Irene Campolmi

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Copenhagen, DK
Irene Campolmi's Location
Copenhagen, Capital Region of Denmark, Denmark, Denmark
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About Irene Campolmi

I am an Italian-born curator and researcher based in Copenhagen since 2012. Over the past years, my multi-disciplinary research background has expanded from art history into biology, geology, astronomy and quantum physics to colonial histories and queer studies. Currently, I work as the Senior Curator for International Projects at KØS - Denmark’s National Museum of Art in Public Spaces in Køge. Between 2021-2023, I worked as Curator and Researcher at CC-Copenhagen Contemporary on the project "Yet, it Moves!", which I conceptualized and co-curated with the team at CC. This project proves my ability and inclination towards conceptualizing, fundraising, and executing exhibitions and large-scale collaborations. It received 5 million Danish Krona through the Bikuben Vision Award, Denmark’s most prestigious curatorial prize in 2021. The project, which opened in May 2023 both as an immersive exhibition at CC and a series of public large-scale art installations in the city of Copenhagen, explored the notion of movement through new forms of a long-term collaboration between curators, artists and scientists from the Niels Bohr Institute, Copenhagen; Arts at CERN, Geneva; Interactive Minds Centre, Aarhus and Mod Lab at UC Davis.Between 2019 -2023, I had the wonderful opportunity to work as the Head Art Program and Curator of Enter Art Program, a publicly funded satellite program of performances and talks in conjunction with the international event of Enter Art Fair. Here, I covered a leadership role in curating and fundraising for all art fair performances, talks and installations.I have fifteen years of professional experience working as a curator, researcher and head of programs across art institutions all over the world, both as a freelancer and as an employee. Over the past years, I have become very knowledgeable in making exhibitions and budgets thanks to the different curatorial positions I held at Kunsthal Charlottenborg (Copenhagen, Denmark), MAAT Museum of Art Architecture and Technology (Lisbon, Portugal), Walk&Talk (Azores, Portugal), The Power Plant (Toronto, Canada), Joliette Museum of Art (Montreal, Canada) and Copenhagen Contemporary (Copenhagen, Denmark), among others. Among the most remarkable curatorial positions I covered, I am proud to have co-curated the Estonian Pavilion at the 58th Venice Biennial in 2019. In the past, I worked as a phd fellow at the Louisiana Museum of Modern Art, and as a researcher at the Kunsthistorisches Institute of Florence, where I gained major academic skills and a solid research methodology.

