Production Manager for Netflix first live sporting event. The Netflix Cup

Oversee operations for the production of one of the largest shows in sports television. Established operations for the show featuring NASCAR-sanctioned series from inception. Oversee NASCAR's broadcasts with SPEEDtv, FOX, ESPN, TURNER, DOT COM, SHOWTIME and DTV weekly; occasionally coordinate up to three separate tracks in one weekend. Make and execute decisions related to processes and procedures for the production of up to 91 shows annually. Work independently on operations and assist with larger, complex and high profile projects. Manage the weekly billing for four major networks. Key Achievements: Transformed operations from start-up to full production. Build, maintain, and leverage strong relationships with leadership at various networks. Develop and tightly manage NASCAR compound budget of $11.3M annually. Participate in all contract negotiations with production vendors from power suppliers to caterers; update and distribute the weekly vendor list to all networks. Coordinate and meet the weekly production needs of each network such as trailers, furniture, lifts and other critical set items. Manage the weekly credential list, compound support and all in-house projects for NASCAR Media Group and SPEEDtv.

Champions,Nationwide, LPGA Tours | 2006Directed all areas of logistics relating to golf telecasts; served as liaison in preparing logistical,financial, and operational plans for NEP Broadcasting and The Golf Channel. Organized andmaintained weekly on-site schedules, camera assignments and car assignments. Ledcommunications between the tour and tournament officials and the on-site production staff andensured smooth execution of broadcasts.Key Ac hievements: Managed logistical arrangements for telecasts. Oversaw vendors and related invoices in accordance with budget constraints. Hired and scheduled all runners for on-site broadcasts. Coordinated between on-site team and the home office. Managed the project production schedule for contract compliance and overall project workflow.

Served as a key partner of this production team by providing administrative support for live broadcasts in venues all around the country. Served as a point of contact for shows' executives and used independent judgment to determine how issues should be handled. Worked closely with executives to ensure deadlines, budgets and deliverables were met. Key Achievements: Set up the IT infrastructure for on-site productions. Supervised local on-site runners and crew. Built long-term contacts with tournament operations staff and officials; leveraged relationships to get the b est vendor service and pricing for each production. Managed information collection and distribution for production, engineering and event coordinators.

Produced the features and promotions that ran during broadcasts of these live sports shows. Enhanced the overall quality of features and promotions through coordination between producers and animators. Key Achievements: Awarded 2005 Sports Emmy. Supported remote productions by supporting producers in securing and organizing production materials for live broadcasts. Oversaw the editing of highlights and graphics support for live broadcasts. Performed crew functions as needed during studio productions and assisted in location production. Edited features and various content items.

Scream Play | 2004Supervised production for this stunt reality show. Hired and managed all vendors and crew.Oversaw AFTRA deal memos for freelance and staff stunt performers.

2003Coordinated crews between Mexico and U. S. Responsible for all of the international shipping ofequipment and carnets. Coordinated all on-site logistics and legal papers for ENG shoots in Mexico.

Hired all utility and runners week to week. Distributed credentials and oversaw completion of all legal documents. Organized logistics for talent and production.

Worked closely with the city of NYC and the New York Police Department to keep all production, equipment and vehicles within the permitted areas. Supervised runners on location in all five boroughs, including the movement of all cars carrying talent throughout the duration of the race.