- Maintain multiple department task schedules and department resources on feature film projects.- Manage the full VFX pipeline including ingesting and delivery on commercial and short form projects.- Work closely with the producer and production manager to analyze schedules, shifting priorities, and client requests.- Forecast resource requirements for the department under my purview– Identify key shortfalls and crew surplus.- Have managed up to 30 artists working in multiple location on 500+ tasks.- Use Shotgun to track, schedule, manage, and prioritize VFX tasks.- Keen knowledge of the visual effects asset development and shot production pipeline. Projects: “A Wrinkle in Time” “Thor: Ragnarok” “Spiderman: Homecoming” “Fate and The Furious” “Shadow”; Commercial projects upon request.

- Visual effects producer on feature films, music videos, and commercials.- Budgeted, scheduled, and managed visual effects projects from conception to completion.- Managed client expectations throughout the visual effects process.- Bid and negotiated the first feature project that helped set up the company for success.- Spearheaded the company’s move into its first office space,- Managed shot production for projects outsourced to Rebellion VFX.

- Managed personal portfolio by investing in company stocks and consistently outperforming the S&P 500 index.- Employed fundamental and technical chart analysis to make educated investment decisions.- Analyze company reports, news, earnings and SEC publications to inform investment decisions.

- Qualified incoming leads and generated new leads through prospecting and cold-calling potential clients. - Dealt with company/client queries in a professional and efficient manner always focused on the customer.- Part of the team charged with the expansion of current accounts, growing revenue targets which included major studios, agencies and television networks.- Consult directly with studio, network, and agency customers within the industry to communicate client feedback to the Tech and Content teams for product integration to maintain the premiere product within the industry.- Led the effort to raise product awareness of the product to recent graduates entering the entertainment industry.

- Coordinated the office of Alexandra Milchan at New Regency and EMJAG Productions. - Managed and tracked incoming and outgoing Submissions. - Roll calls, set meetings, keep executive schedules, screen and prioritize calls.- Coordinated high level meetings and extensive travel – international and domestic.- Script coverage, notes and took part in the creative process on the development of scripts.

- On set assistant for Producer Alexandra Milchan, BULLET TO THE HEAD directed by Walter Hill. - Managed EMJAG submissions and progress of over 40 projects in Development. - Script coverage, notes and took part in the creative process on the development of scripts.- Roll calls, set meetings, keep executive schedules, screen, and prioritize calls.

- Assistant to the VP of Production and VP of Business Affairs. - Rolled calls, set meetings, kept executive schedules, screened and prioritized calls.- Assisted in reviewing and analyzing budgets.- Managed clip licensing for FBC, seeking internal approvals, generating clip license contracts and follow up.

- Planned, performed, and supervised maintenance and inspections for A-10 aircraft to support flight operations.- Diagnosed and analyzed complex malfunctions and anomalies.- Communicated intricate reports to different levels of management of varying levels of technical understanding.- Supervised and trained entry-level personnel and coordinated with technical system specialists and pilots.