Irene Campolmi's Current Company Details
MAPS - Museum of Art in Public Spaces

Maps - Museum Of Art In Public Spaces

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Senior Curator
Copenhagen, DK
Website:
mapsmuseum.com
Employees:
15
Irene Campolmi Work Experience Details
  • Maps - Museum Of Art In Public Spaces
    Senior Curator
    Maps - Museum Of Art In Public Spaces
    Copenhagen, Dk
  • Køs Museum Of Art In Public Spaces
    Senior Curator
    Køs Museum Of Art In Public Spaces Sep 2023 - Present
    Køge, Zealand, Denmark
    MOVING INTO A NEW PROFESSIONAL CHAPTER!After two and half beautiful years working as the Curator of “Yet, it Moves!” at @copenhagen_contemporary I am excited and thrilled to share with colleagues and friends around the globe 🌍 that I am taking on a new position as the Senior Curator for International Projects at @koesmuseum from this September where I will join a great team of colleagues.I am looking forward to begin working on an ambitious, visionary and life-enhancing program of ideas that will unfold into a whole new program for art commissions in public spaces.KØS- Museum of Art in Public Spaces is an art institution in Denmark, which seeks to investigate and question the accustomed notion of public spaces which is rooted in the Western perspective of the “agora” (or cultural forum) and I look forward to work on a curated program that will engage with brilliant artists whose work will help draw new constellations and understandings of the many histories we absorb just by leaving in a territory we called “space” and the agency we hold towards the past ,present and future of these “spaces” and the people living there.Working outside the representational frame of the cultural institutions is a big task, and I am excited to start the work I have ahead!
  • Copenhagen Contemporary - Cc
    Curator&Researcher "Yet, It Moves!" With Cern,Geneva,Dark,Copenhagen;Imc,Aarhus.
    Copenhagen Contemporary - Cc Jan 2022 - Present
    Copenhagen, Capital Region, Denmark
    Experience the spectacular encounter with art and science in CC’s large new exhibition Yet, It Moves! The pathbreaking research and exhibition project featuring a stellar array of Danish and international artists presents works at CC and in urban spaces across Copenhagen exploring the universe’s only constant: movement!Over two years, specially selected artists have been working with some of the world’s most prominent research institutions. Now, the result is a range of spectacular works unfolding the theme of motion as an omnipresent phenomenon and raising our awareness of the many complex movement patterns we are all entangled in.Nothing stands still. Even things we consider immutable are in constant motion – within, above and all around us. Motion is a fundamental premise of everything in the universe, from the tiniest atomic particles to the human body and the macrocosm of the stars. Recognized in glimpses, this greater, moving whole is embodied in spectacular artworks giving shape and form to complex phenomena like black holes, star formation and gravitational waves – from the macro scale of the expanding universe to the micro scale of atomic explosions and particle.
  • Istituto Europeo Di Design
    Faculty Member For The Ma In Art Curating
    Istituto Europeo Di Design Jun 2021 - Present
    Florence, Italy Metropolitan Area
    The Master’s Course in Curatorial Practice at IED Firenze is for anyone who wants to embrace the many different perspectives of what it means to be a curator: a professional who knows how to protect and care for artistic heritage, selecting new works, telling stories and interpreting artworks as they are presented and exhibited. But most importantly, a curator is someone who looks at exhibitions as a way of viewing and experiencing culture, producing knowledge through visual forms of language connected with multiple types of contemporary storytelling.This Master’s Course is intended for anyone who wants to specialise as a professional in the area of curatorial work, with a special focus on the design of exhibitions and shows for museums, galleries, trade fairs, and auction houses. A background in arts and project management is highly recommended, though not a prerequisite.My course focuses on developing an exhibition project, inclusive of a budget and a visual presentation. The exam often consists in a job interview where the candidates have to present their ideas, skills and defend their project in front of a jury/selection committee.
  • Enter Art Fair (World Fairs Aps)
    Head Art Program
    Enter Art Fair (World Fairs Aps) Jan 2019 - Present
    Copenhagen, Capital Region, Denmark
