● Communicated effectively with patient, families, peers, and supervisor.● Prioritized and adjusted work plans based on the needs of the patient, the unit, and the patient care team.● Tracking, analyzing and interpreting results of patient activity to ensure progression towardspatient’ goals.● Transformed "difficult" customers into loyal, repeat guests by leveraging strengths in premium servicedelivery and ability to find win-win resolutions.● Performed variety of administrative duties on rotating basis, including patient greeting/reception,demographic updates, Medicaid, FPBP & PCAP application processing, answering telephones, scheduling appointments/follow-ups & physician referrals, data entry, faxing, filing, photocopying, scanning, processing copayments & disbursing Metro cards● Conducted patient intake screening, including patient interviews to obtain demographic information, insurance verification/authorization, prepared patient charts for billing, completed requested forms, & obtained signatures.● Interacted efficiently with physicians, patients, staff, and the health care community.● Collected insurance information and assure that all out of pocket costs are prepared prior to date of surgery.● Scheduling and calendar management for multiple doctors● Personal achievements: Received perfect customer reviews from 100% of customer surveys based on theirexperience with me. Won employee of the week one month into working at this location.

● Stage management assistant for prominent film locations (I.E The Litchfield Prison set for Orange is the New Black, Vietnam Set for Steven Spielberg’s, The Post)● Provided logistical support and acted as a site manager/point person for the production company on prep and shoot days to ensure film shoots ran smoothly (includes quickly resolving any issues that were called over the radio on shoot days).● Provided administrative support to the Locations Manager and ALM (calendar management, contracting businesses, acquiring quotes, invoicing, taking meeting notes, city permits, coordinating lunches for directors, producers, and executives etc.).● Handled the production companies’ financial legal agreements, working in tandem with the legal department, and worked within the location department’s budget to scout and secure film locations and support spaces for 100+ people.● Interdepartmental communications to clear and coordinate the work to be done during prep/wrap days and was responsible for every detail surrounding prep/shoot/wrap days.● Responsible for the visual assessment of the house/business/establishment the production companyworked in, including taking photos and notes on any pre-existing damage prior to shoot days, and being responsible for the contracting to repair any post-shoot damage within the house/business/establishment.● Responsible for communications and public relations for the production company within theneighborhoods we worked in and resolved the neighbor’s complaints when/if they arose.● Analyzed weekly production reports to anticipate potential filming issues, production needs, and ordered/rented equipment when needed.● Personal Achievements: Was tasked with productions most prominent locations because of my reputation of running a smooth set. Promoted within a year of joining film production due to proven competency.

Reported to Lauri Pitkus and Gina Reznitsky, Location Manager and Location Assistant Manager.● Stage management assistant for prominent film locations (I.E The Litchfield Prison set for Orange is the New Black, Vietnam Set for Steven Spielberg’s, The Post)● Provided logistical support and acted as a site manager/point person for the production company on prep and shoot days to ensure film shoots ran smoothly (includes quickly resolving any issues that were called over the radio on shoot days).● Provided administrative support to the Locations Manager and ALM (calendar management, contracting businesses, acquiring quotes, invoicing, taking meeting notes, city permits, coordinating lunches for directors, producers, and executives etc.).● Handled the production companies’ financial legal agreements, working in tandem with the legal department, and worked within the location department’s budget to scout and secure film locations and support spaces for 100+ people.● Interdepartmental communications to clear and coordinate the work to be done during prep/wrap days and was responsible for every detail surrounding prep/shoot/wrap days.● Responsible for the visual assessment of the house/business/establishment the production companyworked in, including taking photos and notes on any pre-existing damage prior to shoot days, and being responsible for the contracting to repair any post-shoot damage within the house/business/establishment.● Responsible for communications and public relations for the production company within theneighborhoods we worked in and resolved the neighbor’s complaints when/if they arose.● Analyzed weekly production reports to anticipate potential filming issues, production needs, and ordered/rented equipment when needed.● Personal Achievements: Was tasked with productions most prominent locations because of my reputation of running a smooth set. Promoted within a year of joining film production due to proven competency.

