Jay Burnley Email & Phone Number

Los Angeles, Ca, Us

Recent Films:OH, CANADA, directed by Paul Schrader (2024)SOVEREIGN, directed by Christian Swegal (2024)TO KILL A WOLF, directed by Kelsey Taylor (2023-24)PLEASE DON'T FEED THE CHILDREN, directed by Destry Allyn Spielberg (2023-24)THE KILL ROOM, directed by Nicol Paone (2023)HAZARD, directed by Eddie Mensore (2024)THE INVENTOR, directed by Jim Capobianco (2023)OUR SON, directed by Bill Oliver (2023)DEVOTED, to be directed by Richard Bosner (2024-25)YOU & I, directed by Summer Shelton (2024)MIRROR MAN, to be directed by Matthew Penn (2024-25)PURE O, directed by Dillon Tucker (2024)HARVEST, directed by Paul Kampf (2024-25)GHOSTS OF THE VOID, directed by Jason Miller (2023)THE BLACK GUELPH, directed by John Connors (2024)SUMMONING SYLVIA, directed by Wesley Taylor & Alex Wyse (2023)MIDNIGHT TAXI, directed by Bertie & Samantha Speirs (2024)THE BIG DOG, directed by Dane McCusker (2024)RENNER, directed by Robert Rippberger (2024)JERRY BROWN: THE DISRUPTER, directed by Marina Zenovich (2023)AMERICAN UNDERDOG, directed by Gustavo Martin (2024)THE DIRTY SOUTH, directed by Matthew Yerby (2023)BULLETS, directed by Peter Pontikis (2023)THE DEVIL AND THE DEEP BLUE SEA, to be directed by Nick Cassavetes (2024)EXHIBIT #8, directed by Ruben Broekhuis (2023)THE FIX, directed by Kelsey Egan (2023)A LITTLE MORE ALIVE, to be directed by Nick Blaemire & Jeffrey Simon (2023-2024)ON SACRED GROUND, directed by Josh & Rebecca Tickell (2023)RAMONA AT MIDLIFE, directed by Brooke Berman (2023)

Los Angeles, Ca, Us

Prior Films:SUPER TROOPERS 2, directed by Jay Chandrasekhar (2018)AS THEY MADE US, directed by Mayim Bialik (2022)THE LAST VICTIM, directed by Naveen Chathapuram (2022)MID-CENTURY, directed by Sonja O'Hara (2022)PUMPKINHOLE, directed by Juan Pablo Arias Munoz (2022)BALLOON ANIMAL, directed by Em Johnson (2023)CRUISE, directed by Rob Siegel (2018)DEEP MURDER, directed by Nick Corirossi (2018)AT FIRST LIGHT, directed by Jason Stone (2018)GOD BLESS THE BROKEN ROAD, directed by Harold Cronk (2018)WHAT BREAKS THE ICE, directed by Rebecca Eskreis (2020)GOLDENERA, directed by Drew Roller (2022)REZ METAL, directed by Ashkan Soltani Stone (2022)JAMES HEMINGS: GHOST IN AMERICA'S KITCHEN, directed by Anthony Werhun (2022)THOSE WHO WALK AWAY, directed by Robert Rippberger (2022)ONCE UPON A LIFETIME, directed by David Skato (2021)RARE OBJECTS, directed by Katie Holmes (2023)AFTERWARD, to be directed by Dito Montiel (2022)DOMINO: BATTLE OF THE BONES, directed by Baron Davis (2021)BABY MONEY, directed by Mikhael Bassilli (2021)BECOMING, directed by Omar Naim (2020)THE STEED, directed by Erdenebileg Ganbold (2019)LOVE IN DAYLIGHT, directed by Dawn Burgess (2022)

Los Angeles, Ca, Us

· Developing independent feature film projects ranging in budget from $2 - $50 million dollars.