    Thinking Feelings is the 2020 artistic program curated by Irene Campolmi for the second edition of Enter Art Fair. Enter Art Program proposes live performances, films, installations and talks shaped around the practice of Danish and international emerging and mid-career artists.A new-age neoliberal culture has increasingly branded the idea and belief that everyone is naturally inclined to create positive affectivity to cope with the crises of our time: pandemic, systemic racism, climate change, nationalisms, job precariat, the run towards digitalisation, digital activism, and the decline of ideologies, among others. More than ever, social media and digital communication have empowered people with the capacity to react to the news with a certain immediacy, without thinking through whether what they feel like an immediate reaction to certain events would correspond to how people would elaborate these thoughts.A SPACE OF INTIMACYConceptualised by Irene Campolmi and launched by Enter Art Fair. Generously supported by Statens Kunstfond, Augustinus Fonden and Dreyers Fond.This year we inaugurate a newly designed concept for the tank space, where Enter Art Fair will be located for the next three years. In the post-pandemic world, the social choreography of bodies moving in the space and interacting one with each other, performance as artistic research becomes a fundamental means to explore the process rather than the product of artistic production. In this historical moment, performance research represents a grounding platform to test choreographic movements that could inform post-pandemic social choreography. If the immateriality of the digital space has proved the impossibility of returning the presence and agency of the body in specific contexts, it has also shown that the web is not a showcase of events but a potential space for further investigation.
  • Plugin Ica
    Guest Curator
    Plugin Ica Feb 2024 - May 2024
    Winnipeg, Manitoba, Canada
    Plug In ICA is excited to announce A Place of Memory: Contexts of Existence, an exhibition curated by Irene Campolmi featuring artists Jane Jin Kaisen, Linda Lamignan, Dala Nasser, Silvia Rosi, Samara Sallam and Jean Paul Riopelle.A Place of Memory: Contexts of Existence is an exhibition that reflects on what a context is, what it means, and how it creates the conditions for artists to manifest new views of the world we live in. A context is both a physical, geographically located place and a series of emotional, social, and political events that occur at a specific moment in time. It is a spatial and temporal coordinate in the collective memory where an individual’s story merges, for a moment, with history writ large.The Latin etymology of the word context means to weave together or to weave within. Taking Jean Paul Riopelle’s life contexts as a point of departure, the exhibition looks at travelling as the primary means through which different contexts are connected and memories woven. By blending the memories of where we come from with those of where we go or land, travelling allows us to temporarily experience new ways of living and to hold onto these memory for the future.Because as humans “we chart our lives by everything we remember,” being “born and [hav]ing our being in a place of memory,” as the African American author bell hooks wrote in her book Belonging, weaving memories is essential to creating context. For centuries, artists have been among the most mobile subjects in societies, able to travel the globe and cross-pollinate various cultural contexts with thoughts, ideas, and world views.
  • Musée D'Art Contemporain De Baie-Saint-Paul
    Guest Curator
    Musée D'Art Contemporain De Baie-Saint-Paul Jun 2023 - Sep 2023
    Baie-St-Paul, Quebec, Canada
  • Musée D'Art De Joliette
    Guest Curator
    Musée D'Art De Joliette May 2022 - May 2023
    Joliette, Quebec, Canada
    A Place of Memory: Contexts of Existence is an exhibition that reflects on what a context is, what it means, and how it creates the conditions for artists to manifest new views of the world we live in. A context is both a physical, geographically located place and a series of emotional, social, and political events that occur at a specific moment in time. The Latin etymology of the word context means to weave together or to weave within. Taking Jean Paul Riopelle’s life contexts as a point of departure, the exhibition looks at travelling as the primary means through which different contexts are connected and memories woven. By blending the memories of where we come from with those of where we go or land, travelling allows us to temporarily experience new ways of living and to hold onto these memory for the future.Because as humans “we chart our lives by everything we remember,” being “born and [hav]ing our being in a place of memory,” as the African American author bell hooks wrote in her book Belonging, weaving memories is essential to creating context. Taking a step forward from modernism and from mobility as being directly connected to the modernist ideas of progress, evolution, and growth, the show explores what moving across different contexts means for an artist today. In our globalized world, awash in feminism, queerness, postcolonialism, the aftermath of Arab Springs, Black Lives Matter, and the pandemic, mobility is a necessity, rather than just a trend.The participating contemporary artists – Jane Jin Kaisen, Linda Lamignan, Dala Nasser, Silvia Rosi and Samara Sallam – were born, raised in, currently live in, or are emotionally attached to non-Western–influenced geographies. Through their work, travelling is presented at a distance from the Western European experience and given another meaning in relation to moving across contexts, labelled differently – mobility or migration – depending on who is moving.
  • 18Th Street Arts Center
    Curator-In Residence
    18Th Street Arts Center Oct 2022 - Dec 2022
    Santa Monica, California, United States
