Production Manager for series 7 of Wild Kratts

Production Coordinator - Sunflower. Production coordination for 2d production - 'Sunflower'.Coordination of all audio assets (voice records/pickups/songs)Responsible for asset tracking throughout seriesResponsible for supporting artists, directors, editors and producers to ensure a smooth running and successfully executed production

Responsibilities include- co-ordinating and overseeing completion of English voice records of foreign animated properties including scheduling, casting, testing and implementation of remote record pipeline. Completed 1 x 52 episode series. 1 x 52 in production and 1 x feature.- advising on music licensing, composer search- composition of temp songs where necessary in record schedule

Musikskul is a groundbreaking new music education platform. We teach 8 - 11 year olds and grown ups the music fundamental they need to develop a life long relationship with music online in small, fun and productive groups

Key management position at Bedtracks, an online portal of over 50,000 tracks supplying music for TV productions, commercials and documentaries1. Established a new international revenue stream allowing us to bid on $200,000 worth of new business. $150,000 has been secured. New clients include Axe, Vita Coco, Dove, Standard Chartered and Sprint. 2. Led the establishment and deployment of the company strategic plan. In the first 6 months, we achieved 22 of 24 goals including making significant progress in website, pricing strategy, funding and team engagement.3. Development of key strategic partnerships which have led to fruitful and growing domestic and international revenue. Key partnerships include the Documentary Organisation of Canada (Canada), Associated Producers Ltd (Canada) and Run! Get Music (UK), Pure Sync, (UK), October Films (UK)4. I established timelines, requirements and led an application to exploit new funding opportunities. Took leading role in the successful completion of funding from Factor, OMDC, Music Company Development Fund and Collaboration and Innovation FundCompose/Music Supervision and line producer on over 100 television projects including theme tunes for Counterfeit Cat (Disney XD/Teletoon), Holt Renfrew, Storage Wars Canada, Influenced, Coming Clean and Yukon For Sale and commercials for Sprint, Budweiser, Standard Chartered and IMAX.

Management of the licensing department at North America’s largest out of home entertainment network. Key responsibilities were managing client relationships of over 3000 rights holder and licensing staff1. Led the design and execution of an automated system that aimed to marry programming and licensing departments work items. Implementing the system led to an increase in efficiency of 75%2. Created a series of metrics focused on productivity and acquired licenses. This allowed me to accurately demonstrate successes and challenges to senior management and guide the team in securing a year on year increase of 20% in acquired licenses.3 Established an inter-departmental review and redesign of the contract administration system involving royalties, IT and database teams. The result was a sharp reduction in payment and administration errors leading to healthier relationships with key rights holders.4 Identified top 20 key missing Latin rights holders, took a beginners Spanish course and secured licenses with 95% of them within 18 months allowing the company to compete in the US Latin music market.

Responsible for producing conferences across disparate topic areas from conception to the event. I led testing, research, agenda creation, speaker recruitment, marketing and day of event management of 7 profitable conferences including 9th Annual Winning HR Practices Of The Best Employers In Canada, Strategic Capital Planning For Healthcare Infrastructure and Crown Corporate Governance.

• Successfully managed team of 5 through a new and ever changing program with exceptional results. • Managed successful negotiations with uneducated and sometimes sceptical artists onto program with positive results.• Successfully managed logistics for all shows

• Responsible for negotiating best commercial terms and licensing all music rights for DMG releases (200+ albums per annum).• Actively prioritize product schedule of new releases to ensure project completion on time, in a high pressure, time sensitive environment• Maintain and develop relationships with all key clients• Accurately processing all contractual information to business affairs• Ensure a recoupment analysis for each title has been prepared

• Clearing EMI owned repertoire with relevant marketing personnel and management• Licensing in whole projects on behalf of EMI, both internal and third party tracks, ensuring project completion on time.• Contractual research to ensure all necessary conditions are adhered to • I was EMI TV point of contact when the SAP internal system was introduced into EMI UK.• Running a portfolio of third party music licensing accounts. Making sure that deals are done on time so that they fit into critical timelines.• Handling all aspects of licensing requests including negotiation of terms/tracks, liaising with artist management, providing label copy, masters and deal memos and processing invoices.