Proven record of Producing world-class VFX projects from bidding stage through to final delivery under-budget and on-schedule while keeping team morale high for the Singapore (SG) and Sydney (SYD) studios.• Road House (2024), SG [HUB/Client Producer]• Mission: Impossible - Dead Reckoning Part One (2023), SG/SYDResponsible for resource planning and project financial health as well as overall team morale.Oversew Production Manager including reviews of milestone planningReported project health to Company Leadership as well as managed Client Relations Worked closely with global studio stakeholders to help establish and implement company-wide Production best-practices focusing on Shotgrid workflow integration.

Directly managed production teams and partnered with key creatives on VFX work completed in the Singapore (SG) and Sydney (SYD) studios.Responsible for planning and developing Sequence and Shot/Asset milestone schedules as well as managing production coordinators/PAs• The Mandalorian S3 (Ep. 2, 4-8), SG• The Haunted Mansion (2023), SG/SYD• The Book of Boba Fett (Ep. 1-5, 7), SG/SYD• Space Jam 2 (2021), SG/SYD• Star Wars: Episode IX - The Rise of Skywalker (2019), SG/SYD *• Aladdin (2019), SG **Additionally responsible for crew planning

• Ant-Man and the Wasp (2018)• Solo: A Star Wars Story (2018) - Managed overall shot targets and back-end schedule with 5 coordinators for Lighting, FX, Roto/Paint & Compositing.

Responsible for day-to-day scheduling and artist management in partnership with department Leads/SupesAdjusted plans and expectations based on ETCs gathered weekly from Leads/Supe• Monster Hunt 2 [Zhuo yao ji 2] (2018) - Comp, Lighting, Gen, FX, Layout• Star Wars: Episode VIII - The Last Jedi (2017) - CreDev• Transformers: The Last Knight (2017) - Layout, Anim• Kong: Skull Island (2017) - Layout, Anim

Star Trek Beyond (2016) • Assess overall sequence requirements and communicate with Production Manager in order to allocate resources across all sequence teams. • Managed the overall schedule for my sequences including setting targets and client deliverables across all departments from Roto/Prep and Matchmove to Comp. • Worked with supervisors to outline and maintain client targets. • Mentored and worked with coordinators to communicate daily and weekly targets to artists

Alice Through the Looking Glass (2016) • Line Produced sequence of 100+ shots working directly with sequence supervisors to set show deliverables • Sr. Sequence Coordinator on over 200 shots from Roto/Prep & MM through Comp

• Staffed for Special Events to manage large crowds and resolve internal and external conflicts.• Communicated with Members (prospective/new), and Gallery visitors regarding Membership benefits and exhibitions.• Maintain integrity of the institution's RaisersEdge database.• Updated training manual and helped train new Membership Desk staff.• Mediate any conflicts that may arise regarding customer satisfaction. • Briefly filled the role of Membership Desk Assistant (2 months, PT): responded to member inquires via email and phone; directly communicated with donors to the Vancouver Art Gallery; produced mail-out campaigns; batched membership payments.

Fast and Furious 7 (2015) - Assets, Animation and ICT Coordinator • Coordinated over 90 shots through Assets, Animation and ICT (facial replacement) • Worked with a team of approximately 15 artists cross departments in both Vancouver and LA

Show Production (May 2014-Oct 2014)• The Hunger Games: Mockingjay: Part 1 (2014) - Coordinated 40+ shots across all departments of the MPC pipeline from Roto/Prep through Comp. Technical Animation Department (Oct 2013-May 2014) • Maleficent (2014) • The Amazing Spiderman 2 (2014) • Edge of Tomorrow (2014) • Jersey Boys (2014) • Game of Thrones (S04E09 & S04E10) - Coordinated artists across multiple shows juggling show schedules and artist's time to most effectively deliver work.

• Managed Artists and media relations for the successful organization, planning and marketing of Contemporary Exhibitions.• Conducted sales of original artwork and custom framing with new and existing customers. • Curated Contemporary Artist exhibitions as well as rotating exhibitions sourced from Gallery Collection (including 18-19th century paintings and original prints). • Developed, implemented and maintained the Gallery Inventory. • Produced and distributed press releases and media kits for Contemporary Exhibitions.• Oversaw the production of in-house exhibition catalogues including: layout/cover design; typesetting; copy-editing; communication with external suppliers. • Authored artist statements, introductions, forewords, etc. for Contemporary Exhibition marketing and publications.• Designed, rebuilt and maintained Petley Jones Gallery website on the WordPress platform.• Introduced Social Media marketing outreach via Twitter, Flickr, and Facebook.• Produced email marketing campaigns through the MailChimp platform.• Designed advertising and print material in Adobe Photoshop and Illustrator. • Art Handling and Exhibition Design for Contemporary and Historical exhibitions.• Supervised, recruited, hired and trained interns.• Resolved IT issues across Gallery computers and database.

• Artist Relations/Liaison for Jarbas Agnelli during "YouTube Play: A Biennial of Creative Video".• Participated in Press Release and Special Events. • Conducted, collated data and coordinated volunteers for 10-day market research during the "Chaos & Classicism" exhibition. • Maintained and monitored Social Media Networks: Twitter, Facebook, Flickr, YouTube via Hootsuite and TweetDeck.• Designed daily digital museum signage for events and exhibitions (Adobe InDesign and Illustrator).• Communicated with local Colleges and Universities for exhibition and program outreach monthly.• Researched competitive markets/museums in relation to the development of iPhone/iPad apps. (This research directly supported the eventual implentation of a Guggenheim wifi-network and exhibition-specific apps.)• Updated advertising materials/vendors through web marketing sites such as FlavorPill.• Collected data and maintained the integrity of the Guggenheim RaisersEdge database.

• Managed, trained, hired and mentored Student Ambassador Team.• Represented Student Ambassadors on the Peer Programs Executive Committee: a campus-wide Student Development organization with support from the Vice President of Students at the University of British Columbia. • Liased and coordinated with University Residence Coordinator(s) for daily Campus Tours. • Lead 2 hour walking tours to prospective students, parents, visiting counselors and high-profile guests such as the Education Minister for the Sultan of Brunei.• Responded to prospective student inquires in person and via email.

• Developed and designed the first ever Online Media Sales Kit in conjunction with web department. • Wrote copy for magazine advertising. • Supported annual Working Mother Media's "Multicultural Women's Conference" during in-person event.

• Designed graphic displays for the library's Teen and Young Adult collection and related events (Adobe Photoshop).• Maintained the integrity of the library's collection.

• Developed incentive for the 2008 Asian American Heritage Month YouTube Campaign. • Supported the Marketing and Public Relations sectors of the Communications Department through the production of press kits and participation in Asia Society events. • Monitored Social Media presence on Facebook & MySpace. • Wrote and summarized exhibition and event information for the bi-monthly News and Events magazine. • Collated data for the 2008 Annual Report.