My freelance work involves producing, directing and editing worldwide branded commercial video content, from TVCs to social media content, managing large scale productions as creative and technical lead. I utilise my wide network of film industry professionals as well as utilising my own technical expertise across the entire production process, from pre-production to post and delivery. I'm highly regarded within the industry for my positive attitude, professionalism, and high quality of… Show more My freelance work involves producing, directing and editing worldwide branded commercial video content, from TVCs to social media content, managing large scale productions as creative and technical lead. I utilise my wide network of film industry professionals as well as utilising my own technical expertise across the entire production process, from pre-production to post and delivery. I'm highly regarded within the industry for my positive attitude, professionalism, and high quality of work. I'm available for hire as a freelance Director, Producer, Editor and self-shooting videographer across the full scope of branded video content. I work predominantly with Arri Alexa and Blackmagic cameras and have extensive experience with Sony and Canon systems. Clients include:The Telegraph, Singapore Tourism Board, UK Government, Ferrari, Lamborghini, Cancer Research UK, Cath Kindston, Burberry, Primark, Tag Heuer, Brother, Sophia Webster, KOOVS TV, Royal Enfield, British GQ, Tatler, Glamour, Men's Health, FHM, Nerdist Channel, Set List: Stand Up Without A Net, Bell Alliant Show less

As Head of Video at Telegraph Spark, the commercial wing of The Telegraph, I was lead creative consultant on a wide range of branded video content in a variety of industries from automotive to fashion and beauty, with deliverables for all platforms from social media to TVC. Managing a small team and offering industry and technical expertise as well as team management, I lead and control entire productions from idea inception through to overseeing post-production and final delivery… Show more As Head of Video at Telegraph Spark, the commercial wing of The Telegraph, I was lead creative consultant on a wide range of branded video content in a variety of industries from automotive to fashion and beauty, with deliverables for all platforms from social media to TVC. Managing a small team and offering industry and technical expertise as well as team management, I lead and control entire productions from idea inception through to overseeing post-production and final delivery. Processes overseen include:- Creative pitching and business acquisition - Client relations- Storyboarding- Budgeting- Location sourcing- Production logistics and planning- Casting - Crewing (from a wise personal network of industry technical professionals)- Directing- Post-production (incl. editing, sound mixing and colour grading)- Delivery for multiple platforms in multiple formats (social media to TVC)- Client retention Video projects have included:- Live Action traditional video - 2D animation- 3D animation- Motion Graphics- Stop Motion Animation Show less

Working within the Contract Publishing department at Conde Nast Britain, I workedwith commercial clients and their specific brand marketing goals to produce andedit video and photography content across a range of well-known digital magazinetitles.• I was instrumental in building an in-house video production unit within thedepartment to significantly boost the video offering available to clients• I managed the visual content for magazine.ferrari.com for several years… Show more Working within the Contract Publishing department at Conde Nast Britain, I workedwith commercial clients and their specific brand marketing goals to produce andedit video and photography content across a range of well-known digital magazinetitles.• I was instrumental in building an in-house video production unit within thedepartment to significantly boost the video offering available to clients• I managed the visual content for magazine.ferrari.com for several years asa part of a contract between Ferrari and Conde Nast, taking a story-tellingapproach to engage audiences. I developed social media and SEO strategiesfor Ferrari video content, and helped significantly increase KPIs Show less

I was part of a production team producing lifestyle and fashion photography andvideo shoots across Europe and the United States, working with major internationaleditorial and commercial clients.• Whether in the studio or on location, I was tasked with ensuringproductions ran seamlessly while working on multiple simultaneous projectsinternationally• I relentlessly pressed and negotiated to design innovative and creativeshooting plans that made the seemingly impossible… Show more I was part of a production team producing lifestyle and fashion photography andvideo shoots across Europe and the United States, working with major internationaleditorial and commercial clients.• Whether in the studio or on location, I was tasked with ensuringproductions ran seamlessly while working on multiple simultaneous projectsinternationally• I relentlessly pressed and negotiated to design innovative and creativeshooting plans that made the seemingly impossible possible: I made difficultshoots happen, and made obstacles go away Show less

Before turning to filmmaking full-time, my background was in editorial and commercial photographic production and for the first year of freelancing I pursued both film and photography work.Photography production clients included:British GQConde Nast Contract PublishingTatlerMen's Health UK FHMThe Official Ferrari MagazineGlamour UKBettina RheimsCircus MagazineHighlights:British GQ: Michael Fassbender by Jean-Baptiste Mondino… Show more Before turning to filmmaking full-time, my background was in editorial and commercial photographic production and for the first year of freelancing I pursued both film and photography work.Photography production clients included:British GQConde Nast Contract PublishingTatlerMen's Health UK FHMThe Official Ferrari MagazineGlamour UKBettina RheimsCircus MagazineHighlights:British GQ: Michael Fassbender by Jean-Baptiste Mondino, February 2014 (Cover Shoot)German GQ: Kylie Minogue by Ellen von Unwerth, December 2013Vogue Italia: Gabriella Wilde by Ellen von Unwerth, November 2013British GQ: Roger Daltrey by James Dimmock, October 2013British GQ: Noel Gallagher by John Wright, October 2013British GQ: 'The New Beat Poets' by David Bailey, August 2013Bonkers! by Bettina Rheims, July 2013British GQ: Peter Capaldi by John Wright, April 2013British GQ: Micky Flanaghan by John Wright, April 2013British GQ: Idris Elba by Norman Jean Roy, March 2013 (Cover Shoot) Show less

Initially as an intern, I worked on the extremely busy and thriving photography and video desk, learning to produce shoots and manage projects on the job.• This editorial working environment laid a solid foundation for grasping thevalue of innovative creative, handling incredibly busy daily life, jugglingmultiple projects and effective team communication• My contribution was considered valuable by senior management: I was one ofonly a handful of interns to be kept on… Show more Initially as an intern, I worked on the extremely busy and thriving photography and video desk, learning to produce shoots and manage projects on the job.• This editorial working environment laid a solid foundation for grasping thevalue of innovative creative, handling incredibly busy daily life, jugglingmultiple projects and effective team communication• My contribution was considered valuable by senior management: I was one ofonly a handful of interns to be kept on at the end of the internship period Show less