- Leading Vancouver Asian Film Festival's[VAFF] premiere programming for the annual Mighty Asian Moviemaking Marathon [MAMM], a short film media competition ongoing for 18 years focusing on the Asian Canadian Diaspora- Executed key messaging related to creative storytelling to al marketing pieces and scripted content, with the previous year having 1,500 viewers in attendance for the event- Facilitated creative outreach with other VAFF departments, bolstering programming in Elimin8hate and VI2 IndustryDay, filling up the 200 person theatre in Odeon Cineplex- Operated as Creative Director for VAFF specs & commercials that screened on Facebook, Instagram, and Youtube; tracking the effectiveness of corporate logos and core messaging was consistent from graphic designers to video editors - Administered and hosted a series of online panels on Streamvard focusing on media creation & storytelling, performing market research to find the trending topics, with the videos reaching 200-300 participants during the Pandemic

- Key instructor for Festival of Recorded Movement [F-O-R-M], producing presentation material focusing on the fundamentals of creating a short form media piece

- Granted $13,200 from the Canadian Media Producers Association to work under Mentorship with Brightlight Pictures as a Producers Assistant, maintaining all office related maintenance repair- Supervised and screened strategic development material from scripts to graphically creating pitch decks for streaming clients such as Netflix, Amazon Prime & Bell Media’s Crave Executives - Coordinating an unannounced Bell Media writer’s development room in both the production [maintaining & logistics] and creative [brainstorming and writing stories] aspects with Ins Choi, creator of CBC’s ‘Kim’s Convenience’, filing meeting minutes & highly confidential deliverables for Bell Media - Assembled detail oriented Production Schedules for several series and shows, including daily calendars for my Executive Producer including special events, functions and travel arrangements - Arranged development media project as the Co-Producer that I pitched for the Independent Production Fund - Canada Media Fund’s [IPF - CMF] Short Form Series Development Fund titled, ‘Everyone But Me’ receiving $30,000 budget that I also maintained- Facilitating creative brainstorming script sessions as the Story Editor for the Short Form Series, regulating the copyright and ensuring that the material reached IPF-CMF media deliverable standards - Arranged multiple meetings for departments consisting of a total 40 person team to create a compelling Teaser, with data tracked and maintained in a spreadsheet to generate reports for user engagement- Worked with the company publicist to create a robust marketing strategy focusing on show distribution and screening in local theatres, as well as social media marketing on Instagram and Reddit

- Aided in bringing the successful Toronto media-archiving initiative to BC, documenting Asian-Canadian lives during quarantine, expressed through artistic multidisciplinary digital mediums - Organized spreadsheet organization and tracking in relation to participants, honorariums, and organizations for partnerships with Emily Carr University of Art + Design to house the digital project - Established partnerships with Vancouver Asian Heritage Month and Vancouver Asian Film Festival, their audiences reaching 1000+ during the Pandemic - Coordinated and co-hosted a Webinar with Chinese Canadian Museum Society with 40 - 60 participants in attendance to discuss the importance of media archival for Diasporic Peoples

- Coordinating and assisting the day to day programs for the Creative Director’s of the Storyboard, Editorial, Directorial and Producing Departments on a TV Nickelodeon Series titled 44 Cats, and a Disney+ feature, Ice Age: The Adventures of Buck Wild- Screen’s incoming inquiries & tracking meeting minutes between a crew spanning over 90 artists in the Vancouver and Kelowna Studios - Developed detail oriented production calendars in G-Suite Sheets and Microsoft Excel, tracking confidential employee information including timekeeping records, change of statuses, and personnel contact lists - In charge of mass mail correspondence, providing intake information about Bardel departmental policy and procedures- Assigned oversaw the work of Storyboard, Animation and Editorial artists before delivery to supervisors and executive clientele, ensuring they meet corporate standards - Maintaining the online database Shotgun for quota tracking, and to monitor effectiveness while reporting to the Production Manager & Line Producer

Providing technical support resolution for customers through online services along with critical & analytical manual labour on processing hardware and software issues for the RADAR system.

- Editor of over 30 corporate commercials, a mix of internal and external use such as L’Oreal, Toyota, Langara College and the PAUSE Indian Summer Festival- Assisted the Primary Videographer for over 15 corporate projects- Coordinated print and multimedia material while ensuring corporate logos and copyrights met the standards for clientele’s deliverables- Maintained the administration & clerical duties of video editorial, from emails to supporting the office space’s material needs such as purchasing and invoicing of gear

Serving the elected year-long term, Vice President of 30 members through guidance of Marketing, Videography, Photography and Graphic Design for the entire Arts Undergrad.

Worked alongside the Vice President of Communications to manage the Creative Content with Videographers, Photographers and Graphic Designers to serve the Undergraduate Society.

Created Video Content such as Highlights and Promotion content for the various branches in the Undergraduate.

Represented Studio films at promotional pre-screenings, leading projection testings, and leading press-releases.

Lead Shooter for 12 Product Placement videos with NCIX Technologies with hands on experience in dealing with tech such as Wifi Routers, Graphics Cards, and light up Key Boards