I'm a New York City-based creative professional with decades of industry experience in Music Technology, Music Supervision, Music Direction, and Music Transcription/Engraving, and Audio Production. I'm currently studying for certifications in UX Design and XR/AR/VR Development in Unity. I'm looking to continually explore new opportunities at the intersection of music, technology, performance, and production.As a theater musician, conductor and keyboardist, I've held positions on Broadway with KING KONG (associate conductor/keyboards) Disney's ALADDIN and THE LITTLE MERMAID (assistant conductor/keyboards), GROUNDHOG DAY (assistant conductor) GHOST(associate conductor/keyboards), and Elton John's LESTAT (associate conductor/keyboards). Additionally, I've traveled North America with a number of major national tours, including Disney's THE LION KING (associate conductor/keyboards), SHREK the Musical (musical director/conductor), and most recently, PETER AND THE STARCATCHER (musical director/piano). My experience in music technology and audio production spans all major software platforms-- Logic Pro, Pro Tools, Sibelius, Finale, Ableton Live, and others. I have deep experience integrating music technology into live theatrical contexts (for example, implementing Ableton Live at Broadway's GHOST and GROUNDHOG DAY).I've been an arranger, transcriber, and engraver for Hal Leonard Corportation, the world's largest publisher and distributor of printed and digital sheet music, since 2001. My arrangements appear in hundreds of best-selling pop, rock, Broadway, country, and R&B sheet music folios and songbooks, in both physical print and digital release.I also have extensive academic background, having achieved his Masters' Degree and subsequent PhD work at The University of Texas-Austin, three years of experience on the adjunct music theory faculty at PACE University, and has served as a contributor to several academic textbooks.