Founded in 2016, The SyncHouse is a specialist music supervision and licensing company working across all forms of media including Film, TV and Advertising. I work creatively with producers pairing music and imagery, resulting in engaging and memorable content. As a music supervisor, I draw on my extensive music knowledge and networks to source clients the best music solutions for their production or campaign. At The SyncHouse, we are experts in music licensing from negotiating license… Show more Founded in 2016, The SyncHouse is a specialist music supervision and licensing company working across all forms of media including Film, TV and Advertising. I work creatively with producers pairing music and imagery, resulting in engaging and memorable content. As a music supervisor, I draw on my extensive music knowledge and networks to source clients the best music solutions for their production or campaign. At The SyncHouse, we are experts in music licensing from negotiating license terms, management of music budgets through to facilitating the paperwork to ensure all deliverables are met.Film and TV highlight credits include: The Dressmaker, Shayda, The Clearing, Jack Irish, Bay of Fires, Safe Home , Surviving SummerThe SyncHouse 2024 slate of productions include: The Twelve, Four Years Later, Critical Incident, Population 11, Sunny Nights amongst others.We also specialise in unscripted productions from feature documentaries including ONEFOUR: Against All Odds, Jill Bilcock: Dancing The Invisible through to TV series such as The Voice Australia, Australian Idol, Love Island Australia, Luxe Listings Sydney, Parental Guidance plus many more. Show less

I worked as a music analyst for an agency called 1021 Creative whose clients include Amazon, Apple, YouTube, and others.

I worked as a music supervisor specialising in Film, TV and Advertising productions. Credits included Wolf Creek, Hounds of Love, Looking For Grace, The Dressmaker, Life, Underbelly (Fat Tony & Co, Squizzy and Badness), Big Brother, The Will To Fly just to name a few.Mana Music's legacy includes films such as Two Hands, Muriel's Wedding, Whale Rider, He Died With A Felafel In His Hand, Bootmen, Somersault, Boy, Mental, Any Questions For Ben?, The Cup and TV Series such as The Moodys, No… Show more I worked as a music supervisor specialising in Film, TV and Advertising productions. Credits included Wolf Creek, Hounds of Love, Looking For Grace, The Dressmaker, Life, Underbelly (Fat Tony & Co, Squizzy and Badness), Big Brother, The Will To Fly just to name a few.Mana Music's legacy includes films such as Two Hands, Muriel's Wedding, Whale Rider, He Died With A Felafel In His Hand, Bootmen, Somersault, Boy, Mental, Any Questions For Ben?, The Cup and TV Series such as The Moodys, No Activity, The Ex-PM, Utopia. Show less

I started as a music supervisor intern which quickly progressed into an ongoing music supervisor assistant role on TV and Film productions.

I held a volunteer assistant music director position in the music department of SYN. This role included coordinating the music department, curating the station's music library and feature albums, arranging artist interviews and SYN sponsored gigs (highlights include shows by Vance Joy, Ali Barter, Hiatus Kaiyote).

Whilst completing my studies in Music/Film, I held a volunteer role as the Executive Producer of the flagship new music show New & Approved. The one hour music show aired five nights a week in prime time year round with a team of presenters, many of whom have gone on to successful careers within radio and the media industry. Principal duties included curating five hours of music content per week, managing and training presenters, organising interviews and live to air performances (guest… Show more Whilst completing my studies in Music/Film, I held a volunteer role as the Executive Producer of the flagship new music show New & Approved. The one hour music show aired five nights a week in prime time year round with a team of presenters, many of whom have gone on to successful careers within radio and the media industry. Principal duties included curating five hours of music content per week, managing and training presenters, organising interviews and live to air performances (guest highlights include James Vincent McMorrow, Chet Faker, Vance Joy, Courtney Barnett, Father John Misty, Sharon Van Etten, Ainslie Wills, Gotye and Oh Mercy). Show less

Throughout my years at University, I also worked and freelanced in various music industry roles including work as a music teacher (singing and piano), admin at GAGA music publishing, internship with 3MBS producing a live to air concert performance radio show, 6 month volunteer placement on RockWiz TV show shadowing music engineer Michael Letho, volunteering at PBS FM in the music library team amongst other activities.