Managing content and strategy for JOGO Studios, who are leading the charge in game development using UEFN and Fortnite Creative.

•Worked with the Riot Games Global Features team to follow scripts and feedback on edits, editing 300+ broadcast deliverables that required a same-day turnaround, having a 100% on-time delivery rate.•Broadcast editor for the Esports World Cup.•Tournaments include: Valorant Champions 2023: LOCK//IN Sao Paulo, Valorant Champions 2023: Masters Tokyo, Valorant Champions 2023: Los Angeles, League Of Legends 2023 World Championship, Valorant Champions Tour 2023: Game Changers, Valorant Masters 2024: Madrid, League Of Legends: MSI 2024, Valorant Masters 2024: Shanghai, Esports World Cup

•Developed and refined the artistic vision of the film, effectively communicating the creative vision to the entire cast and crew and providing leadership to keep the production team inspired.•Conducted casting sessions, created storyboards and shot lists, guided actors to deliver authentic performances, and addressed unforeseen challenges on set.•Worked closely with film editors to shape the final cut of the film, participating in the selection of shots, music, sound design, and visual effects elements.

•Oversaw the complete production process for a 6-person content team, resulting in the creation of over 500 videos across social media platforms.•Worked closely with stakeholders and marketing teams to determine key project timelines - maintaining production calendars, schedules, and creative deadlines for the content team.•Managed production budgets and allocated resources effectively to maximize ROI, ensuring financial objectives were met while delivering to the highest quality standards.•Acted as the on-set producer, demonstrating strong problem-solving skills by swiftly addressing unforeseen challenges, minimizing disruptions, and maintaining productivity.•Ideated and developed creative ideas that translated client challenges into solutions from our brand's POV, ensuring the work was on strategy and aligned with expectations.•Maintained relationships with current freelancers, while networking and growing a pool of new talent.•Nominated as a finalist at the Tempest Awards for "Best Endemic Brand Activation" for our three-part documentary series with Logitech G.•Clients include: Logitech, GMC, Jersey Mikes, Lenovo, Dr. Pepper, Nerf, FTX.

•Guided 20 - 30 projects at various stages of development, from concept to completion, ensuring that all assets were delivered on time and within budget.•Implemented process improvements and cost-saving measures that streamlined workflows, reduced expenses, and maximized resources without compromising quality or creativity.•Handled third-party vendor bookings of equipment, managed production budgets, acquired location permits, and created schedules to ensure smooth operation on the shoot day.•Guided creative teams in brainstorming sessions, leading to a rise in productivity and a surge in creative output, elevating project quality and client satisfaction.•Created visual treatments and scripts, proposed and sourced talent, directed talent and camera.

•Played a part in growing the TSM YouTube channel from 600,000 subscribers to 2.2 million.•Experience in offline / online workflow, integrated sound design, motion graphics, and color correction to achieve the best possible film outcome.•Ability to edit in both a supervised and unsupervised capacity, and without dedicated assistant editor support.

I was lead editor for a TV show for 2 seasons. During this time, I was able to hire new editors and assistant editors, guiding the team to exceed expectations.

Utilizing skills gained in my previous positions, I was hired on at Instrument as an Assistant Editor. I was responsible for the organization and creation of projects and rough cuts for clients such as: Google, Red Bull, Ebay, and more. During this time, I was also able to lead projects for clients such as Specialized and TEDx.

I moved from Phoenix to Jackson Hole to join Brainfarm for a Post-Production mentorship. Over this 5 month period, I learned how to properly handle extensive post-production tasks: conforming 4K footage, archiving, managing projects, and starting rough edits. I later became responsible for working closely with directors, post-supervisors, and other editors to build out rough timelines of current projects.