Jack Malone Email & Phone Number

Gold Coast, Qld, Au

Toronto, Ontario, Canada

As a Sr. Creature Artist at SPINVFX, I specialize in bringing imaginative creatures to life within the VFX industry. My role encompasses a broad range of responsibilities, including conceptual development, where I collaborate with directors and concept artists to translate artistic visions into detailed 3D models. I excel in 3D modeling and sculpting, using advanced tools like ZBrush to create anatomically accurate and visually compelling creatures.I handle the texturing process, applying intricate textures and materials to achieve realistic or fantastical appearances, and work on grooming for creatures with fur, or hair, using tools such as XGen and Houdini. Although not always part of my core duties, I am adept at rigging, deformation, and correctives ensuring that models perform seamlessly during animation.In my role, collaboration with animation, rigging, and lighting teams is essential, allowing me to refine and perfect creatures based on feedback. I also tackle technical challenges related to creature creation, optimizing models for performance, and ensuring compatibility with various rendering engines. Committed to continuous learning, I stay updated with the latest industry trends and tools to ensure that my work remains at the cutting edge of VFX technology.Umma (2022)Raised by Wolves - season 2 (2022)The Umbrella Academy - season 3 (2022)Monster High: The Movie (2022)Ant-Man and the Wasp: Quantumania (2023)Big George Foreman (2023)Monster High 2 (2023)The Continental (2023)Beacon 23 (2023)The Boys - season 4 (2024)The Umbrella Academy - season 4 (2024)Descendants: The Rise of Red (2024)Saving Bikini Bottom: The Sandy Cheeks Movie (2024)Harold and the Purple Crayon (2024)

In my previous role as a Sr 3D Character Artist in the gaming industry, I focused on crafting immersive and compelling characters that enhanced the player experience. My work involved collaborating with concept artists, and animators to transform character concepts into detailed and dynamic 3D models.I was skilled in creating high-quality character models, utilizing techniques in 3D modeling and sculpting to build anatomically accurate and visually engaging characters. I also handled texturing, applying detailed surface textures and materials to bring characters to life with either realism or stylistic flair, depending on the game's artistic direction.Additionally, I was responsible for rigging and skinning processes, ensuring that characters were set up for smooth and natural animation. I collaborated closely with the animation team to address technical challenges and refine character movements to align with gameplay mechanics and visual style. My experience included working with the Unreal Engine, where I optimized character assets and integrated them seamlessly into interactive environments.Collaboration was a key aspect of my role, as I regularly engaged with various departments to iterate and improve character designs based on feedback and project needs. I was committed to staying updated with the latest tools and techniques in the gaming industry to deliver high-quality, cutting-edge characters that contributed to a captivating and immersive gaming experience.

Remote Freelancer

In my previous role as a 3D Character Artist at Piccolo Studios, I was involved from the early stages of game development, working closely with the Art Director to shape the artistic vision for both characters and environments. My collaboration with the director was integral to establishing the visual style that would define the game, ensuring consistency and cohesion across all elements.I contributed to the creation of high-quality character models, utilizing advanced 3D modeling and sculpting techniques to develop anatomically accurate and visually compelling characters that aligned with the game's artistic direction. My responsibilities also included texturing, where I applied detailed surface textures and materials, bringing characters to life with the appropriate blend of realism and stylization.

Malaysia

In 2019, I had the opportunity to work as a 3D Character Artist at a game studio in Malaysia, where I contributed to high-profile titles such as Street Fighter V, Torchlight 3, and Beyond a Steel Sky. My role was pivotal in bringing character concepts to life, as I worked closely with concept artists to translate their designs into detailed and dynamic 3D models.I was deeply involved in every aspect of character creation, from sculpting and modeling to texturing. I utilized advanced 3D modeling techniques to ensure that each character was anatomically accurate and visually engaging, staying true to the original artistic vision. My responsibility extended to rigging and skinning, where I performed rigorous tests to guarantee that the character deformations were correct and that the models functioned smoothly in animation.In addition to these technical tasks, I was fully responsible for the texturing process, applying detailed surface textures and materials to enhance the characters' realism or stylized appeal, depending on the game’s direction. My experience with the Unreal Engine played a crucial role in optimizing these assets and integrating them seamlessly into the game environments.Collaboration was a significant part of my work, as I regularly interfaced with various departments to iterate and refine character designs based on feedback and project requirements. This hands-on experience in creating characters for some of the most iconic games not only strengthened my skills but also deepened my understanding of the collaborative nature of game development.

São Paulo Area, Brazil

São Paulo Area, Brazil

Rio De Janeiro E Região, Brasil

Rio De Janeiro E Região, Brasil

Rio De Janeiro E Região, Brasil

Rio De Janeiro E Região, Brasil

Campos Dos Goytacazes

Mba Marketing E Comunicação Empresarial, Gestão De Marketing

Bacharelado Em Design Gráfico, Graphic Design