Jonathan has sung nationally and internationally in Mexico. He made his Long Beach Opera in March 2016 debut in the role of “Wissam” in the World Premier of Raffo & Stokes’ Fallujah and his New York City Opera in the East Coat premier (November 2016) Other roles include VCGSRC as “Frederic” in Gilbert & Sullivan’s The Pirates of Penzance (2021), Pacific Opera Project as “Tamino” (cover) in Mozart’s The Magic Flute (2019) Opera California as King Kaspar in Menotti’s Amahl and the Night Visitors (2017) Long Beach Opera as “Man 1” in Robert Xavier’s west coast premier of Frida (2017); Opera Theatre of the Rockies: “Radames” in Verdi’s Aida (2017/scene), “Goro” in Puccini’s Madama Butterfly (2017/scene), “Pylade” in Gluck’s Iphigénie en Tauride (2017/scene); Lensky in Tchaikovsky’s Eugene Onegin (2015/Act 1), Don Jose in Bizet’s Carmen (2015/scene); San Diego Opera’s Opera on Track as “Don Ramiro” in Rossini’s Cenerentola (2016/Act 1); Opera de Tijuana as “Joe” in Gershwin’s Blue Monday (2015/2016) Point Loma Opera Theatre: “Parpignol” in Puccini’s La Boheme (2015), “Prince Charment” in Massenet’s Cendrillon (2014), “Beppe” in Donizetti’s Rita (2014), “Giuseppe” in Loesser’s Most Happy Fella (2013), “Aeneas” in Purcell’s Dido and Aeneas (2012) and “Don Anchise” in Mozart’s La Finta Giardiniera (2011). Currently, Jonathan is a teaching artist and soloist with Los Angeles Opera’s Zarzuela Project and Music and Worship Director at Christ Chapel of Long Beach. He also is a male vocalist for the top 40’s band The Band Smooth Touch and Allen G’s Orchestra.