Oversee all film and series editorial work across Wavelength Productions. Review cuts, work editing with editors, provide creative story notes and staff post teams for all projects.

I edit feature length documentaries and non fiction TV.

I cut an Emmy winning TV documentary for PBS about foster youth.

As the assistant editor I helped get the film from second rough cut to picture lock and delivered to Sundance in time for the festival. I also cut all the web extras and other supplemental content.

I was an assistant editor on Ugly Delicious the food and culture show featuring David Chang for Netflix. I also cut scenes for all eight episodes in the series.

Worked on a documentary about LGBT Family Civil Rights in Alabama called Alabama Bound.

Additional Editor on a CNN Films documentary about a chef titled The Last Magnificent, Jeremiah Tower. The film premiered at the Tribeca film festival in 2016 with Executive Producer Anthony Bourdain.

Coordinate technical aspects of editing process in Avid Media Composer 6.5 with an emphasis on organization, workflows, conform and delivery. Work with producers, editors and directors to create and finish films as well as oversea assistant editors working the night shift and train editorial interns.Credits for films include:Mr. Dynamite: The Rise of James BrownAdditional Assistant EditorDeath Row Stories (8 Episode Series for CNN Executive Produced by Robert Redford & Alex Gibney with Narration by Susan Sarandon)Lead Assistant EditorThe Armstrong Lie (Premiered at Venice Film Festival 2013 and Oscar Shortlisted)Post Production CoordinatorPark Avenue: Money, Power and the American Dream (Peabody award winning)Assistant EditorMea Maxima Culpa; Silence in the House of God (Oscar shortlisted)Apprentice EditorWe Steal Secrets: The story of Wikileaks (Premiered at Sundance 2013)Additional Assistant EditorHistory of the Eagles Part 1 and Part 2 (Premiered at Sundance 2013)Additional Assistant Editor

Worked collaboratively with artists, businesses and other filmmakers to create original material in the roll of a director editor. Experienced as an Avid based editor.

Consultant for oral history project including equipment recommendations, studio configuration, staff training for production and post-production. Editor for moving image components of permanent historical exhibit. Shoot and edit moving/still images of events for the Book Center's website and print publications.

Work closely with Faculty and Students in the Film Photo Program to ensure that everybody is working productively. Actual work ranges from teaching demonstrations on equipment to directing independent documentary film projects with the institutional support of Hampshire College.This is a part time one academic year long position for the 2009 to 2010 school year.

Worked independently editing a rough cut of the John Marshall film series "A Kalahari Family" for potential airing on PBS. The six hour five part series needed to be reduced in length to fit a two hour time slot. The rough cut proved the essence of the longer film can still exist in a cut that is drastically reduced in length.

As assistant editor research, annotated, and prepped for the editor the source material for Brett Morgen's ESPN 30 for 30 Documentary on June 17th 1994. Worked closely with filmmaker Brett Morgen and his assistant Keith Malone performing a wide variety of pre-production, production and post production tasks.

Produced in house weekly video content for the Swerve Division and the corporate office documenting classroom and in car instruction as well as producing a series of short videos for use in the Swerve curriculum.