-Continuing eOne responsibilities after the acquisition. Managing eOne Legacy archive and creating various material such as clips, montages, and final files.- Create budgets and find talent internationally, understanding tax implications and credits for various territories. - Liase with various departments within the organization to create a smooth workflow disseminating informationand paperwork.

- Manage multiple scripted and animated series/pilots/features for various networks or online streaming platforms from pre-production to final delivery. Shows include Cruel Summer, Yellowjackets, The Rookie, The Rookie Feds, The Recruit, A Gentleman in Moscow, and Magic the Gathering (animated).- Maintain and ensure the accuracy of Post department documentation specifying workflows, schedules, deliverables, and procedures, including 4k camera capture, HDR, master deliveries, and archive.- Gather, create, and revise, as necessary, Post Production schedules, budgets, contact lists, and other relevant Post Production documentation for internal dissemination.- Customize, distribute, and update, eOne and Network/Streamer delivery requirements & distribution lists, as necessary.- Consistently updating and providing the post production manual to necessary personnel.- Creating Work From Home (WFH) workflows for future post productions utilizing remote options.- Assist Film Post Executive on features.- Explore tax credits globally and domestically, as well as execute workflows throughout the world for offline and finishing for our shows.

- Support multiple scripted and animated Marvel Television series/pilots for various networks and online streaming platforms from pre-production to final delivery. - Maintain and ensure the accuracy of Post department documentation specifying workflows, schedules, deliverables, and procedures, including 4k camera capture, HDR, master deliveries, and archive.- Monitor heavy VFX workflow and budget, ensuring all shows are being met and adhered to.- Gather, create, and revise, as necessary, Post Production schedules, budgets, contact lists, and other relevant Post Production documentation for internal dissemination.- Customize, distribute, and update, Marvel delivery requirements & distribution lists, as necessary.- Maintain and organize all post-production assets (NEXIS, AVIDs, software, etc.). - Working with IT to explore and execute an archive of all present and previous material.- Consistently updating and providing the post production manual to necessary personnel.- Building relationships with and managing both outside vendors (Technicolor, Deluxe, Chainsaw, etc.) and service providers within the Disney family (AVID support, client services, etc.). Develop relationships with potential new vendors so that resources are ready as needs arise.- Shows worked on: Runaways Seasons 1-3; Daredevil Season 3, Punisher Season 2; Jessica Jones Season 2 & 3; Luke Cage Season 2; Iron Fist Season 1 & 2; Cloak and Dagger Seasons 1 & 2; Agents of Shield; The Defenders; The Gifted; Legion

- The Post Production Coordinator supports all Marvel Television series and pilots for various networks from Pre-Production through Production, Post Production, and Delivery. - Maintain and ensure the accuracy of Post department documentation specifying workflows, deliverables, and procedures.- Gather, create, and revise, as necessary, Post Production schedules, budgets, contact lists, and other relevant Post Production documentation for internal dissemination.- Customize, distribute, and update, Marvel delivery requirements & distribution lists, as necessary.- Monitor VFX and Music budgets to ensure all shows are being met and adhered to. - Maintain staffing charts to optimize use of purchased AVIDs and space.- Research availability of Post Production staff, and editorial talent, to identify potential candidates.- Onboard new post staff, coordinating with the hiring manager, IT, and facilities as well as instructing all Marvel Procedures including necessary documentation including Post Production schedules, contact lists, manuals, templates, and budgets.

- Organize records and tracking documents for all 30 current shows and those in development (ranging from 20-80).- Adhering to all Studio needs, working closely with all departments including Creative, Production, Post Production, BA, Legal, Publicity, and Research.-Oversee and manage high volume calendar and heavy phones – schedule individual and department meetings, coordinate business travel, screen calls.

- Assisting Post Executive to oversee post production completion for multiple pilots and series.-Setup new processes for archive storage, as well as creating new formats for required deliverables and various post documents (Post Guide for shows and coordinators, intern guidelines, Post Production workflow, How To’s for PIX & Scenechronize).- Create post schedules, deal memos, and budgets; schedule meetings between shows and studio; provide shows with post essentials and provide procedures from raw footage to a final product to deliver to the Network.- Process requests for source materials and completed elements for broadcast.- Created a document of deliverables for all post teams.- Train others to operate PIX as well as send files and cuts.

~ Develop Artist's story - phone interviews, acquire personal pictures and videos pertaining to story, create one sheets to pitch to Supervising/EPs. ~ Shoot last minute nerves before going onstage for Blind Audition~ Put stringouts of stories together in edit

Season 13Developing package concepts, show open ideas, and various segments.Responsibilities for producing in the field: organizing and managing large crowds, b-roll, one on one interviews, home stories, rehearsals, reactions after performances, on the fly interviews. Home stories would require setting up a shoot, figuring out the story line, acquiring proper shooting permits and releases, coordinating crews transportation and create a shoot schedule. This is followed by managing and executing the shoot, making sure it is on schedule, crews break, conduct interviews, shoot b-roll, liaise shot tapes and equipment back to production.Responsibilities for producing segments with an editor: string outs, radio edits for individual stories, montages, packages, show opens.

Seasons 11 & 12Producing in all aspects of production, including in the field, conducting interviews, producing segments into acts in the edit, and producing live shows.~ Interviewing talent on and off camera~ organizing and developing a contestants story line~ arranging and shooting various segments including contestant home stories~ producing full segments in the edit.

~ Producing in field and the edit~ notating detailed transcriptions of daily shoots~ working on avid stations to prep footage for producers~ prepare scripts for Ryan Seacrest voice overs~ prep contestants for interviews~ handle multiple platforms of clearances as well as acquiring footage from other distributors.~ Coordinated clearances for materials, likeness, and locations.~ Note taking and transcribing interviews

Provide accomodation bookings for staff, crew, and talent including ground transportation (rental cars and limos), hotels, and flights (private and commercial).

Travel Coordinator for NYC Auditions. Arranged air, ground, and hotel accommodations for the staff, crew, and talent.

Arranged international travel for talent as well as hotel and ground transportation.

Open and close store, extend help to customers, manage the sales floor, keeping track of sales to meet expected goal segments, manage signage and store displays to match corporate expectations.

Organized dailies for multiple shows, duplicate, label, and distribute DVDs among the various departments.