Katharine Evans Email & Phone Number

Frisco, Texas, United States

United States

• Created & animated cinematic cameras within the Unreal Engine for proof-of-concept work & look development. • Edited rendered sequences together with audio into final video in DaVinci Resolve.

Sammamish, Washington, United States

I collaborated with a client for over two years on "Go! Go! Cory Carson!", an animated series for Netflix. Some of my responsibilities included:• Created 3D previsualization storyboards from hand drawn 2D storyboards that were provided by the client.• As a Layout Consultant, I provided feedback on camera layout for animated sequences, contributed to a style guide for the show's cameras, and suggested a list of lens settings to act as a "lens kit" for the show.

United States

United States

In five weeks, I became familiar with (almost) all aspects of cinematic production using Unreal Engine. I created an animated short over the course of the Fellowship: https://vimeo.com/showcase/8612526/video/567923139 I gained skills in scene assembly, camera layout, character rigging & animation, lighting, shading, and raytraced rendering within the Unreal Engine.

San Francisco Bay Area

As a student in the UX Design Immersive class at General Assembly, I learned about the UX design process. From user research to wireframing to prototype testing to visual design, I did it all. Some of the projects I created during my ten-week stint at GA include: • Designing the onboarding process for Orderly, a web platform that manages receipts, requests post-purchase refunds, and tracks packages. As part of a team of three, I conducted user research, wrote copy, and designed iconography intended to make signing up for Orderly's services easier and more clear.• Redesigning ArtClix, an app designed for visitors to the High Art Museum of Atlanta. Collaborating on a team of four, my contributions to the project included heuristic analysis of comparable apps, conducting interviews, creating user flows and paper prototypes, and testing prototypes with users.

Berkeley, Ca

• Created live action/animated camera hybrid shots in order to seamlessly transition from live action to computer generated footage.• Matched virtual cameras to real-world cameras to facilitate the integration of computer generated elements into live action scenes.

San Francisco Bay Area

• Composed shots and animated cameras for a variety of feature films and fully computer generated projects.• Performed set dressing and scene assembly duties for a variety of live action & animated feature films, as well as ride films.• Utilized motion capture techniques in order to generate realistic-feelingCG cameras with a sense of weight and a handheld feel.

San Francisco Bay Area

Educating college students for careers in Visual Effects, Animation, and Motion Graphics.

I did some roto/paint work on Super 8.

Creating and animating original digital cameras for fully CG projects; camera matchmoving (cameras that match live action cameras); cg set dressing, and character matching.Projects include Rango (2011), Star Tours, Star Trek (2009), Confessions of a Shopaholic, Harry Potter and the Half-Blood Prince, and Transformers 2, as well as other projects.

Tasks include creating virtual cameras and character matches for feature films, layout modelling & camera blocking.

Paint/roto artist on Transformers.

Paint/Rotoscope Artist. Feature film projects I worked on include "Happy Feet", "Poseidon", "World Trade Center", and "Fantastic Four".

Performed rig& wire removals, as well as plate restoration and articulate roto for feature films.

I performed rig removals, marker removals, plate reconstruction, and rotoscoping duties.

I educated undergraduate students in the field of Computer Art. Classes taught include Intro to Computers, Intro to 2d Animation, and Animation for the Web.

Educated undergraduates in the field of computer graphics, animation, and digital visual effects. Classes taught include Intro to 2D animation, Animation for the Web, and Intro to Computers.