Founder and Creative Director / giuglia. womenswear multidisciplinary craftsmanshipwww.giuglia.com

I played the role of assisting my manager for the necessary amandements to be carried out on all the styles in the collection, thus subjecting them to the fitting phase and requesting the processing of patternmakers. Then I took care of collecting trims and fabrics with the aim of launching / sending them to suppliers, in order to proceed with the creation of prototypes and so on for each style in the collection. Once the last phase of prototyping was received from the suppliers, the latest changes of the fit and style amandements necessary for each garment were addressed, following and proposing solutions to the stylistic needs of the designer and following the changes necessary for the construction, by the patternmakers. Subsequently at the FTS phase in which for each fabric the different styles of all the categories of the womeswear line are combined, up to the phase of trims allocation for each style, therefore having in this phase, the choice trims to be allocated for each style, following the designer in the selection phase, also on the basis of a more or less practical and necessary choice support for the sale. Then arriving at today's launch phase of the sms phase, and at the same time following the passings for the development of the fashion show line. I take care of carrying out shipments (with prototypes and materials) and I also play the role of assistant product developer through the use of PLM softwear, creating new styles with all the necessary details (suppliers, costs..) mainly working on the creation and compilation of the Bom and reviews, with comments of the fitting phases, necessary for the packaging of the styles by the suppliers, also sending them all the patterns and mlist packages necessary for the processing.My role as assistant is also present in the weekly team meetings, with the various team managers, to discuss the organization of the weekly work. I also work closely with the team of designers, pattern makers and trim / fabric teams.

Role of 3D Designer / Atelier Assistant working on the FW21 collection.Collaboration with junior designers assigned to me through:Creating patterns, toiles and maquettes independently;Ideas and proposals of garments through maquettes, suggesting creative ideas to the designer;Following the design proposal by the designer, development of a first working basis;First construction in moulage of the garment to then transfer it "à plat" in patterns and then make a first toile that is analyzed together with the designer during the fitting phase.Making corrections from a garment construction point of view under my responsibility.Carrying out changes from a stylistic point of view through dialogue with the designer and following the wishes of the Creative Director;Development of the second and third toiles and discussion during the fittings with the designer, developer and Creative Director, with my proposal of details of the garment making and finishing.Decision of details and finishing with the developer by analyzing production costs;Finalization of patterns with final toiles to be sent to the prototyping company;Follow-up of the prototype and possible modifications.Processing on an average of 2/3 garments per week under my responsibility.Role of Patternmaking Assistant in the Atelier working on the SS21 collection through:Support for the phase of finalizing patterns and tailoring of toiles to be sent to the prototyping company;Support through the creation of toiles for the correction of garments to be sent to production;Assistance at the Première Atelier during the fittings with the creative director Marine Serre;Any subsequent changes to the fittings of the garments.

Inside the style office I worked alongside the Head Designer of the Haute Couture women's collection presented in July 2019 with the mission of:Design of embroidery for the fashion show garments, creating Artwork in Adobe Photoshop / Illustrator and designing the placements, selecting materials, stones and crystals;Accessories design including earrings and bags;Participation in fittings in collaboration with the Atelier with particular attention to tailoring;Support for the organization and running of the Fashion Show at the Musee de l'Homme in Paris.

I worked in close collaboration with the founders Victoria Feldman and Tomas Berzins, allowing me to test myself on several fronts. I participated in the development of the SS19 collection with the mission of:Processing of patterns and toile up to the final tailoring of garments for the fashion show;Daily stylistic inputs through research;Support for fabric research;Contact with suppliers and producers of knitwear, mainly in Italy and Portugal;Support for the organization and running of the Fashion Show at the Ecole de Medecine in Paris.

Showroom assistant and participation in fittings and finishing of collection garments on models with the assistant of the creative director Maria Grazia Chiuri.

Showroom assistant and participation in fittings and finishing of collection garments on models with the assistant of the creative director Maria Grazia Chiuri.

In the style office I worked on the SS17 collection, with the mission of:Placement of existing prints on patterns using Adobe Illustrator;Artwork creation;Participation in fittings with the creative director Jeremy Scott, the creative team and the patternamaking team;Volume and color design proposals through Adobe Photoshop;Search for inspiration and concept themes for the new collections, search for images, texts and fabrics, search for trends and create Moodboards.