Content producer.Create and pitch ideas and briefs with and for clients.Film and edit briefs to a professional standard.

MCR, EVS operation, audio operation, PSC/ENG camera and studio camera operation

Operating on high profile events, festivals and celebrations across the UK.

Freelance Camera Assistant for Lime Picture's 'Hollyoaks'

Working as a Camera Assistant for ITV's Coronation Street. I was also fortunate enough to be working on the live episode in 2015.

Operate across a variety of roles including: - Vision Mixing: Showing races live as they happen and responsible for airing and not airing races due to legal and right requirements.- EVS Operator: Cueing up archived clips, creating playlists, marking in, stills on the line, rolling replays, slow-mos, clipping up & editing pre-records, patching rems.- Sound Operator: Labelling Rems, sound checks with Voicovers, upsound of faders on Soundcraft and Kahuna sound desks, using… Show more Operate across a variety of roles including: - Vision Mixing: Showing races live as they happen and responsible for airing and not airing races due to legal and right requirements.- EVS Operator: Cueing up archived clips, creating playlists, marking in, stills on the line, rolling replays, slow-mos, clipping up & editing pre-records, patching rems.- Sound Operator: Labelling Rems, sound checks with Voicovers, upsound of faders on Soundcraft and Kahuna sound desks, using SpotOn for audio clips, adjusting gain and trim for quality of output. Show less

Studio director for the same channel that I has previously been a camera op and multi-skilled op for. Keying, cutting, mixing and am capable of setting up split-screens and picture-in-picture exactly to requirements and “on the fly”. Able to manipulate images via the DME and Chroma Key. Control of Still Store systems ‘Aston Concept’ and the custom-designed ‘ImageOn’ software. Employment of live internet feeds including Skype and other video calling services. Maintain appropriate gallery… Show more Studio director for the same channel that I has previously been a camera op and multi-skilled op for. Keying, cutting, mixing and am capable of setting up split-screens and picture-in-picture exactly to requirements and “on the fly”. Able to manipulate images via the DME and Chroma Key. Control of Still Store systems ‘Aston Concept’ and the custom-designed ‘ImageOn’ software. Employment of live internet feeds including Skype and other video calling services. Maintain appropriate gallery etiquette involving clarity when liaising with Transmission, clear counts and concise direction to Camera, Audio and Technical Operators. Worked in both an open and closed talkback gallery environment. Given direction to Operators using cameras on pedestals, sticks, Jibs and handheld. I have also been charged with directing Trainee Camera Operators on their very first shows.Worked across 2 studios, each with multiple sets and outside environments that aren’t shielded from the elements.Directed and vision mixed on shows using up to five sets involving throws from one set to another with up to eight presenters / guest-presenters and up to six cameras controlled by four camera operators. Controlled live link-ups of two separate studios involving two separate galleries.Directed and vision mixed on numerous VT and Promo shoots, from stock footage and montages through to presenter-lead promos. Responsible for the broadcast launch of numerous high-profile brands products including Bissell and clothing brands ensuring that sets adhered to their brand guidelines. Show less

Due to departmental restructure, specialised operators were reinvented as multi-skilled operators. So, whereas I was still doing my job and role of camera operator, I also assumed the new responsibilities encompassing lighting (using both studio based RFU's and gallery situated lighting desks), audio (mixing during live shows with regard to mic's, audio tracks and sound-effects and pre-air checks), vision control (using Remote Control Panels to assist in camera operators requirements and VT… Show more Due to departmental restructure, specialised operators were reinvented as multi-skilled operators. So, whereas I was still doing my job and role of camera operator, I also assumed the new responsibilities encompassing lighting (using both studio based RFU's and gallery situated lighting desks), audio (mixing during live shows with regard to mic's, audio tracks and sound-effects and pre-air checks), vision control (using Remote Control Panels to assist in camera operators requirements and VT loading and cuing).Amassed 3500+ operational live hours whilst with Ideal Shopping Direct. Show less

Multi-camera studio camera operation on live broadcasts that consisted of typically 1 hour shows throughout the day (running 0600-2300) with 3 minute breaks to separate the hours. Role incorporated use of pedestal mounted cameras as well as jib, polecam, and dolly and track operation as well as hand held camera work. Moving shots and close up detail work were often a requirement, as well as general camera maintenance and morning line ups.I am also experienced in on location promotional… Show more Multi-camera studio camera operation on live broadcasts that consisted of typically 1 hour shows throughout the day (running 0600-2300) with 3 minute breaks to separate the hours. Role incorporated use of pedestal mounted cameras as well as jib, polecam, and dolly and track operation as well as hand held camera work. Moving shots and close up detail work were often a requirement, as well as general camera maintenance and morning line ups.I am also experienced in on location promotional shoots with brand briefs and product awareness.Amassed 3500+ operational live hours whilst with Ideal Shopping Direct. Show less