Sara's introduction to recording was bootleg tape trading in college. This led to her enrollment at UCLA for Recording Engineering, Songwriting, and Music Business. Sara was hired by Bill Dooley at Brooklyn Recording in 1998. The first six months of Sara's studio career was building a studio and learning to troubleshoot. After Brooklyn, Sara was a staff engineer at Track Record, and Devonshire Recording before going freelance. She engineered for Delaney Bramlett at Carnegie Hole, and then segued into post-production. Sara worked as a restoration sound editor at Sound Chamber Mastering for Eric Dosch from 2001-2003 during which time she restored 23 films for MGM in 3-5 languages each. In the summer of 2003 she toured with the Rev. Al Green. She was co-mixing FOH on the West Coast leg with Louis McKay III and was Al's Monitor Engineer when he headlined at Monterey Jazz Fest. Sara then switched to Production Sound in 2003. She joined IATSE 695 in 2005 and the Cinema Audio Society (CAS) in 2016. She is a board member of IATSE 695 & the LA chapter of the Audio Engineering Society (AES).Specialties: Good sound. Good attitude. I enjoy what I do. It's as simple as that.