    8th Street Arts Center is a nonprofit arts centre in Santa Monica, California. It was founded in 1988 and is the longest-running artist residency centre in Southern California. During my residency at 18th Street Arts Center I conducted a series of studio visits with local and international visiting artists, visited museums and wrote one essay for a Magazine contribution. I also kept working on my upcoming projects.History18th Street Arts Center was founded by writer Linda Frye Burnham and Susanna Bixby Dakin, a visual artist and publisher of High-Performance Magazine. In 1988, Dakin purchased the former production studio of Judy Chicago's The Dinner Party and four other adjacent buildings in Santa Monica and launched the nonprofit. In 1998 Dakin sold the buildings to the nonprofit 18th Street Arts Center.
  • Køs Museum Of Art In Public Spaces
    Guest Curator Of "Realistic Utopias"
    Køs Museum Of Art In Public Spaces Jun 2022 - Dec 2022
    Køge, Zealand, Denmark
    Realistic Utopias consists of ten different art projects created by nine artists who were born, have lived or are living in various geographical regions of the world. Each artist presents an unrealized or partly realized project or idea for an art installation conceived to be part of the public space of different geographies. However, these are not sketches, but visions, ideas and projects that exist in another time: in the future, where they await the right societal, political and economic conditions to be realized.The term utopia was coined in 1551 by the English philosopher and politician Thomas More in his description of an imaginary island where only the most perfect legal, social, and political conditions existed. Rather than addressing what those supposedly ‘perfect conditions’ would look like today, the exhibition emphasizes art’s potential to inspire people to reflect upon and shape them. Through these art projects, the exhibition presents the future as a reachable dimension we can explore across time.The artists participating in the show are: Hassan Khan (ET/UK), Caroline Monnet (Anishinaabe/FR), Cooking Sections (UK), benandsebastian (DK/UK), Alessandra Ferrini (IT/UK), Alexandra Pirici (RO), Victoria Keddie (US), Dawit L. Petros (ER/CA), Pedro Reyes (MX).By inviting artists from different parts of the world, the exhibition is intended to question the accustomed European notion of public space; a notion which is rooted in a Western perspective and anchored to the ancient Greek term and idea of the ‘agora’, which refers to the central urban square in ancient Greek cities and a place where political decisions are made. The exhibition thus questions not only what ‘public space’ signifies or represents in, for example, Egypt, Italy, Denmark, Eritrea, Mexico, and on Indigenous land, but also how the notion of ‘public’ changes once we change the political, cultural, geographical perspective from which we observe it.
  • Walk&Talk - Arts Festival
    Guest Curator
    Walk&Talk - Arts Festival Aug 2021 - Sep 2022
    San Miguel, Azores Islands
    Walk&Talk designates the Azores Arts Festival, which takes place every year in July, on the island of São Miguel. Experimental and participatory, the festival motivates the creation of new objects in dialogue with the territory and acts in the involvement of local and migrant communities around the knowledge generated in the expanded field of the arts, intersecting visual arts, performance, music, architecture, and design.Since 2011, Walk&Talk has been moving through the archipelago through an artistic residency program and, throughout its ten editions, it has hosted more than three hundred artists from multiple geographic and disciplinary backgrounds. It operates in networks and co-produces with similar structures, promoting a favorable environment for exchange, co-creation and, from the Azores, imagines new centralities for contemporary artistic production.The festival has taken on new shapes with each edition, not settling on a format and assuming a place of experiment, understood as essential to artistic practice and the exercise of programming and cultural mediation. Currently, its program is organized around daily experiences that expand across the island, in proximity to its spaces, architecture and landscape. Multiple rhythms, scales, and relationships intersect in a program dedicated to new creation (a result of artistic residencies), which materializes in the presentation of installation and exhibition projects, performances, concerts, video, architecture and design.Walk&Talk has Artistic Direction by Jesse James, Luís Brum and Sofia Carolina Botelho and each edition includes a guest curator to co-define the artistic program in its multiple dimensions.
  • Creator Projects
    Senior Curator_International Projects
    Creator Projects Jan 2021 - Feb 2022
    Copenhagen, Capital Region, Denmark
