Mix podcasts episodes in the Freakonomics Radio Network. Record podcast interviews using remote recording methods. Develop video capture workflows to record high-quality video during tapings.Mix ads, promos, and other elements of show production. Manage the network's team of staff and freelance audio engineers. Build workflows to meet multiple delivery specs, and publish via a variety of distribution channels. Coordinate the technical and sonic development of spinoff podcasts. Direct the technical production and recording of live episodes. Manage all technical aspects of the day-to-day operation of the multi-podcast network. Develop workflow resources and automations to improve project tracking and productivity.

Principle post-production audio engineer on a wide variety of film, television, multimedia, and industrial projects. Clients include ABC, ESPN, CBS, NPR, and many others.Post-production audio mixer, stereo and 5.1 surround, for feature and short films, television and radio shows, advertising and promotional spots, industrials, DVD and internet content. Sound designer and sound effects editor for short and feature films, in-game and in-show graphic elements, and for sports and news features and promo spots.Dialogue editor for feature films, short films, audiobooks, and television shows.Voiceover recordist, editor, and mixer for television and radio promotional spots, audiobooks, and spoken word productions.ADR recordist and ADR editor for feature and short films.Audio restoration engineer for vintage films, archive interviews, and documentary “DVD bonus” material.Music consultant, editor, and composer for feature and short films.Music mixer and producer for rock and pop recordings.Production sound recordist for advertising spots, industrials, and short films.Client relations, budgeting, invoicing, promotion, website development, engineer hiring, payroll, and other administrative duties needed to run a small business.

Operated as broadcast engineer during live events, assuring the clean ingest of digital video transport streams from remote locations. Events include NHL games, WWE pay-per-views, PGA Tour Live matches, and Twitter Live concerts and events.Worked to troubleshoot and correct transmissions problems during live events, analyzing and rectifying technical faults as they arose. Identified and implemented alternative ways of meeting requirements to cover equipment failures, with minimum loss of service. Designed systems signal flows for A/V acquisition of upcoming events, including dual-acquisition pathways and internal failover circuits. Managed and provisioned system assets with an eye toward maximizing system efficiency and flexibility.Authored documentation to codify operational procedures and outage workflows

Instructor teaching MIDI For Non-Majors

Adjunct instructor in the Sound Engineering Arts program, teaching Audio Post-Production and Surround Mixing Techniques.

Sound design, dialog editing, and post-production audio mixing on a variety of television programming and industrial content.

Sound design and 5.1 mixing for CBS Sports graphic, interstitial, and gameday feature content (Superbowls XLVII and XLIV, The US Open, NCAA College Basketball Tournament, and many other events. See attached credits list). 5.1 mixing on CBS News magazine shows (48 Hours Mystery and Brooklyn DA). Audio restoration on vintage CBS and Viacom television shows (The Twilight 
Zone, Dallas, I Love Lucy, Star Trek, Twin Peaks, and many others). Network Mastering Engineer, preparing new episodes of CBS shows for broadcast in domestic and international markets, including format conversion, editorial conforming, and specifications compliance (CSI: New York, The Good Wife, Hawaii Five-O, Blue Bloods, Medium, NCIS, Rules of Engagement, and others). Helped develop post-production workflows to ensure compliance with current loudness and limiting specifications.

Adjunct instructor in the Music Technology program, teaching Sound Design, Audio for Video, Digital Audio Systems I and II, and Live Sound Reinforcement.

Managed the Program’s staff of student employees.Directed a redesign and reconstruction of the Music Technology Program’s recording studios and labs, including coordinating the changeover from analog and standalone digital recording systems to computer-based workstations.Established a weekly maintenance and update program for the studios.Coordinated facilities maintenance and upgrading, including product analysis and research, vender survey and selection, and hardware and software installation.Performed day-to-day operational maintenance and troubleshooting of the Program’s studio facilitiesProvided technical support for students and faculty using the studios and labs.

Adjunct professor in the Music Technology program, teaching Audio I, Audio II, and Advanced Audio.

Maintained backup of file server of media files, provided basic IT support, and assisted with facilities maintenance and upgrading.Provided technical support for audio, video, and synchronization systems.Performed basic editing and authoring for reference DVD and DV screeners.

Managed the publicity and recruitment for NYU’s Music Technology Program.Scheduled student and faculty access to the Program’s fourteen recording studiosCoordinated the day-to-day administrative operations of the ProgramPerformed maintenance and repair on recording studio equipment and computers, including analog and digital recorders, mixers, and outboard gear. Live recording/mix engineer for student, faculty and professional classical, jazz, electro-acoustic, dance, and musical theater concerts and recitals, including, full orchestra, mixed ensemble, and soloist performances.