Co-curator: GROWTH at Villa Kultur (2021-2022). An exhibition series of five shows questioning society's focus on growth with Ida Brockmann, Franziska Hoppe, Alice Topsøe, Victor Vejle, Dalin Waldo, Jamilla Mahmoud Henriques, Daniel Mølholt Bülow, and Jonas Kjeldgaard SørensenCurator: solo exhibition w. Sahar Jamili at Villa Kultur – 2021Rewarded the grant for “The future culture- and art creators” and mentioned as one of the best exhibitions of the year by Fafaya Mogensen in Kunstkritikk.Curator: Monstrous Machines at ARoS Public -2021Curated for the artist driven exhibition platform Radar Contemporary. The show examined the archetype of the monstrous machine and our fear of new technologies with works by Uffe Isolotto, Amalie Smith, Kristoffer Ørum, Lawrence Lek, Diana Velasco, Ida Kvetny, Morehshin Allahyari, Black Quantum Futurism, Andreas Refsgaard and Stephanie Dinkins. Curator: “OPGØR” at Kunsthal Charlottenborg with CHART Art Fair and Schools of Visual Art at The Royal Danish Academy of Fine Arts – 2020:The exhibition displayed works by female and nonbinary art students as a revolt against the skewed gender representation in the Danish art market. The Danish newspaper Politiken wrote: “Thanks to the young artists for leading the battle!”Co-curator: Alt_Cph20 w. Laboratory of Aesthetics and Ecology – 2020The biennale Alt_Cph20 Patterns in Resistance focused on the overlap between digital and analogue technologies. I curated works by the artists micha cardènas, Sabitha Söderholm, and Hannah Amalie Nielsen.Curator: Solo exhibition w. Inge Bjørn at Galleri Tom Christoffersen – 2019In collaboration with Fanny Christoffersen. Including a panel debate w. textile researcher Marie Koch and artist Hilde Hauan Johnsen. Politiken wrote: “(…) it is not a day too early, that she, whom collaborated with Asger Jorn and Pierre Wemaëre, gets her long life’s first gallery exhibition.” Her works were afterwards bought by The National Gallery.

The Museum of Contemporary Art was established in 1991, born out of the Fluxus related festival Festival of Fantastics in the 1980s. The museum has historically supported the production of experimental, sound, and performance art, and has a small contemporary collection. In 2021, it became an itinerant museum, without a permanent exhibition building to meet the citizens where they are, and to seize the new art formats that does not belong to the classic white cube. Curated exhibitions: Placenta by Marie Munk (2022), Zoba'ah by Morehshin Allahyari (2022), and A Feeling of Healing by Jacolby Satterwhite (2022, mentioned as one of the best exhibitions of the year by Grace Chang in Kunstkritikk).

(Curator in 2016, 2017, 2018 and 2022)Curating works and planning exhibition concepts and designs. Collaboration with producers, construction teams and security. I also curated a talk-stage in 2016 and 2017.

Curated solo exhibitions by: Dina El Kaisy Friemuth (mentioned as the best exhibitions of the year by Information and Kunsten.nu), Soley Ragnarsdottír, Julie Stavad (the exhibition was awarded by the Danish Arts Council), Tommy Støckel, Line Finderup Jensen, Alexander Tillegreen, Annette Holdensen, Liesel Burisch, and Monia Sander el-Haj Mohamed.

Hjemme i Kunsten: A collaborative project between Louisiana MoMA and Nivaagaards Malerisamling, the social housing organizations in Nivå and Kokkedal as well as Fredensborg City Council. The project educated young people from social housing areas to make art in the areas and make workshops for the residents in collaboration with professional artists. I was responsible for fundraising, teaching, evaluations, events and curation of public works.Artists involved: Eva Koch, Danh Vo, Beatrice Alexanian, Aia Coverley Turan, Andreas Albrectsen, Studio ThinkingHand, Thomas Hirschorn, Sofie Burgaard, Kinga Bartis, Stine Hvid, Ihsan Saad, and Sabitha Söderholm.

Radar Contemporary is an artist driven exhibition platform for artists working in the field of art and tech. I have written texts and given talks for their online exhibitions and their film programme at Kunsthal Charlottenborg.

Research Assistant for the research project Artsformation exploring the intersection between arts, society and technology. The project is a collaboration between Transmediale, The University of Dublin, Waag, European Alternatives, LATRA, KEA, Fact Liverpool, BI Norwegian Business School, and Copenhagen Business School. Artsformation investigates the potential of the Arts to intervene in critical social issues, with a view to remedying a range of abusive and exploitative aspects of digital technologies, such as labour politics, privacy and education.

Writing education material, preparation of workshops and courses, giving talks and tours. Main responsible for communication and teaching of selected exhibitions. The opening speaker for the exhibitions by Marsden Hartley and Ann Veronica Janssens. Consultant for curator Anders Kold.

Responsible for the daily operation, writing press material, SoMe strategy, and planning artist books.

Digital registration of Danish drawings from 1850-2018

Project employment registering works by Albert Mertz for the catalogue raissoné at http://albertmertz.dk/

Assisting the curatorial team with the exhibitions "The Moon" curated by Marie Laurberg and "Marsden Hartley" curated by Mathias Ussing Seeberg

Responsible for the daily operation and organization of exhibitions. Writing press releases, website material and art fair applications. Preparing catalogues and the digital marketing strategy.