Oversee artistic aspects of the Leonard Bernstein legacy Supervise theatrical productions on Broadway, including On The Town (2014), West Side Story (2009), Wonderful Town (2005), and musical and theatrical performances throughout the world, including West Side Story (Tokyo 2007), MASS (Vienna 2005). Lead negotiations with producers on musical and artistic issues including artistic approvals and orchestra size, and coordinate with theatrical directors and creative teams on artistic vision & execution.Promote Bernstein works to performance partners and coordinate artistic/production issues in advance of Bernstein Centennial (2017-2019)Develop major artistic projects:Created a new chamber adaptation of Bernstein’s opera A Quiet Place, reworking the libretto and creating a new orchestration (premiered by Ensemble Modern, Berlin, Nov. 2013, Kent Nagano, conductor)Restored & adapted the film scores of West Side Story and On The Waterfront for live orchestral performance. Coordinate and resolve artistic issues with technical production team & performing partners. West Side Story has been performed to great acclaim by the New York Philharmonic, LA Phil., Royal Phil., Chicago Symphony Orchestra, and many other major orchestras around the world, w/ conductors including Marin Alsop, Yutaka Sado, and Wayne MarshallDeveloped new Bernstein book musical, 'Leonard Bernstein’s Cast Party', incorporating trunk songs and lesser-known songs. Co-created story, supervised and directed book-writer, produced developmental readings, incl. Roundabout on Broadway, w/ Marin Mazzie & Christiane NollDeveloping new (unannounced) Interactive Technology projectCreated reduced orchestration of Trouble in Tahiti, premiered by Bayerisches Staatsoper with Kent Nagano.Create new performing editions of Bernstein works, including A Quiet Place, Peter Pan, Songfest, Dybbuk, and SerenadeOversee arrangements from the LBO’s publishing partners (Boosey & Hawkes, Hal Leonard)

Program a season of two to four concerts for Lost Dog – past programming highlights include 'Nørgård in New York' a major festival celebrating the music of Per Nørgård, with substantial coverage in the New York Times, New Yorker, Strad Magazine, etc; a Dance-Theatre production of Peter Maxwell Davies’ 'Vesalii Icones' with choreographer Dora Arreola at historic Judson Church; NY premiere, and only second-ever complete performance of Michael Hersch’s 'The Vanishing Pavilions'; US premiere of Robert Simpson’s Horn Quartet; collaborations with Sequenza 21 and RAMProduce all Lost Dog performances: coordinate rehearsal schedules, book performance and rehearsal venues, draft press release and press management, design and execute marketing materials and plan, handle payroll & accounting. Press coverage includes The New York Times, The New Yorker, Strad Magazine, Time Out New York, New Music Connoisseur, NewMusicBox.org, Sequenza21.com, various other new music blogs and websitesFundraising for Lost Dog with Foundation and individual donors (sponsors including Ernst von Siemens Music Foundation, Aaron Copland Fund, Consulate General of Denmark, Scandinavia House, Danish Music Publishers Assoc., Danish Composers Society, Edition Wilhelm Hansen, Amphion Foundation, etc.). Executed successful crowd-funding campaign for upcoming recording project 'Chamber Music of Philippe Bodin.'Grantwriting for both Lost Dog and its parent organization the Astoria Symphony Orchestra: New York City Department of Cultural Affairs, Copland Fund, Cary Fund, etc. Twice Invited as panelist for NYC DCA Cultural Development Fund ($156 million budget)Serve ex-officio on board of parent organization the Astoria Symphony OrchestraProducer for commercial recording 'Chamber Music of Philippe Bodin' (releasing Winter 2019)Oversaw design and content for dedicated Lost Dog website (lostdognewmusic.org)Write and edit program notes for every concertConduct large-ensemble pieces in performance