• Oversaw implementation of all technical elements, both for shows and other outside projects while playing a key role in the theatre's record high ticket-selling seasons• Designed/created all sound, projection, and animation for each show• Developed a new technique for projected rain, often inquired about by other theatres• Transitioned the theatre into a new digital age including pieces of technology such as a 5 projector system, enhanced sound system, Arduino-driven props and effects, multiple pieces of advanced software, and a 30-foot-wide LED Video Wall• Created/edited content for social media channels, including advertisements, promotions, and the popular video series Behind Stage Doors• Arranged/orchestrated/edited music tracks to be used in performancesS = Sound Design | L = Lighting Design | P = Projection DesignBright Star (S, L, P, Pianist) (2022)Singin' in the Rain (S, L, P) (2022)Disney's Tarzan (S, L, P) (2022)Peter and the Starcatcher (S, L, P) (2021)Disney's Newsies (S, L, P) (2021)Roger and Hammerstein's Cinderella (S, L) (2021)Disney's Tarzan (S, L, P) (2020)Disney's The Little Mermaid (S, L, P) (2018)Annie Get Your Gun (S, L, Animator) (2018)Disney's Newsies (S, L, P) (2018)Singin' in the Rain (S, L, P) (2017)Peter and the Starcatcher (S, L, P) (2017)Disney's The Little Mermaid (S, L, P) (2017)Mary Poppins (S, P) (2016)7 Brides for 7 Brothers (S) (2016)Singin' in the Rain (S, P) (2016)Mary Poppins (S) (2015)Damn Yankees (S) (2015)The Foreigner (S) (2015)

• Led technical development on a large remodel and revitalization of formerly unused space into a chamber dining hall• Write, design, program, and install original productions, resulting in a higher return on investment due to fewer royalties being due• Idealize and brainstorm new technical approaches in an innovative technological workspaceS = Sound Design | L = Lighting Design | P = Projection Design | W = WriterThe Grinch (P)Be Our Guest! (W, S, L, P)Pirates Excursion! (W, S, L, P)Breakfast with Santa (S, L, P)Buddy the Elf (W, S, L, P)The Witches of Salem (W, S, L, P)The Christmas Train (W, S, L, P)

• Co-taught a 300-level course, Projection Systems Design, for which I created the curriculum• Designed elements for multiple theatrical productions, including sound, projections, and original musical compositions• Provided insights as a consultant to upcoming productions in regard to sound and projection design approaches• Heavily involved with projection system designs while serving as the Theatre Department's projection specialist• Responsible for setup/strike of all sound and projection systems used in Theatre Department shows and events• Led training on new sound and projection equipment for both students and professorsS = Sound Design | L = Lighting Design | P = Projection Design*All projects were official university-sponsored productions—no student projects.DESIGN:The Wind in the Willows (Composer, Music Director) (2020)The Winter's Tale (Animator) (2019)Harvey (Animator, Special Effect Designer) (2019)Big Fish (S, Animator) (2017)Peter and the Starcatcher (S) (2016)Antigone (Composer) (2016)________________________________________AM = Audio Master | PSD = Projection System Design | SBO = Sound Board OperatorTECHNICAL:Pirates of Penzance (PSD, SBO) (2019)Harvey (PSD) (2019)Leaving Eden (PSD) (2018)Complete Works of William Shakespeare Abridged (PSD) (2018)Silent Sky (PSD) (2018)Man of La Mancha (AM) (2018)Twelfth Night (AM) (2017)Dracula (AM) (2017)Big Fish (PSD) (2017)BYU-Idaho Operas (AM) (2017)

• Provided technical and artistic guidance to projection and sound design systems.• Guided students through new software and projection mapping techniques.• Assisted in ideation and conceptual development.

• Write copy for blog articles revolving around Disneyland and Disney World.• Search Engine Optimization work to ensure articles could stack up against top competitors.

• Designed content for social media channels and store promotions• Introduced a video playback system to show guests upcoming titles resulting in a large increase of preorders