Multimedia marketing for Hollywood film database service The Grid: www.ItsonTheGrid.com; a subsidiary of TheWrap: www.thewrap.com.· Relaunched the ItsonTheGrid.com film database platform, with an emphasis on sustainable branding.· Redesigned company logo and primary forward-facing elements including Homepage.· Grew membership signups by 250% year-to-year. Increased subscriber conversion ratio. · Created all advertising units – physical ads for film festivals; website advertising; Google, Facebook, and LinkedIn ads. · Managed all corporate communications and social media. Doubled twitter audience in 6 months while improving followers/following ratio from 1:2 to 6:1. (2,000 followers). · Presented the relaunched site at TheGrill conference at the Tribeca Film Festival.· Integrated IOTG brand into corporate parent, TheWrap.com.· Actively oversaw data management. Database comprised 200,000 elements.· Restructured billing process to emphasize efficiency.

· Developed independent feature film projects ranging in budget from $5 - $45 million dollars. Largest production was KILLER ELITE, starring Jason Statham, Clive Owen and Robert De Niro, directed by Gary McKendry. · Handled all aspects of film and television development for Producer Joni Sighvatsson. Oversaw project slate of more than 50 projects in active development with A-List directors, cast and writers, and hundreds of additional properties in long-term development. · Set up projects with financiers. Attached directors, cast and writers to projects as needed. Negotiated option/purchase deals for screenplays, books, foreign remakes, comics, news articles. Oversaw project budgeting, worked one-on-one with line producers and directors. · Nurtured strong relationships with talent, managers and agents. Specialized in working with screenwriters to bring out commercial and artistic strengths in material. Cultivated next-generation director/writer/actor lists. Tracked available material and new talent. · Production Executive on BROTHERS, starring Tobey Maguire, Jake Gyllenhaal and Natalie Portman, directed by Jim Sheridan. · Associate Producer on A LITTLE TRIP TO HEAVEN, starring Forest Whitaker, Julia Stiles and Jeremy Renner, directed by Baltasar Kormakur. · Projects included: Stephen King’s ROSE MADDER, director: Nicolas Winding Refn. ELLING, adapted by Larry Stuckey and Jay Roach, director: Jay Roach. BE MINE, adapted by Bret Easton Ellis, director: David Mackenzie. DARK HIGHWAY, written by Chris Kyle, director: Bruce McDonald.

· Read scripts, wrote story notes, participated in creative & production meetings, assisted budget analysis. Tracked available projects and specs, generated lists of writers, directors, and actors. Logged submissions, processed coverage, wrote pass letters. · As assistant: distributed & logged call sheets, production reports and dailies, composed correspondence. Primary projects were SLACKERS, BUYING THE COW, SIX BILLION DOLLAR MAN, THOMAS AND THE MAGIC RAILROAD, IF I DON’T SIX, and MEXICALI.

Culver City, Ca, Us

Manager, Creative Advertising · Participated in all aspects of worldwide campaigns for WHATEVER IT TAKES, BLACK AND WHITE, DICK, and MUPPETS FROM SPACE. Active in creative meetings and with vendors for trailers, TV/radio spots, and print ads.

Culver City, Ca, Us

Executive Assistant, Worldwide Marketing · Assisted V.P.'s of theatrical Market Research and International Publicity. Wrote promo copy for Golden Globe campaign for STEPMOM and STILL CRAZY. Processed and distributed motion picture tracking, worked screenings.Development Associate, P.A.T. Productions · Wrote story notes and research for ALLEY OOP, CGI feature film project.

New York, Ny, Us

HBO 1997 ­ 1998Payments Administrator · Generated payments according to contract terms. Created check requisitions, processed agreements and clearances for projects including The Sopranos, Sex and the City, and The Rat Pack.· Assisted top Executives of Development, Production, and Business Affairs. Read scripts, attended production meetings, logged submissions. Distributed call sheets, production notes, and dailies.

FREELANCE 1996 ­ 1997Salus Media: Executive Assistant. Assisted production of internet start-up company's Business Plan and demo product. Edited text and related internal/external documents. Processed spec submissions.Satori Entertainment: Story Editor and National Media Coordinator. Designed and wrote all promo materials, including items reported in Daily Variety and USA Today. Wrote story notes, handled all submissions.Knightsbridge Entertainment: Screenwriter. During shooting, wrote new scenes for $1 million independent feature film TESTING SAM.