Designed and edited paid ads for Instagram and Facebook; clients include Bondi Boost, Karen Kane, Fifteen Twenty, Alleyoop, and Inkopious.• Used After Effects to create moving typography and graphics.• Adhered to tight deadlines without compromising quality; 1-2 day turnaround on assignments from ideation to post-production.

Assistant Editor for Headspace “Move Mode” series, 8 episodes. Transcribed audio using Temisoftware and burn captions to video.

Media Manager Managed digital team of 5-6 employees. Developed digital content for Facebook andInstagram and identified growth opportunities for user engagement.• Developed and produced multimedia video content and managed execution ofcreative ideas. Video Editor & Stage Manager for “The Zoo” and “Get it Girl” series Edited 40+ episodes of in-house produced broadcast content. Collaborated with crewmembers and talent to integrate various production elements. Revised videos based oninternal client feedback, efficiently and timely.• Designed banner ads and repurpose original footage to craft engaging short-formcontent for social media platforms.• Color corrected and color graded all video footage to improve overall aesthetic.

LIVE! with YouTube Gaming, hosted by Geoff Keighley Established digital signal between studio cameras and hyper deck recording system. Supervised control room and sound stage to record clear audio. Uploaded footage to video storage device post recording.

“UFC Ultimate Insider”Managed production crew and talent during each episode shoot. Fed live video footage to video outputs/reference monitors via AJA video switcher. Redesigned motion graphics and lower thirds based on each segment.

• Converted 2D footage into 3D stereoscopic footage.• Created short demos from “The Matrix”, “Star Wars”, and “Spider Man” to demonstrate software capabilities. • Contracted by Universal Pictures to work on 2005 adaptation of “King Kong”.• Responsible for training 100+ employees to use In-Three proprietary compositing software; promoted to Key Framer, managing a team of fifteen 3D compositors • Performed complex frame-by-frame rotoscoping