Jonathan Packham Email & Phone Number

London, Gb

Oxford, England, United Kingdom

Teaching a first-year seminar on Critical Listening, with a focus on Electroacoustic and Popular Music and Sound Art.

Teaching a variety of modules in the Faculty of Music, including tutorials on the History of Electronic Music, Max/MSP, score-making in Adobe Illustrator, and Sibelius 7.

I have been invited to speak and participate in a variety of public forums. Please see below for a full list.21 November 2019 — Copper House Music: A New Work for Modern Art Oxford. Modern Art Oxford, Oxford.31 October 2019 — In Conversation with Gascia Ouzounian. Modern Art Oxford, Oxford.13 June 2019 — What Does the Future Hold? Panel Discussion at Future Music Mini-Festival, RNCM.13 June 2019 — Virtual Reality +: My Work with VR Scores. Presentation/demonstration at Future Music Mini-Festival, RNCM.25 February 2019 — Introduction to Virtual Reality. Workshop at JdP Music Building, Oxford.

Freelance design projects for various clients, including designing the 2018-19 Season Programme for the JdP Music Building, the programmes for a number of classical and crossover events, and posters for a number of local promoters.

I have presented at a variety of academic conferences. Please see below for a full list.13 Dec 2019 — ‘Lin Chi-Wei’s Tape Music: Spatial Scoring, Voicing Identity’. Paper given at Theatrum Mundi’s Colloquium Crafting a Sonic Urbanism: the Political Voice, EHESS Campus Condorcet, Paris.23 May 2019 — ‘Old Frogs, New Tricks: Technology and Identity in a New Collaborative Work’. Paper given at RMA Study Day: The Classical Musician in the 21st Century, University of Cambridge.28 April 2018 — ‘Nonlinear Reading in the Context of Several 360° Video Scores’. Poster Presentation at the Centre for New Music at Sheffield (CeNMas) Composers’ Conference, University of Sheffield.2 March 2017 — ‘look around you (2017): Performative Nonlinearity in the Context of a Virtual Reality Mobile Score’. Paper given at Van Mildert College MCR Research Forum, University of Durham.

I am a co-founder, curator and organiser of the EXPO series for experimental art and sound. My responsibilities include booking and liaising with international guest artists and composers (in 2019 these included Jennifer Walshe and experimental grime MC M.I.C), as well as organising our marketing strategy both locally and digitally. EXPO is also an experimental music label, having distributed a debut release in February 2020. Please see expo-oxford.com for more information as well as our online digital archive of recordings and interviews.