    Creator Projects is a Copenhagen-based art agency, made of a team of curators and creative people passionated about the potential of art to make a change in society and in the spaces of living. They value art as a vital catalyst for dialogues, debates, and dreams of our times. With this vision in mind, CP conceptualises, curates and develops meaningful and innovative art exhibitions, public commissions, and strategic plans for art institutions, festivals and other private organisations, in Denmark and abroad. The commitment to supporting arts unfolds in creating experiences for a broader audience including running the publishing house Roulette Russe dedicated to art and artists’ books. The work is based on extensive professionalism, longstanding practical experience and a comprehensive national and international network.CP works on commissions for both public entities (municipalities, institutions and organizations) and private enterprises.CP curates exhibitions and public programs for art museums and kunsthalle in Denmark and abroad.They develop independent art projects like our mail art project M.M.S. (Much. More. Shit.).They publish art and artist’s books through our publishing house Roulette Russe.They provide art advisory to public and private entities.
  • Det Fynske Kunstakademi
    Guest Curator
    Det Fynske Kunstakademi Jan 2020 - Sep 2020
    Odense, South Denmark, Denmark
    Curator of the Degree Show2020 "We are All in This Together".
  • The Power Plant Contemporary Art Gallery
    Guest Curator And Researcher
    The Power Plant Contemporary Art Gallery Apr 2019 - Feb 2020
    Toronto, Ontario, Canada
    Dawit L. PetrosSpazio DisponibileThe Power Plant presents a new body of work by Dawit L. PetrosGUEST CURATOR: IRENE CAMPOLMIASSISTANT CURATOR: AMIN ALSADEN, NANCY MCCAIN & BILL MORNEAU CURATORIAL FELLOWDawit L. Petros presents a new body of work underlining the unexplored links between colonization, migrations and modernism. Spazio Disponibile – Italian for 'Available Space’ – scrutinizes historical gaps in European memory, particularly that of modern Italy. Alluding to vacant advertising sections that appeared in Rivista Coloniale, a widely circulated early 20th century magazine and the official organ of the Italian colonial project, the title is also a reference to the colonial gaze that viewed the lands of Africa as ‘available’ space to occupy and exploit.Petros’s art reflects his research into the complex layers of colonial and postcolonial histories connecting East Africa and Europe. Employing archival materials collected over a period of seven years, documents that attest to the Italian presence in Ethiopia and Eritrea between the late 19th and early 20th centuries, Petros has developed an expansive suite of works that reflect on the lingering effects of colonial memory. Composed of a multimedia installation of serigraphs, photographs, sculptural works, a film and soundscape, the works highlight the ties between the contemporary resurgence of nationalism and a suppressed colonial past.
  • Estonian Pavilion
    Co-Curator Of The Estonian Pavilion At The 58Th Venice Bienniale By Kris Lemsalu "Birth V. Hi&Bye"
    Estonian Pavilion Aug 2018 - Nov 2019
    Venice, Veneto, Italy
  • Kunsthal Charlotteborg
    Guest Curator For The Show Servitudes By Jesper Just
    Kunsthal Charlotteborg Aug 2018 - Aug 2019
    Copenhagen, Capital Region, Denmark
    Kunsthal Charlottenborg presents the internationally renowned Danish artist Jesper Just with the one workexhibition Servitudes, an immersive architectural installation with eight synchronised nine-minute films on a loop. Servitudes investigates how we comprehend agency as well as the conventional understanding of ‘able’ or ‘disabled’.The films revolve around three characters: a woman, who embodies the media-created ideal of youth and female beauty, and who seems incapable of acting upon her desires; a child afflicted by a neurological disorder that affects the motor and sensory nerves, who overcomes her disability by playing the notes of Chopin’s Opus 17 that guide the visitor throughout the whole installation; and the third character, the mediator between the two humans, namely the iconic One World Trade Center in New York, a prosthesis of the city and a phantom limb occupying the void left by the traumatic loss of the Twin Towers. The three protagonists of the piece appear as hybrids of machines and organisms, and their existence blurs the boundaries between fiction and experience.Servitudes invites you on a journey into an architecture of scaffoldings like the temporary structures made for wheelchair users. By integrating it with the existing architecture, Just distorts our perception of the space, creating situations in which you need to bend to proceed. The visitor becomes a performer in the space, adjusting an ‘able’ body to respond to unexpected obstacles in the installation, and, thus, testing ideas of agency of the body that often recur in society.First premiered at Palais de Tokyo in 2015, Servitudes has also been shown at the screens on Times Square in New York and is now part of the collection of the Metropolitan Museum of Art in New York. The exhibition is initiated in collaboration with MAAT – Museum of Art, Architecture & Technology in Lisbon and curated by Irene Campolmi.
  • Kunsthal Charlotteborg
    Guest Curator For The Show #Whatif
    Kunsthal Charlotteborg Jan 2018 - May 2018
    Copenhagen Area, Denmark
