Hired for solving of problems in the music industry (ex. press office, advertising, content creation, publishing, branding). Mainly finding third part professionals but also involved in first person for tasks as 'Marketing Management and Consultant' or 'Production Director' (CC: Island Records, Atlantic Records, Sony Music, ...).

• Managing permissions from the government and music institutions• Communicating with the ticketing platform (Xceed, Dice)• Uploading and updating events online • Managing song rights played during the shows

• Project & Team Management aimed to know employers strength and have them independently solve problems• On-site problem solving during the shows• Inventory and accounting before and after the shows• Building and managing relations with Partners & Promoters

I founded the magazine during the pandemic in order to help our passion for electronic music to incessantly burn. In our small journey we had great feebacks from the industry, reaching more than 1 million people through socials, interviewing main players as Blasterjaxx, and hosting 30+ djs in our radioshow on Audius (main web3 music platform). This experience shaped my project and community management, coordinating a team of 7 people as well as a community of 4000+ thousand people; and my social media knowledge, due to our presence on 6 different platforms with tailored contents for each of them.Highlight: we developed a social network for meeting up at events, which ended up being developed in collaboration with some of the biggest music companies in Italy. Unfortunately Covid won on it and it didn't see the light.

The biggest Creative Media college in the world. School in Milan with courses in Audio, Film, Games, Web & Mobile Animation and Business.

Trying to figure out how to survive while working in the music industry brought me to cover several occupations as Driver, Promoter, Social Media Manager, Booking & Touring Manager, Hospitality Manager, Executive Producer and so on. This enabled me to participate to 40+ festivals worldwide (ex. Coachella, Tomorrowland, Sziget, Lollapalooza (Paris), ...) and more than 500 events (ex. Boiler Room, Insomniac Events, Cercle, ...). Luckily with the advent of Covid I had the opportunity to stop this rush and focus on myself, my goals and my values.

As many kids from the late 90s, thanks to the raise of the EDM music, I started producing and performing in my bedroom aiming to make it to some kind of Mainstage. The vision brought me to play at several shows with 2000+ people or as opening act for multi-platinum artists as Lazza and Ernia. In 2017 the dream stopped due to an illness, giving me the chance to start a new career and perspective.