Iván Cortés Martiradoni Email & Phone Number

Vancouver, Columbia Británica, Canadá

Vancouver, Columbia Británica, Canadá

As a Character Artist, I was responsible for creating characters from the high poly stage to the look and development inside the engine. My primary objective was to create stylized characters that met the required quality standards and optimization for a real-time engine. This involved sculpting high poly models, creating efficient low poly versions with optimized UVs, bake creation, and applying textures and shaders. My role required a strong understanding of anatomy, attention to detail, and proficiency in Low poly techniques . This allowed me to develop advanced technical and artistic skills, and the ability to deliver high-quality characters in a fast-paced environment.

Vancouver, Columbia Británica, Canadá

As a Support Artist, I was responsible for assisting the art team with various tasks to ensure the successful completion of assets. My primary objective was to address feedback, which involved troubleshooting and resolving issues, correcting textures and models to meet the required quality standards. Additionally, I created props. All this allowed me to develop strong technical skills, attention to detail, and the ability to work collaboratively in a fast-paced environment.

Vancouver, Columbia Británica, Canadá

As a freelance 3D Character Artist, I was responsible for creating stylized character assets for a mobile app. My role involved working closely with lead to understand their vision and requirements.Throughout the project, I maintained clear communication with the lead to ensure that the character assets met their expectations and were delivered on time. I also provided regular updates on my progress and incorporated their feedback to ensure the final product was of the highest quality.

Tijuana, Baja California, México

As the Lead 3D Modeler at Boxel Studio, I was responsible for managing and leading the modeling team, ensuring the quality and timely delivery of 3D assets for both real-time and production 3D characters, assets, and environments. My role involved supervising and providing constructive feedback to the team to ensure that all 3D models and UVs met the project's technical requirements.Additionally, I provided asset supervision for production 3D assets and environments, ensuring consistency and quality across all deliverables. Through mentorship and technical guidance, I helped team members develop their skills.Overall, my leadership and management skills, combined with my technical expertise in 3D modeling, contributed to the successful completion of multiple projects.

Tijuana, Baja California, México

-Stylized Characters modeling and Uvs for Real-Time and AR.-Assets Modeling and Uvs for Production.

Ciudad De México Y Alrededores, México

As a Rendering Artist at Quarso, I specialized in creating high-quality architectural visualizations for various projects. My role involved creating 3D models, texturing, lighting, and rendering to produce realistic and immersive visualizations for clients.In addition, I was responsible for creating VR architecture experiences, virtual tours, and post-production work. My expertise in motion graphics and visuals allowed me to enhance the final product by creating engaging and informative visual elements.

México

As a 3D Artist , I contributed to the development of mobile games and applications, specializing in AR and VR experiences. My role involved creating low-poly models for characters and props, texturing using PBR and hand-painted techniques, and producing animations for various in-game elements.In addition, I was responsible for designing user interfaces, creating motion graphics, integrating assets in Unity, and implementing visual effects and particles.

Ciudad De México Y Alrededores, México

I was responsible for creating motion graphics, video editing, and 2D animation to support the development of interactive e-learning courses.I created engaging and interactive e-learning content for a national project. I used my expertise in motion graphics, video editing, and 2D animation to bring concepts to life and create visually compelling content that helped learners engage with the course material.

Ingeniería En Tecnología Interactiva En Animación Digital, Animación Digital, 9.6

Artistic Anatomy With Dan Crossland, Digital Sculpture On Zbrush

Couse focused on the sculture of the human Anatomy.

Creating Appealing Characters In 3D With Dylan Ekren

Couse focused on the principles about creating stylized characters.

Look Development For Stylized Characters With Greg Hettinger

Look and Development Course focused on stylized characters for productions Software learned: -Substance Painter -Arnold -Xgen -Maya