With over 10 years of experience editing documentaries, commercials, short films, and music videos, Ian is using his intimate knowledge of the post production process to create a department that promotes editorial creativity and excellence, while cultivating an environment that respects every individual and their craft that it takes to finish a film.

Special Operations is a commercial arts & entertainment company based in Brooklyn. As senior editor, on top of leading the editorial for the most high profile projects, ranging from broadcast spots for big-name brands to TV shows, I also help develop ideas for shows and films that we either pitch to production partners or produce ourselves.

As lead editor, oversees every project's course of post production, acting as the unifying eye and mind to assure quality across the board. Guides the editing process, being the creative force behind approaching story structure, pacing, and voice.As creative producer, facilitates a variety of potential projects—large and small, sane and insane—and act as a creative Swiss army knife, using background in science, art, and writing to draw out the best from collaborators. Shut down bad ideas, cultivate good ones, and clear the path of any creative obstacles.

• Cameraman and editor for a series of short videos hyping Beyonce's Super Bowl Half Time show in New Orleans. The series has accumulated more than 4 million views.• Editor for "The Collaborators" series, documenting the influence and direction behind Daft Punk's latest album, "Random Access Memories." The series has accumulated more than 8.8 million views.• Editor for "Electrified," a three-part mini-series documenting the creative and logistical process leading up to David Blaine's final stunt. Also acted as editor for every video during the stunt. The series and associated videos have hundreds of thousands of views.• Producer/Editor on several Dr Pepper, "One of a Kind" spots, profiling fans of Dr Pepper who have unique characters and stories. The series so far has over 180,000 views.

Sparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry that is riddled with discrimination and misogyny. In recent years, the gaming community has grown more diverse than ever. This has led to a massive clash of values and women receive the brunt of the consequences every day, with acts of harassment ranging from name calling to cyber vandalism and death threats. Through interviews with video game developers, journalists, and academics, GTFO paints a complex picture of the video game industry, while revealing the systemic and human motivations behind acts of harassment. GTFO is the beginning of a larger conversation that will shape the future of the video game world.

In charge of shooting and editing videos, experimenting with whether the company could benefit from a video department.

Writing content for Quickhits, and aiding expansion and increased traffic.

Staff photographer, primarily for the news section

Organized project schedules, made appointments for interviews, acted as liaison between videographers and subjects, all for video news pieces.

Generated and maintained Facebook pages to recruit new, high-quality users of the desired demographic and to sustain active interest in the company

Wrote extensively on feature-length film scripts as writer-for-hire, restructuring plot, characters, and dialogue.