Working across the hireable spaces at 180 Studios to host and deliver a wide range of events, from single-room keynotes for 150 guests through to full venue takeovers that attract huge audiences.

Worked with Intuit Mailchimp to integrate Courier magazine into their marketing department, while developing new partnership formats alongside growing their print & online ad business.Like this year-long partnership with Ikea & H&M, which included everything from talent sourcing to content across print & digital with a series of events:

Developing a new format of long-form video partnerships, partnering a wide range of leading brands - including Coca-Cola & Mercedes-Benz - with talent-led, long-form, weekly scheduled YouTube shows.Like these bespoke episode of the Zac & Jay show for Wrigleys and PAQ for Nikon, both on a scale not seen before / since:

Overseeing the creative development, production and delivery / activation of bespoke content partnerships across the portfolio of VICE sites.Like this 3-part series, filmed across America and activated globally for Jack Daniels:

Brand consultancy and content production agency for clients including Subway, Serco, Cambridge Satchel Company and a host of local businesses, alongside developing a range of creative studio spaces that continue to operate on a farm in Cambridge.

Oversaw a review of all brand / retail activity during a private equity buyout for a clothing company that I grew up around in Cambridge.

Early days of VICE's expansion into brand partnerships across everything from single page ads for Stüssy through to some of their first forays into digital and video partnerships, like Peroni's 'House of Peroni'.

Strategic Planning and Buying of Digital media for a variety of brands including Visa, Danone, Chanel, Famous Grouse, Singapore Airlines, Sony Ericsson and Barclays, working with a wide range of budgets, audiences and business objectives.My final campaigns were with Visa for the London 2012 Olympics and Evian for Wimbledon.

1 of the 5 people selected each year to spend 10 months rotating around every department of the MEC UK headquarters in London.

After winning Brandstorm, I took a role at L'Oréal in the Garnier marketing team, specifically working with their creative agencies and production companies on in-store activations.

Beat 90 teams with two of my friends to win the annual L'Oréal 'Brandstorm' brand marketing competition. In 2010 the brief was to create Diesel's first mens grooming range and our concept took us through to International Grand Final in Paris.

Supported Gary Aspden and the EIM / PR team at the Covent Garden office, working across the Originals, SLVR and Y-3 brands to ensure our products were on the right people, pages and screens - from global music tours to tv shows, movies and music videos.Personally developed limited edition product releases from choosing the stitching through to authoring editorial, such as this limited edition Forest Hills release to coincide with the movie 'Away Days' (the stitching was done at Hand & Lock and the inner sleeve printed at Cambridge University’s inkjet lab).

Based at the 'World of Sports' Head Office in Germany, I worked with the Account Exclusives product marketing team to develop all of the special-make-up (SMU) products for the UK market (store-exclusives / quick-response trend products).This spanned initial trend forecasting through to managing the design, sampling, fitting and final production stages of the garments. After reading an interview with Gary Aspden about how he masterminded the first adidas x Bape collaboration with Nigo, I e-mailed him and soon found myself working for him as the first employee in the London Originals office.