Part of the core team, a European creative collective crafting high-end content for global brands. My role is both creative, technical and experimental with Houdini as my main tool.

Looking to work closely with interesting people on conceptual pieces, music video, product showcases and explainer animations. I embrace technical and creative challenges of all kinds. My expertise covers every aspect of the production cycle, from concept to delivery. I work in high collaboration with brands, agencies and fellow designers to align projects with their vision. I handle scriptwriting, storyboarding, art direction, and animation, whether in 2D or 3D, often a blend of both. I also have a network of skilled sound designers, illustrators, and designers for additional support should the need arise. This approach extends to delivery and localization, for screens of any size or shapes on any support or network.

Worked on bringing motion to identity and branding projects as well as communication campaigns for nationally known brands and institutions such as Bane NOR, Avinor, AF Gruppen, Moelven, Norsk Helsenett, Brannvernforningen, PST and dozens more.A fascinating role where I learned much insights on branding amongst talented graphic designers. I'd have a supporting and creative role providing tens of animations sketches during exploration phases, motion design identity systems, brand films, explainer videos. I'd make use of the whole range of 2D and 3D techniques at my disposal and got to experiment procedural methods as well.

At Blackmeal I honed my skills for two years and learned a wide array of ways to make things move. I had the opportunity to work on challenging films for varied clients in all kinds of techniques (abstract or figurative, 2D, 3D, stop motion...). On some projects I got full control and direct contact with the client to present and defend my ideas. We worked as a team on most projects where I learned how to work with 2D character animators, 3D artists, illustrators and sound designers.I spent three wonderful years there and would strongly recommend the studio to anyone interested in working with them. They trusted me, taught me a lot and gave me the confidence to call myself a fully fledged motion designer.

I took a gap year after three years of school in order to get to experience working abroad and got the chance to spend 8 months in Copenhagen working at Frame. They're a varied team of talented and experienced motion designer who taught me a lot. There I dove feet first into 3D animation techniques, C4D and Octane.

As a graphic design student of two years, not yet specialized in motion design I spent a summer as an intern dipping my toes into what then became my passion.