I have thirteen years of professional stage and production management experience, and twelve years of stage management experience in dance working for ABT, Hamptons Dance Project, Gemma Bond Dance, Isabella Boylston and Friends, Ballet Sun Valley, Ballet Hispanico, Avi Scher, and Ballet Chicago, among other companies.I both call cues and run the deck for ABT performances, large and small. As the calling Stage Manager, I have premiered several works for ABT including pieces by Alexei Ratmansky, Benjamin Millepied, Gemma Bond, Christopher Rudd, James Whiteside, and Lauren Lovette. My additional calling repertoire at ABT includes nearly all of our full length productions as well as most of our active repertoire pieces. I am the lead deck stage manager for all pieces that I do not call. I am responsible for maintaining the company’s archival media library, and I am the primary caretaker of our studio’s media playback systems. Along with the other two stage managers, I create or find and maintain rehearsal props and show paperwork (both calling sheets and deck run sheets). I lead the technical rehearsals for all ballets that I call, and I work closely with the calling stage manager to lead technical rehearsals on the deck when I am not calling. I can read music, and I call ballets both from scores (usually piano reductions) and movement tracking sheets. I am also responsible for editing video for major grant and award submissions, and I work closely with the music department and choreographers and stagers to edit performance music tracks for length, repeats, tempo, and volume.I use FileMaker Pro databases on a near daily basis, and I generate and maintain all Technical Rehearsal Logs. I also often use several video and audio editing programs, and I am the unofficial IT tech for the ballet staff and stage managers. My past duties have included coordinating casts of supernumeraries that can number over 100 for our full length productions in cities around the globe.