I began studying Audio & Music Technology in 2014, whilst working around Cambridge on a voluntary basis for student films, radio stations,live event societies and local festivals (anything I could get my hands on!). A little down the line I fell into a local crewing job at the 'Cambridge Corn Exchange' which introduced me to the world of pro event productions. As time passed so did my course and my work, my early sound engineering career began to grow from small pubs and uni venues to local small touring shows and festivals. By the beginning of my 3rd year of university I'd signed up to crewing agencies for national work and began working in the corporate world of London as a sound engineer for Peri Peri. By the end of my 1st semester the snowball affect had kicked in and I've been applying my technical knowledge across a range of audio applications around the country. My main focus is as a Sound Engineer for Jazz & World Music events.I have a creative knowledge base for Sound Design, including competency in technical Digital Synthesis and Foley Recording/Editing.Learning to work in such a variety of industries whilst studying has given me the ability to transfer my skills whilst working under pressure. Crewing & rigging is a dangerous job, so I've learnt to use a confident, aware and relaxed mindset to manage the risks and get the job done to the best of my ability.My technical skills include;- Midas Pro 2, Venice.- Yamaha CL, M7, LS9, MG, TF5.- Soundcraft SI & VI.- Behringer X32- Digico SD11- Pro Tools- Logic Pro- FL Studio- Cubase- Audition- Audacity- Premier Pro- Unreal Development Kit- UnrealScript- Wwise- LX Rigging- Radio Technician - Set Carpentry