● Stage management assistant for prominent film locations (I.E The Litchfield Prison set for Orange is the New Black, Vietnam Set for Steven Spielberg’s, The Post)● Provided logistical support and acted as a site manager/point person for the production company on prep and shoot days to ensure film shoots ran smoothly (includes quickly resolving any issues that were called over the radio on shoot days).● Provided administrative support to the Locations Manager and ALM (calendar management, contracting businesses, acquiring quotes, invoicing, taking meeting notes, city permits, coordinating lunches for directors, producers, and executives etc.).● Handled the production companies’ financial legal agreements, working in tandem with the legal department, and worked within the location department’s budget to scout and secure film locations and support spaces for 100+ people.● Interdepartmental communications to clear and coordinate the work to be done during prep/wrap days and was responsible for every detail surrounding prep/shoot/wrap days.● Responsible for the visual assessment of the house/business/establishment the production companyworked in, including taking photos and notes on any pre-existing damage prior to shoot days, and being responsible for the contracting to repair any post-shoot damage within the house/business/establishment.● Responsible for communications and public relations for the production company within theneighborhoods we worked in and resolved the neighbor’s complaints when/if they arose.● Analyzed weekly production reports to anticipate potential filming issues, production needs, and ordered/rented equipment when needed.● Personal Achievements: Was tasked with productions most prominent locations because of my reputation of running a smooth set. Promoted within a year of joining film production due to proven competency.

Reported to Lauri Pitkus and Gina Reznitsky, Location Manager and Location Assistant Manager.● Stage management assistant for prominent film locations (I.E The Litchfield Prison set for Orange is the New Black, Vietnam Set for Steven Spielberg’s, The Post)● Provided logistical support and acted as a site manager/point person for the production company on prep and shoot days to ensure film shoots ran smoothly (includes quickly resolving any issues that were called over the radio on shoot days).● Provided administrative support to the Locations Manager and ALM (calendar management, contracting businesses, acquiring quotes, invoicing, taking meeting notes, city permits, coordinating lunches for directors, producers, and executives etc.).● Handled the production companies’ financial legal agreements, working in tandem with the legal department, and worked within the location department’s budget to scout and secure film locations and support spaces for 100+ people.● Interdepartmental communications to clear and coordinate the work to be done during prep/wrap days and was responsible for every detail surrounding prep/shoot/wrap days.● Responsible for the visual assessment of the house/business/establishment the production companyworked in, including taking photos and notes on any pre-existing damage prior to shoot days, and being responsible for the contracting to repair any post-shoot damage within the house/business/establishment.● Responsible for communications and public relations for the production company within theneighborhoods we worked in and resolved the neighbor’s complaints when/if they arose.● Analyzed weekly production reports to anticipate potential filming issues, production needs, and ordered/rented equipment when needed.● Personal Achievements: Was tasked with productions most prominent locations because of my reputation of running a smooth set. Promoted within a year of joining film production due to proven competency.

Reported to Lauri Pitkus and Gina Reznitsky, Location Manager and Location Assistant Manager.● Stage management assistant for prominent film locations (I.E The Litchfield Prison set for Orange is the New Black, Vietnam Set for Steven Spielberg’s, The Post)● Provided logistical support and acted as a site manager/point person for the production company on prep and shoot days to ensure film shoots ran smoothly (includes quickly resolving any issues that were called over the radio on shoot days).● Provided administrative support to the Locations Manager and ALM (calendar management, contracting businesses, acquiring quotes, invoicing, taking meeting notes, city permits, coordinating lunches for directors, producers, and executives etc.).● Handled the production companies’ financial legal agreements, working in tandem with the legal department, and worked within the location department’s budget to scout and secure film locations and support spaces for 100+ people.● Interdepartmental communications to clear and coordinate the work to be done during prep/wrap days and was responsible for every detail surrounding prep/shoot/wrap days.● Responsible for the visual assessment of the house/business/establishment the production companyworked in, including taking photos and notes on any pre-existing damage prior to shoot days, and being responsible for the contracting to repair any post-shoot damage within the house/business/establishment.● Responsible for communications and public relations for the production company within theneighborhoods we worked in and resolved the neighbor’s complaints when/if they arose.● Analyzed weekly production reports to anticipate potential filming issues, production needs, and ordered/rented equipment when needed.● Personal Achievements: Was tasked with productions most prominent locations because of my reputation of running a smooth set. Promoted within a year of joining film production due to proven competency.