A one-stop-shop for most things creative, I have vast experience in more than a few media production disciplines. I have worked in television, film, advertising, magazines, podcasting - you name it.Graphic design from digital to print, branding for startups and small companies, offering an able helping hand to agencies in need. Moreover, "powerhousing" anything video-related, covering the process from filming, directing, and producing to departmental assistance. Not to mention my forte: post-production.You get the gist, right? All-round to the max. This still happens, there's more of us... But, both due to my almost 20 years of experience and simply how I developed my skills: I can do it hella fast (and still gooddddd). Need something done by next week, or even tomorrow? If I have a gap in my schedule, I'll make it happen.

Being on sets working behind the scenes a lot happened to inspire a switch to being in front of one as well. Hosting and co-hosting podcasts, television shows, (online) travel videos all over the world, and social videos ever since. Mostly focused on topics "nerd-related" like the podcast Nerd Culture, which can be found on YouTube, Spotify, Apple Podcasts etc.An interesting outcome of this experience is that because I have not had traditional schooling in presenting, I've gained the ability to also direct others who don't have any camera experience and still effectively letting them convey a smooth, compelling and authentic story on video.

As a camjo, a blend of journalist, director and cameraperson, I handled everything from researching stories and conducting interviews to shooting and editing video footage. A one-person production team, with people skills and technical expertise.

Besides directing the TV show Gamekings, I took on the additional role of producer. Prior to creatively supervising and producing each episode, I ensured their feasibility and, more importantly, credibility from start to finish. This approach continues to be applied to all the non-regular content produced by Gamekings for online platforms.

I was (and from time to time still am) responsible for either creating or supervising the visual aspect of all content, deliverables, advertisements, and creatives produced by both Blammo Media and Blammo Events. This encompasses not only online or offline graphic and motion design but also extends to merchandising and projects related to expos, conventions, and events.

Alongside recording and directing individual in-program video segments at the Gamekings studio or on location over the years, I took on the responsibility for overseeing the show's entire content during the last seasons. This encompassed the technical, visual, and editorial aspects, ensuring they met TV standards.I set the tone and energy for each episode, optimized presenter performances, and provided guidance through post-production, delivering up to 30 episodes annually to the broadcaster.Additionally, Blammo Media handled various other video productions with which I have been or was involved.

I started working for Blammo Media as a video editor. Then, graphic design found its way into what I was doing with video. As I integrated design into video production, my role as a video editor slowly evolved into broader and more managerial positions, as seen above.

I either created or supervised the visual aspect of all content deliverables for both Blammo Media and Blammo Events. For the latter, I single-handedly branded large events like Firstlook Festival, Battlecon and various video game releases, from online and offline (on-stage and on event) graphic and motion design to merchandising and advertising.