Supervising Editor
CurrentOversee all film and series editorial work across Wavelength Productions. Review cuts, work editing with editors, provide creative story notes and staff post teams for all projects.
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@wavelengthproductions.com
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1 phone found area 206
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Joe Fenstermaker is listed as Supervising Editor at Wavelength Productions, based in Los Angeles Metropolitan Area, United States, United States. AeroLeads shows a work email signal at wavelengthproductions.com, phone signal with area code 206, and a matched LinkedIn profile for Joe Fenstermaker.
Joe Fenstermaker previously worked as Documentary Film Editor at Freelance Video Professional and Editor at New Moon Pictures. Joe Fenstermaker holds Ba, Film And History from Hampshire College.
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I am an Emmy award winning documentary film editor. My recent editing credits include Radical Love about radical lawyers and activist in the 1960s and 1970s. That premiered at the Tribeca Film Festival in 2021. Radical Love was bought by the New Yorker and is available to watch on their website. Other credits include Life Centered The Helen Jean Taylor Story (PBS), Finding Home a Foster Youth Story (PBS) and Alive (EPIX). Previously I worked as an AE with notable directors Alex Gibney, Morgan Neville, Lydia Tenaglia, Stephanie Soechtig, Alison Ellwood and Brett Morgan on numerous award winning feature length documentary films and TV series.Specialties: Avid Media Composer
Listed skills include Avid Media Composer, Avid, Editing, Video, and 8 others.
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Pasadena, California, United States
Oversee all film and series editorial work across Wavelength Productions. Review cuts, work editing with editors, provide creative story notes and staff post teams for all projects.
Greater Los Angeles Area
I edit feature length documentaries and non fiction TV.
Greater Los Angeles Area
I cut an Emmy winning TV documentary for PBS about foster youth.
Greater Los Angeles Area
As the assistant editor I helped get the film from second rough cut to picture lock and delivered to Sundance in time for the festival. I also cut all the web extras and other supplemental content.
Greater Los Angeles Area
I was an assistant editor on Ugly Delicious the food and culture show featuring David Chang for Netflix. I also cut scenes for all eight episodes in the series.
Los Angeles California
Worked on a documentary about LGBT Family Civil Rights in Alabama called Alabama Bound.
NYC
Additional Editor on a CNN Films documentary about a chef titled The Last Magnificent, Jeremiah Tower. The film premiered at the Tribeca film festival in 2016 with Executive Producer Anthony Bourdain.
Greater New York City Area
Coordinate technical aspects of editing process in Avid Media Composer 6.5 with an emphasis on organization, workflows, conform and delivery. Work with producers, editors and directors to create and finish films as well as oversea assistant editors working the night shift and train editorial interns.Credits for films include:Mr. Dynamite: The Rise of James.
Worked collaboratively with artists, businesses and other filmmakers to create original material in the roll of a director editor. Experienced as an Avid based editor.
Consultant for oral history project including equipment recommendations, studio configuration, staff training for production and post-production. Editor for moving image components of permanent historical exhibit. Shoot and edit moving/still images of events for the Book Center's website and print publications.
Work closely with Faculty and Students in the Film Photo Program to ensure that everybody is working productively. Actual work ranges from teaching demonstrations on equipment to directing independent documentary film projects with the institutional support of Hampshire College.This is a part time one academic year long position for the 2009 to 2010 school.
Worked independently editing a rough cut of the John Marshall film series "A Kalahari Family" for potential airing on PBS. The six hour five part series needed to be reduced in length to fit a two hour time slot. The rough cut proved the essence of the longer film can still exist in a cut that is drastically reduced in length.
As assistant editor research, annotated, and prepped for the editor the source material for Brett Morgen's ESPN 30 for 30 Documentary on June 17th 1994. Worked closely with filmmaker Brett Morgen and his assistant Keith Malone performing a wide variety of pre-production, production and post production tasks.
Produced in house weekly video content for the Swerve Division and the corporate office documenting classroom and in car instruction as well as producing a series of short videos for use in the Swerve curriculum.
Activities and Societies: Teaching Assistant in Film Department, Mentoring younger filmmakers in form and contentExcerpt of major.
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Joe Fenstermaker works for Wavelength Productions.
Joe Fenstermaker is listed as Supervising Editor at Wavelength Productions.
AeroLeads has found 1 work email signal at @wavelengthproductions.com for Joe Fenstermaker at Wavelength Productions.
AeroLeads has found 1 phone signal(s) with area code 206 for Joe Fenstermaker at Wavelength Productions.
Joe Fenstermaker is based in Los Angeles Metropolitan Area, United States, United States while working with Wavelength Productions.
Joe Fenstermaker has worked for Wavelength Productions, Freelance Video Professional, New Moon Pictures, Atlas Films, and Tremolo Productions.
You can use AeroLeads to view verified contact signals for Joe Fenstermaker at Wavelength Productions, including work email, phone, and LinkedIn data when available.
Joe Fenstermaker holds Ba, Film And History from Hampshire College.
Joe Fenstermaker is listed with skills including Avid Media Composer, Avid, Editing, Video, Documentaries, Video Production, Post Production, and Film Production.
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