    I curated the exhibition #whatif- Kunsthal Charlottenborg in collaboration with CPH:DOX, Copenhagen March 17th- May 20th. About the exhibition:What if we could live and fly without using fossil fuel? What if art could eradicate poverty? And what if artistic methods could be used to prove crimes against humanity? These are some of the big questions raised by the participating artists in the group exhibition #whatif. The exhibition presents internationally renowned artists such as Forensic Architecture, Renzo Martens and CATPC, Lara Baladi, Naeem Mohaiemen Tomás Saraceno, Marcus Lindeen and Larry Achiampong. Throughout their projects, these artists are attempting to change current political structures and find ways to reshape society.Inspired by the impact that social and political experimental projects have had on society, particularly in the 1960s-70s, #whatif presents a number of contemporary artists who attempt to rethink and change current political and social structures through their practice. The exhibition’s hashtag title is employed to open a discussion about today’s social and political development. Social media is used in the creation of social movements and hashtags have become a useful tool for signalling political opinion on digital platforms and gathering crowds, disseminating political beliefs and instigating change (#BlackLivesMatter, #metoo, #Jan25, #Resist).Based on this premise, curator Irene Campolmi invited a number of contemporary artists selecting artistic projects that, by unfolding this topic with critical insight, answer to the hypothetical question ‘what if’ within a range of problematic current political and social issues.
  • Code Art Fair
    Curator Of The Talks, Film And Performance Art Program
    Code Art Fair Feb 2017 - Jan 2018
    Copenhagen Area, Denmark
    The 2017 Code Art Fair Talks, Film and Performance Program is called "Art ReActs" and explores how artistic and curatorial practice reacts to social, political, ecological and technological changes, creating new structures and reinventing the existing ones."Performing Identities" is the 2018 performance and talks program curated by curator and researcher Irene Campolmi for Code Art Fair. The series of performances and talks investigate the body as a site for constructing and negotiating identities within a globalised socio-political context.The program is grounded in de-colonial and gender emancipatory thought and reflects on how new subjectivities are defined in different ways: from the contemporary extension of the body into the digital, to the creation of modern languages, modes of communications and everyday gestures. The body is seen as an archive, a territory with its cartography and its colonised zones. At the intersection of critical geography, queer and gender studies, the featured performances create a poetic yet political space within which the body is defined as a microcosm and where forms of resistance and revolution are crafted.A little preview of the performances of PERFORMING IDENTITIES includes Nora Turato; Astrit Ismaili, Jacopo Miliani & Esben Weile Kjær.
  • Aarhus University (Denmark)
    Phd Fellow
    Aarhus University (Denmark) Mar 2013 - Jun 2016
    Aarhus, Denmark /Louisiana Museum Of Modern Art
    My research is about new and innovative research approaches and methods for curating collections and exhibitions in art museums. I am interested in exploring the possibilities of the art museum as research institution, and investigating the role of exhibition making as research tool.
  • Louisiana Museum Of Modern Art
    Phd Fellow
    Louisiana Museum Of Modern Art Mar 2013 - May 2016
    Gammel Strandvej 13 3050 Humlebæk, Dk
    I was one of the organizers of the International Symposium "Between the Discursive and the Immersive: A Symposium on Research in the 21st Century Art Museums" in collaboration with Stedelijk Museum and Aarhus University.
  • Max-Planck Institute- Kunsthistorisches Institut In Florenz
    Associated Scholar
    Max-Planck Institute- Kunsthistorisches Institut In Florenz Aug 2012 - Apr 2016
    Firenze, Italia
    My research investigates how art museums translate theoretical research into curatorial practice. I focus on collection displays both in European and Middle-Eastern art museums.
  • The Graduate Center, City University Of New York (Cuny)
    Phd Student J-1
    The Graduate Center, City University Of New York (Cuny) Jan 2015 - May 2015
  • University Of Leicester
    Visiting Research Fellow
    University Of Leicester Aug 2014 - Dec 2014
    The School Of Museum Studies, University Of Leicester, Uk
    Visiting Fellow at the School of Museum Studies, Leicester University. Mentor: Dr. Janet MarstineCo-organizer of the Conference: "Museum Alive!" at the School of Museum Studies, Leicester University
  • Imt Institute Advanced Studies Lucca
    Imt Institute Advanced Studies Lucca
    Imt Institute Advanced Studies Lucca Feb 2012 - Feb 2013
    Lucca, Italia
    I was PhD Candidate in Management and Development of Cultural Heritage. In 2013, I resigned from the position to join Aarhus University and the Louisiana Museum of Modern Art in Denmark, where I began to specifically focus on art museum's curatorial and research methods.
  • New York University/ Villa La Pietra
    Art Historian
    New York University/ Villa La Pietra Oct 2011 - Feb 2013
    Firenze, Italia
    Art Historian for the Acton Collection, Villa La Pietra.
  • Florence University Of The Arts
    Lecturer
    Florence University Of The Arts Sep 2011 - May 2012
    Firenze, Italia
    Lecturer at FUA in "Art History and Critical Theory" (Fall 2011) and "Introduction to Art History" (Spring 2012).
  • Syracuse University In Florence
    Lecturer
    Syracuse University In Florence Jan 2012 - Apr 2012
    Firenze, Italia
    I taught a basic tutorial course in Latin to an American student.

