James Denis Mc Glynn Email & Phone Number

Dublin, County Dublin, Ireland

Since November 2023, I have been involved in the design and delivery of lectures and guest workshops as part of an array of courses at the TCD Department of Film, at both undergraduate and postgraduate level. These include the courses “Digital Theory and Practice” (FSU44016), “Research Methodologies and Professional Development” (FSU44002), and “Digital.

Dublin, County Dublin, Ireland

I recently accepted a position as Research Fellow in Screen Studies at the School of Creative Arts at Trinity College Dublin. In this role, I will work as part of the Irish Research Council Laureate Award (2022–2026) project “From Cinematic Realism to Extended Reality: Reformulating Screen Studies at the Precipice of Hyper-reality” led by Dr. Jennifer.

Belfast, Northern Ireland, United Kingdom

Beginning with an elaborate A/V performance at the UCC’s Aula Maxima in April 2023, I recently became involved with the Belfast-based Irish Video Game Orchestra as a member of the brass section. As Europe’s first community-driven video game orchestra, the IVGO has performed extensively throughout Ireland and the UK since it was established in 2015.

Editorial board member for Sonic Scope: New Approaches to Audiovisual Culture, co-published by Goldsmiths, University of London / MIT University Press. The editorial board comprises 15 music, sound and media studies specialists from 6 countries, who curate each issue. The role comprises: peer-reviewing journal submissions, A/V installations, sound art.

During the academic year 2022-23, I was employed as a Visiting Lecturer in Music at Royal Holloway, University of London, where I delivered the course 'Issues in Sound, Music and the Moving Image' (MU2304 / MU3304) to undergraduate students of Music.

County Cork, Ireland

Since 2020-21, I have been employed as an Assistant Lecturer in the School of Film, Music and Theatre at University College Cork, where I teach the MA course Music and Cinema (MU6037). The role has comprised: syllabus design; delivery of weekly seminars; facilitation of in-class discussions; consultation with students in one-to-one meetings; coordination.

In March 2020, I served as a standby substitute lecturer for the MA course Music and Cinema (MU6037), during which time I taught on innovation in contemporary approaches to screen scoring. This comprised: preparation and delivery of lecture materials; facilitation of in-class discussion; encouraging students' engagement with their assigned readings and.

County Cork, Ireland

During the academic year 2018-19, I was employed as a Teaching Assistant and occasional lecturer for the undergraduate course 'Sound and the Moving Image' (MU2005) at the Department of Music, University College Cork. The role comprised: occasional delivery of lectures; correction of assignments; provision of feedback for student submissions; supervision of.

County Cork, Ireland

During the academic year 2017-18, I was employed as the Teaching Assistant for the undergraduate music course 'Western Music, Culture, and Media' (MU1020) at the Department of Music, University College Cork. The role comprised: correction of assignments; provision of feedback for student submissions; engagement with students in one-to-one tutorials.

Paris Area, France

Invited to the Centre Culturel Irlandais in Paris as the fifth recipient of the Rev. Liam Swords Foundation bursary, conducting archival research and studying under world-renowned composer & film music scholar Michel Chion

Founder of the UCC Orchestra, a contemporary symphonic ensemble whose performances incorporate markedly cinematic, audio-visual elements, as well as contemporary re-arrangements of popular and film music. Throughout my four years as principal conductor, I served two consecutive terms as Chairperson and a third year as Players Coordinator. From the.

Suzhou, Jiangsu, China

Invited to work as an instrumental instructor in five branch centres of Suzhou’s Tianmu Institute in China. There, I devised a course in guitar performance, fundamental music theory and Irish popular music, which I delivered to students of diverse ages and ability levels, as well as engaging with group classes and one-to-one lessons.

I worked as librarian to CCSO. The diverse administrative role, which encompassed sourcing and cataloguing of parts and scores, liaising with guest performers and incidental brass performance, afforded me a close analytical and performative engagement with symphonic practice that would inform my research and practice of conducting, arrangement and.