LABMOVEL is an awarded mobile lab platform based in São Paulo. It’s main objective is to promote social change through art and knowledge sharing, with a particular focus on youth in critical areas of the city. The ongoing project have been offering series of activities and workshops involving the use of digital media in public spaces, extending to various locations in the city and outlying regions. It received the honorary mention award for "Digital Communities" in Prix Ars Electronica, Linz, Austria (2013) as well as the support of Prince Claus Fund, Netherlands (2012).

A residency space for programmers, software developers, digital makers and designers, which supports innovative creative projects that link digital techniques to culture and development.

FLAGCX The Creative Disruption Network –Communication group with more than 15 companies in São Paulo,Rio de Janeiro and New York.

Since returning to Brazil in 2006 after several years in the UK, I’ve worked consistently with international cultural institutions and have led recent developments in this area. In 2009, I was one of the key team behind the British Council initiated event ‘Paralelo – art, technology and the environment”, which gathered 55 participants – including artists, designers, policy-maker and researchers – from three different countries (Brasil, the Netherlands and the United Kingdom) to discuss different ways in which collaborations across disciplinary and cultural borders can enable research and new insights into global and local environmental issues. In 2010 I collaborated with Glonet – a new model for group-to-group globally networked events, developed by FutureEverything in partnership with British Council, Distance Lab and Lancaster University. It was co- produced by W2 in Vancouver; Sendai Creative Cluster Consortium, FesLab and TRUNK in Sendai, Japan; amber in Istanbul, Turkey; and Vivo arte.mov in Sao Paulo, Brazil. Despite very tight time schedule we delivered a completely novel technological solution for this event, involving 5 different cities with distinct schedules and time zones. Also in 2010 I became executive curator of Arte.mov (www.artemov.net), a leading international mobile media art festival, which took place in 5 different regions of Brazil with a substantial programme of work happening locally and regionally involving the production of numerous events, talks and exhibitions.

FAAP - "Design and Innovation" course at Nucleo de Cultura to an interdisciplinary group, involving architects, designers, artists and communication experts.Escola São Paulo - "Design Thinking" courseBelas Artes - "New technologies" in the MA Set DesignIED-SP - "Digital Design" convenor

We have arrived at a point of exhaustion – social, environmental, economical. Today, in the context of a lasting economic crisis that increasingly calls into question many other aspects of our society, it is vital to discuss different futures and alternative paths. This exhibition is not a call for revolution. It is an invite to take a moment to pause; to look back and think ahead. It intends to create a space to develop radical fictions – may they be critical, experiential or simply imaginative.Fiction is a form of narrative that deals with events that are not (yet) factual. Once in a while it is necessary to go beyond current facts and freely explore the possibilities of our desires, in order to understand clearly what today’s limitations are. This helps to step beyond the rigid framework of the contemporary mainstream society and to look at its complexities from a distance.The works selected for this show showcase various types of fiction, pushing the boundaries of our perception, values and belief systems. They act as agents, or systems of action, intended to provoke and question our forms of living and to re-imagine our everyday future.

In 2012, I co-curated ZERO1 Biennial anchor exhibition in downtown San Jose under the thematic "Seeking Silicon Valley". I managed to leverage resources to increase the budget by establishing international partnerships. I contributed to the biennial publication, and participated in speaking and press opportunities that went along with the event.

Nominating three outstanding projects from works from North and South America for the FutureEverything Award 2011.

In 2010 I was the executive curator of Vivo Arte.mov, an international mobile media art festival, which took place in 5 different regions of Brazil, with a substantial programme happening locally and regionally involving the production of numerous events, talks and exhibitions.

Lecturing in Experience Design. Coordinating the final year programme, inviting guests for lectures and advising the students on their TCC project.

Co-curator of “Paralelo - art, technology and the environment”, event that gathered 55 participants - from Brazil, the Netherlands and the United Kingdom - to discuss different ways in which collaborations across disciplinary and cultural borders can enable research and new insights into global and local environmental issues. Partnerships: Arts and Humanities Research Council, Goldsmiths University, Royal College of Art, Mondriaan Foundation e Virtueel Platform.

Head of media lab of Museu Imagem Som, responsible for curating the programme of artists resindency, workshops, lectures, talks, as well as establishing collaboration with international institutions.

Coordinating the structure of the programme in the Centre for Cultural Studies at Goldsmiths University of London, having been a panelist in a substantial number of PhD student review panels. The programme offers the opportunity to develop theory and practice-based research about how information systems are embedded in the technical, cultural, aesthetic, and political structures of society.

Conceptualisation and development of through the line advertisement campaigns, brand identities and marketing strategies.

We produced innovative hybrid media campaigns for clients such as Budweiser, HSBC, Guinness and others. Managing a creative team of 15, including 4 art directors. Reporting to the CEO. Providing input into the development of the communications/design brief and communication strategies, working together with marketing analysts and strategists. Controlling the quality of ideas, solutions, and execution of work in the Creative Department, by assigning the right groups and teams for specific accounts and projects. Creating an environment that allows for innovation and creative thinking. Determining appropriate resourcing plans. Interviewing and hiring senior creative staff. Mentoring role, focusing on the development of people within the team. Presenting the business’s creative work with authority at the highest level internally & externally.

My role involved researching emergent technologies in television and broadcasting environments to ensure innovative content solutions, project management, development of prototypes, assembly and motivation of teams in Design and Development areas, and the ability to integrate client requests or technology changes.