Irene Campolmi Skills

Art History Museums Teaching Research English Microsoft Office Public Speaking Microsoft Excel Microsoft Word Museum Collections Curating Powerpoint Customer Service Insegnamento Ricerca Editing Lingua Inglese Budgets Strategic Planning Negotiation Musei Storia Dell'arte Curatore D'arte University Teaching Adobe Photoshop Windows Outlook Photoshop Html C++ C Java

Irene Campolmi Education Details

Frequently Asked Questions about Irene Campolmi

What company does Irene Campolmi work for?

Irene Campolmi works for Maps - Museum Of Art In Public Spaces

What is Irene Campolmi's role at the current company?

Irene Campolmi's current role is Senior Curator.

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Irene Campolmi's email address is ir****@****mail.it

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Irene Campolmi's direct phone number is +45286*****

What schools did Irene Campolmi attend?

Irene Campolmi attended The City University Of New York, Università Degli Studi Di Firenze / University Of Florence, Università Degli Studi Di Firenze / University Of Florence.

What are some of Irene Campolmi's interests?

Irene Campolmi has interest in Exhibition History, Art Collecting, Museology, Sociology Of Culture, History Of Art Collecting, Curating, Cultural Studies.

What skills is Irene Campolmi known for?

Irene Campolmi has skills like Art History, Museums, Teaching, Research, English, Microsoft Office, Public Speaking, Microsoft Excel, Microsoft Word, Museum Collections, Curating, Powerpoint.

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