http://en.wikipedia.org/wiki/Irene_CaesarFirst to use psychotronics in art.Irene Caesar, Ph.D., (Ирина Цезарь) (born 10 September 1963 in St. Petersburg, Russia) is a Russian-American conceptual artist and philosopher. She became a professional artist in 1988, and came to prominence in Russia in the early 1990s, with articles about her in major Russian newspapers of that time. Caesar produced a series of performances documented in photographs in the style of absurdism, close to the theatre of the absurd of Samuel Beckett and Eugene Ionesco. They were staged as role-games, which expressed some concepts in a symbolic way by making participants interact with some object or prop, with themselves, or between each other in some absurd situations. These performances were staged not as static tableaux vivants, since they were characterized by a high degree of dynamism and interaction between Caesar and the participants. As a way of questioning modern art, Caesar created a series of photographic portraits of some well-known critics, film directors, and artists, including Arthur Danto, Vitaly Komar, Alexander Melamid, Slava Tsukerman, Vadim Perelman, which she produced as absurd role-games. Caesar participated in the dissident movement in Russia, was invited by Marina Salye to make a speech at the Founding Conference of the Free Democratic Party of Russia during the 1991 Putsch, and produced the series of portraits of important dissidents, including portraits of Elena Bonner, Alexander Esenin-Volpin, Pavel Litvinov, and others, which showed these nonconformists in some nonconformist controversial situations. Critics emphasized that the uniqueness of Caesar’s creativity consists in the fact that, for the first time in the history of art, a woman – from a woman’s point of view -- gives an assessment of such a wide scope of human ideas via her art.Represented by the Eduard Planting Gallery, Amsterdamhttp://www.eduardplanting.com/work-in-stock/caesar-irene/index.html