sao Paulo and organized by Itaú Cultural. -
Teaching AssistantUniversidad Del Cine Mar 2006 - Dec 2007Buenos Aires, ArgentinaTeaching assistant for Audiovisual Techniques I, Universidad del Cine.
Florencia Incarbone Skills
Florencia Incarbone Education Details
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Bachelor In Cinematography
Frequently Asked Questions about Florencia Incarbone
What company does Florencia Incarbone work for?
Florencia Incarbone works for Bienalsur
What is Florencia Incarbone's role at the current company?
Florencia Incarbone's current role is Independent editor and curator.
What is Florencia Incarbone's email address?
Florencia Incarbone's email address is fi****@****.edu.ar
What schools did Florencia Incarbone attend?
Florencia Incarbone attended Universidad Del Cine.
What are some of Florencia Incarbone's interests?
Florencia Incarbone has interest in Civil Rights And Social Action, Education, Environment, Poverty Alleviation, Disaster And Humanitarian Relief, Human Rights, Animal Welfare, Arts And Culture.
What skills is Florencia Incarbone known for?
Florencia Incarbone has skills like Photography, Photoshop, Film, Video Editing, Video, Final Cut Pro, Art, Digital Photography, Video Production, Post Production, Illustrator, After Effects.
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Florencia Incarbone
Istanbul
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