Creating games we'd want to play.

At Dry Cactus, I worked closely with the Art Director to help discover our game's art style, translating 2d concept to 3d, and figuring out new pipelines to achieve a humongous art style.

Moving out of freelancing and into fulltime employment, I'll be working on everything from modeling and texturing weapons, environment assets, creatures to some writing small bits of lore for creature and weapon pitches, to even voice acting creatures! Wish me luck on this adventure at DreamSail Games!

At Nova Realities, I am tasked with establishing art development pipelines, discovering and maintaining art direction, and 3d modeling.

At Inigmas Studios, we are passionately, yet humbly striving to produce quality 3d asset packs for game development teams all around the world! We have an established hand-painted fantasy art direction, inspired by video game series: Legend of Zelda, Ni no Kuni, Secret of Mana, and more! We are bound by a sense of integrity and quality in our work.Check out our 16 published asset packs here!https://assetstore.unity.com/publishers/17396

At Red Storm, I performed QC tests within environments for The Division. I debugged levels to find bugs, and documented them over JIRA.

As an Art Migration Specialist, I was hired as a contractor with the opportunity to assist the “Art Migration Specialist” team with carefully launching the marketplace. As a contractor, I was tasked with optimizing various art submissions made for the Unreal Engine 4’s Marketplace. This included, but was not limited to using the Unreal Engine 4’s toolkit to create showcase and preview levels. These levels showed off the art and musical submissions in a professional manner to marketplace viewers. I was also tasked with creating shaders based on the various textures that were submitted alongside the 3d content. Outside the realm of level design, I also worked in Photoshop to create RGB texture masks, as well as marketplace preview screenshots for people’s assets. 3D Studio Max was also prominently used for fixing pivot points, and creating collision models. I am proud to have had the opportunity to work alongside industry professionals in helping with the launch of the Unreal Editor 4’s Marketplace!

Upon being hired as set of helping hands at Hazard (now Relevant Games), I was tasked with modeling various items, map props, and other misc. art pieces for “Scrap Squad”, an iOS and Android game.

As a quality assurance team member for Villain, I worked with a team to find bugs, document glitches, report lag spikes, and other misc. problems or issues that shouldn’t be in the game while developing “The Godfather Slots”. The team and I worked together via Google Docs and JIRA where we had a checklist of things to test, and if a bug was found, we would document it on JIRA utilizing appropriate QA methods.